Half Moon Street

The original story, a novella by Paul Theroux, was turned into a screenplay, also by Theroux (he wrote several). It was terrific. You couldn't put it down. It was a highly-atmospheric work with complex characters. We struggled to find the right director, who could give it the right kind of film noir look at which Theroux was clearly aiming. We ran into early problems when few actors we approached for the female lead were willing to play this kind of a role. The nudity was not an issue; they just didn't "identify" with Dr. Slaughter.

Signing Sigourney Weaver was a blessing but also a problem since she's taller than most leading men but fortunately, so is Michael Caine. We got lucky in that combination. We had long conferences with the director, who seemed to understand exactly what Theroux's concept was all about.

During shooting in London, the RKO team (in New York and Los Angeles; our post-production group was based in London) kept asking the head of production how things were going, how the dailies looked, etc. He told us they were on time and under budget, which was true.

When the film was finished, I went to London with the President of RKO Pictures to look at an assemble edit. It was almost unwatchable. I began to wonder if there was a good way to edit around the female lead. But it wasn't really her fault. Who could possibly undress Sigourney Weaver and make her look unsexy? That took a special kind of talent. We walked out of the screening room into the daylight of Dolphin Square and contemplated the end of our careers.

Fortunately we were able to make other pictures and have the time to spend the rest of our lives wondering exactly how to apologize for this one.

Half Moon Street is basically an average film with some good talent in it. From the reviews this is a movie people either love or hate, but I think the elements balance each other out and the end result lands it in the middle of the film quality spectrum. Sigourney Weaver comes across totally convincingly as a Mid East scholar who becomes an escort by night to make ends meet (anyone who is a fan of hers will probably appreciate her many nude scenes!). Michael Caine also gives a good performance as an English lord trying to broker a secret Middle East peace deal. Where this film falters is in the script, which is too talky and it seems to take a long time for the story to get going. The last twenty minutes is well filmed and exciting, but there is a lot of plodding to go through before the good part arrives. Fans of Caine and/or Weaver will probably love it; for everyone else, not really a bad film, but not really great either.

Before I give you my opinion of this movie, I must tell you that I bought it just for the fact that Sigourney Weaver was in it. Back in late '93 - early '94, I was just becoming one of Ms. Weaver's fans. I bought the video from a little video store close to my house. When I watched it, it was (and still is!) a real treat to see a topless Ms. Weaver. Not only is she topless in more than one place in the film, the whole "famous exercise bike" scene has to rank as one of the top ten seduction scenes in my book! That having been said, as the years have passed, I've grown to like the rest of the movie for what it is: a romance/political suspense movie. I have yet to read the book, but I hope to sometime. All in all, a great movie!

This starts off quite well, with some interesting ideas about traditions, rituals and values in different societies, however about halfway into it, the film starts to fall down, triggered by the introduction of thriller elements that just do not quite work. Sigourney Weaver delivers a strong performance throughout though. The rest of the performers do not do much out of the ordinary, but Weaver manages to bring a sense of credibility to her part, although she is too often topless. The partial nudity involving her is excessive for the film's story, but otherwise, she is great to have on screen, and her attractiveness does not hurt. There is not much of a directing vision to the material, the story is only half-good and there are probably a few other minor problems to be found. Sigourney Weaver certainly enlivens the material however, and the film is not bad to start with. For Weaver fans, it is definitely worth a look, however even for others it is satisfactory enough film-making to be perhaps worth checking out.

This tale of an American academic confronting sexism, snobbery and so on while getting mixed up in Middle East politics because she becomes an expensive escort seemed very with it when it was released but now seems very dated. Its view of feminism is pretty narrow. Michael Caine plays Michael Caine and Signourney Waver stands around talking about pretrodollars. The film does not aim for eroticism, but despite that shows plenty of Ms Weaver semi-naked. The ending is a cop-out, and also features an unbelievably incompetent hit man.