El perfil del diablo

There's Jeffrey Combs doing his bit! "The Resonator, it's working! We know that, 'cos weird worms pop out of the air and try to eat your face! Love a doctor called Pretorius complete with mad laugh! Acting dialled up to 11 - "I want to see more than any man has ever seen!" Lovely makeup and gore effects - only Gordon does Lovecraft like this and has so much fun doing it - but it just gets silly as they totally lose it at the end!

Based on a Lovecraft story, this shows the danger of seeing and knowing too much. Campy horror director Stuart Gordon has Jeff Combs working on a machine (the Resonator !) that can help us to "see" other dimensions. When they turn on the machine, it brings monsters into this dimension. when the Doctor Pretorious is killed by his own experiment, Crawfod is locked up as a nut job. Barbara Crampton is Dr. McMichaels, trying to get to the bottom of his case. and of course Gordon puts his own wife Carolyn in here as another doctor. So they take Crawford back to the scene, and for some unknown reason, they think turning it back on is a good idea. Keep the kids away. Language, violence and nudity. S&M. a little something for everyone. and the weird thing is, they keep talking about the pineal gland, which really does control our sleep rhythms by controlling our melatonin level. and on some web pages, there are the discussions of flouride in our water supply. This "results" in the blocking of our ability to see the alternate planes. which is what this whole film is about! actually slightly based on "shakey science". who knew? it's all silly and campy and cheap and cheesy. but you'll have a fun time watching. not for the weak of heart.

Its been a while since I saw this, but I fondly remember it as being one of the wildest and most entertaining horror films of the 80s. I liked it even more than Re-Animator, partly because there is something more intriguing about parallel dimensions and the connection to schizophrenia, than Re-Animators simple (though still entertaining ) "dead come back to life"-scenario. Some of the outlandish effects seem to be influenced by Dali, bodies in a constant state transformation and re-evaluation. It is mind-boggling that it is still so hard to get a hold of on DVD, I only watched a British VHS copy years ago which had some cuts and I still long to see the original unrated version. The score, by Richard Band, is also impressively aggressive and atmospheric. Would somebody please just release it on DVD! They just don't make them like this anymore.

A fantastic throwback sci fi horror movie!

From Beyond is a really well put together movie that literally has all the elements this genre of films should have.

The effects, particularly for the age, are fantastic, a little silly yes, but really well done, they have to put a smile on your face when you watch them.

All the cast throw themselves into the story, they know its silly but they are committed to putting on a believable show. You have to invest with them.

No member of the cast is wasted all providing moments to revel in.

Overall From Beyond was just a lot of fun to watch, its not scary unless your'e a little kid, but it is grat fun.

Check it out :)

The cast and crew of the horror hit RE-ANIMATOR team up again for this stomach-churning ride through (literally) the human mind. Once again using Lovecraft as source material, Gordon and friends take the original story and add their own gruesome elements to the stew. Much overlooked alongside its more popular and altogether more famous brother RE-ANIMATOR, FROM BEYOND, while lacking some of the frenetic pace and macabre gags which made that film so good, still stands alone as a deliriously gory horror film, full of slime, blood, and body bits.

The film works best when it sticks close to Lovecraft's original tale, and the opening scenes in which Jeffrey Combs sees the mysterious eel-like things floating around in the air invoke thrills and fear at the same time. Unfortunately, as the plot progresses it rapidly unfolds and moves to a hospital, which is where the film is at a low point. However the climax - a predictably slimy and visceral conclusion - is well worth waiting for, if only to watch the special effects.

The acting is definitely tongue-in-cheek and in this respect is effective all round. Jeffrey Combs can do no wrong, even in the worst of bad films, and he's once again on hand to deliver the chuckles and chills with his particular brand of over-acting. Combs' transformation into a monster is rightly disturbing to watch. Barbara Crampton makes for a good heroine and looks very fetching in a black leather outfit, something you probably won't see anywhere else. As well as the two leads, DAWN OF THE DEAD's very own Ken Foree has a comic relief role as a policeman caught up in the horrific events. Watching Foree prance around in underpants made me think just how much I like this great actor, it's a shame he hasn't been in more films since Romero's classic gave him a certain cult status.

The special effects are the real stars of FROM BEYOND, and they range from the typical (brain eating, eyeball gouging) to the superb (big slimy monster things). The effects are used a lot and all are totally brilliant in conception, being wonderfully weird and odd, especially the slime creature and the monster in the basement. With a spine-tingling soundtrack and collaboration from three notable names in horror - Charles Band (a cheapie producer who now owns Full Moon Entertainment), Brian Yuzna (a delightfully sick individual) and finally Stuart Gordon, there is no way this film could miss the mark really. Overall, FROM BEYOND is a delightfully entertaining film which thankfully never takes itself too seriously and can be watched over and over again.