Flodder

An anti-social family moves, because of a ridiculous government experiment, into an upper class neighborhood. The neighbors do not except the "Flodders" in their neighborhood. Most of the jokes are about the inappropriate behavior of the Flodders and about the hypocrisy of the neighbors. Mostly crude humor, but if you like that sort of thing than you will find this movie entertaining. The characters are very stereotypical, which I think is a shame. One never really connects with the characters.

This movie clearly targeted an American audience rather than just a dutch audience.

Flodder, the movie adaptation of the beloved TV series, earns a solid 8/10 from me. While it may not capture all the elements that made the series exceptionally enjoyable, the film still stands strong on its own merits. It successfully brings the unique and uproarious world of the Flodder family to the big screen, offering a good dose of humor and entertainment.

The movie maintains the essence of what makes Flodder such a beloved franchise its quirky characters, offbeat humor, and the outrageous situations the family finds themselves in. However, fans of the series might notice the absence of Coen van Vrijberghe, whose presence added a distinct flavor to the show. His absence in the film is felt and leaves a bit of a void for those familiar with his contribution to the series.

Despite this, the movie does a commendable job of translating the chaotic and unconventional life of the Flodder family into a feature-length format. It retains the spirit of the series, while also introducing the characters and their bizarre lifestyle to potentially new audiences.

Dick Maas made and wrote his first of the Flodders-trilogy as a brilliant comedy without knowing that there would be two sequels which were not so strong. The housing problem in Holland in cities like Amsterdam or Rotterdam is acute and there is above all the problem of illegal immigrants. And what more is: living on a belt or next to a chemical plant can be dangerous. Flodder is more than a simple comedy: it is also a social satire of the cool Dutch bourgeosie who wants to be isolated of the big towns where there is criminality and so on but who goes to the warm countries during holidays to change their mediocre existence. Take Yolanda (Apollonia van Ravenstein), she is bored by her neighbourhood where never happens anything - there are f.i. no "café's" - and tired of her husband Kolonel Wim Kruisman (Herbert Flack) and she starts a sexual adventure with Johny Flodder (Huub Stapel). Alcoholism is also a subject of the movie: the alcohol is made at home and consumed in high quantities and whisky is drunk in floods by Kolonel Kruisman. This comedy is unsurpassed and is at the same time a sociological study of the escape out of town of the high-class citizens to the outskirts.

Well, at first you are astonished and laugh about the Flodder-Family. But if the movie continues you will see, that the freaks on this story are not the Family. It may be the truth that, to identify freaks positively, you have to confront them with other freaks.

Works still after 32 years. One of my favourite movies.

I have to admit, I have not seen much of this New Kids Nitro thing, so I'm just riffing on that show here. What I have seen though is all the 3 Flodder films that were released and the first one is the best of the bunch. Fish out of water and all that stuff.

Now the humor is quite mad, raunchy and really way beyond anything someone would call political correct - do not even touch this if you have issues with that subject matter. Because nudity, swearing (foul language) and many more things that are offensive are included. This is what you get, but the movie is true to itself and it has an inner logic (something that gets compromised even in the first sequel) ... Juvenille anarchic - and just couldn't care less if or how many it offends along the way.