El samurai inmortal

Ghost Warrior (1986)

* 1/2 (out of 4)

The body of a 400-year-old samurai (Hiroshi Fujioka) is found frozen in Japan so it's moved to Los Angeles where a secret agency brings it back to life. It doesn't take long for the samurai to escape and start killing off some bad people but a reporter (Janet Julian) goes along with him to try and protect him from the agency who wants him dead before anyone finds out what they did. GHOST WARRIOR comes from producer Charles Band so that should tell you to expect a low-budget, silly story and nothing too spectacular. This here is a pretty strange film because it's clearly just trying to cash in on the success of other martial arts movies but I'm not sure who this film was aimed at. The story itself is somewhat sci-fi but those elements are never really explored. The martial arts stuff takes up a good portion of the running time but there's so much more that could have been done but isn't. Early on we get a campy scene where a bunch of punks are picking on an old man and then the samurai comes to his rescue. These scenes are pure camp and they are fun and help make the picture interesting. These scenes also contain some campy violence but sadly moments like these are so far apart from one another. The relationship with the reporter is just downright silly and never really adds up to anything. It's too this stuff wasn't eliminated in favor of more action. GHOST WARRIOR is the type of "C" picture most people are going to be expecting but it's too bad a little more effort wasn't put into it because we could have had a fun camp film.

Instead of trotting out a generic plot, "Ghost Warrior" is propelled by it's imagination. Suspend disbelief, sure, but this "fish out of water" scenario works. The story is straightforward and almost fable-like. The introduction of an honorable 16th Century fighting arts master to the sometimes dishonorable reality of modern Los Angeles, inevitably forces confrontation. An ancient warrior, re-animated by science, must battle for his life. The film is beautiful, especially flashbacks to the samurai's past. No better than average acting is easily forgiven, because the imaginative script holds your interest. Recommended for anyone looking for something out of the ordinary. - MERK

A moderately interesting start, some pretty scenes in sixteenth-century Japan, and a promising idea. But the execution? The comparison that springs to mind after about fifteen minutes is "Cannibal Women in the Avocado Jungle of Death." Really. A specialist in "Oriental history" who doesn't speak any Japanese, walks on tatami without removing her shoes, and is generally dumb as celery? Please. This looks like a student film: the sets are risible, the acting (except, perhaps, for the title character) close to wooden, the plot utterly arbitrary. At least "Cannibal Women" was funny! This is best watched with someone who knows something about Japan, just to watch disbelief repeatedly crawl across their face.

For all its modest running time, the unfairly neglected 'Ghost Warrior' (1984) is, for me at least, one of Empire Pictures more fascinating and singular productions, much like the iconic, neon-bright Sci-fi mash-up 'Trancers', 'Ghost Warrior' is a low budget, boldly inventive Sf/Chanbara hybrid about an enigmatic protagonist from an alternative time-line adrift in the greatly disorientating milieu of 20th century Los Angeles. Yoshi (Hiroshi Fujioka) an esteemed Samurai Warrior from 16th century feudal Japan is Rod Serlinged into a discombobulating diorama of unfamiliar technologies, amusingly prototypical B-Move Gang-bangers, a strange, oppressively vast city with its perplexing multitudes of baffling cultural incongruities, a burgeoning love affair that spans centuries, and the shock rocking sounds of L. A. metal warriors W. A. S. P all coalesce to make Yoshi's fateful sword-slashing exodus such a quixotic B-Movie delight! Two splendidly engaging lead actors, another nifty score by maestro Richard band, and some sanguinary Samurai showdowns made me a hardcore believer, man! 500 years ago deadly samurai Yoshi was left for dead, in 20th century L. A. he's woken up completely on the wrong side of his head!

This movie was pretty good, but not the best samurai movie. Hiroshi Fujioka, an excellent actor, did portray a samurai better than most actors have in past movies. Infact, Fujioka gave one of the best samurai performances of all time. He really knows his stuff. But it's the plot that keeps this movie from being one of the best samurai movies. And some of the acting is rather bad from Fujioka's supporting cast members. Hiroshi Fujioka is the main reason to see this movie. Mr. Fujioka used a REAL katana in this movie, which is rare in movies to use a real weapon.