CALIFICACIÓN DE IMDb
4.7/10
1.8 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaAn actor and a chef fathom a plot to fix a horse race and attempt at capitalizing it, while striving to tackle two of the hitmen responsible for the scheme.An actor and a chef fathom a plot to fix a horse race and attempt at capitalizing it, while striving to tackle two of the hitmen responsible for the scheme.An actor and a chef fathom a plot to fix a horse race and attempt at capitalizing it, while striving to tackle two of the hitmen responsible for the scheme.
- Dirección
- Guionista
- Elenco
Teddy Wilson
- Covington
- (as Theodore Wilson)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This just shows how out of touch I am when it comes to comedies. The score for this film is only four, but I actually really enjoyed it. I thought the film was funny through the whole film for the most part and I enjoyed Howie Mandel and Ted Danson's performances in this one. Granted there were a few jokes that really did not work such as the auction where they accidentally bid on the piano, but jokes that did not work all that well were few and far between for me. The film is kind of all over the place, but it centers a bit on a horse racing doping scheme that a man overhears. He is chased and ends up placing bets on said horse. He and his friend then end up buying a piano for a large sum by accident and then proceed to sell it to a person of dubious character. The buddies are played well by two guys who were more known for television at the time in Mandel and Danson. Danson is basically just doing a variation of Sam Malone from "Cheers" in this one, but it works and I thought he was very funny. Richard Mulligan also is in this one, and once again someone who would be known for a television role. The ending was good too. Well good for me, I liked this one, but from the score here I would guess that not many share my opinion of this one. So while I enjoyed it and think it was humorous I would read the other reviews of those who did not like it all that much to get the whole picture.
My heart sinks when I see a 3.8 User Rating for this hilarious comedy. You got Danson and Mandel in their prime and Edwards behind the camera. OK, it should have been better, but there's still some of Blake's trademark slapstick we all know and love from classics like A Shot in the Dark and The Party. Richard Mulligan is a standout as a dopey hood who places his shotgun in front of his crotch before firing. The plot, if you want to call it that, has more holes than a swiss cheese convention but I was laughing so hard I didn't care.
"A Fine Mess" is a sloppy comedy from Blake Edwards, director of "Micki + Maude", "Victor/Victoria", "10", and the "Pink Panther" films. I first saw "A Fine Mess" at the theater with my best friend when it first came out. I was only 15 years old at the time, and we laughed our heads off. You would think that today I would find this film to be incredibly stupid. Well, I just watched it again recently, and I still laughed at this movie. That makes "A Fine Mess" a huge guilty pleasure of mine. It's about Ted Danson and Howie Mandel getting mixed up in a fixed horse race, and spend parts of the movie running from two clumsy gangsters (Richard Mulligan and Stuart Margolin) who are responsible for creating this fixed horse race on orders from their mob boss (Paul Sorvino). In the midst of this fine mess they fall in love with beauties Maria Conchita Alonso and Jennifer Edwards (Blake's daughter). This movie was no doubt an embarrassment to Edwards, Danson, Mandel, Sorvino, and especially Mulligan and Margolin. They all make total fools of themselves. But I laughed anyway. It's notable for an appearence by a pre-"NYPD Blue" Dennis Franz and a bit part by a pre-"Babe" James Cromwell. But one thing I'll always remember about "A Fine Mess" is film critic Rex Reed's thrashing of the movie on the movie review show "At the Movies" when he and co-host Bill Harris (taking over for Siskel and Ebert) were reviewing their choices for the worst movies of 1986. Reed started saying quote "Well at least part of the title is accurate. "A Fine Mess". Well it's worse than a mess. It was an all out disaster, and there's nothing fine about it." It was quite obvious that Reed gave "A Fine Mess" no stars. But I give it three stars. I know I shouldn't, but I can't help it. This movie does make me laugh. If you decide to watch this, remember to check your brain at the door.
*** (out of four)
*** (out of four)
When Blake Edwards initially was putting this film together it was originally intended to star Burt Reynolds and Richard Pryor. Unfortunately due to Pryor's near fatal burning the film had to be recast. The Films original Title was 'The Music Box' taken from the Laurel & Hardy short film of the same title. Was made as a homage to classic comedies . Did not fair well at the box office. ************************************************************ ************************************************************ ************************************************************ ************************************************************
You can't blame Blake Edwards for making this kind of movie.
For years, he depended on the kind of pratfalls that course through "A Fine Mess" as his bread and butter, so to speak. They served the "Pink Panther" series well, and made Inspector Clouseau a world-wide reference point for the ultimate in clumsiness.
But for a movie that basically features two losers crossing the mob in a horse race then moving a piano to a rich lady's house, this film is all over the place. So many people introduced then forgotten, plot lines that go nowhere, laughs that are fun for the moment but have no context.
Shocking, really, this coming as it does from Blake Edwards, who once personified classy comedy with such works as the aforementioned "Panther" films, not to mention classics like "10", "Micki + Maude" and the under-appreciated "S.O.B.".
And with the calibre of talent, you'd expect great things; the manic Mandel, lecherous Danson, luxuriant Alonzo, and wackos like Mulligan and Margolin as mob flunkies all have the fire, but there's just nothing here to stoke the furnace.
There were separate moments here and there that gave me a smile but, like the movie itself, it just lives for the moment, then is gone.
TIDBIT - The idea for this movie actually came from a Laurel and Hardy short where Stan and Ollie try to move a huge piano up innumerable flights of stairs. Hence, the name.
It still is fitting: this movie is definitely a "Mess", if not a "Fine" one.
Three stars. Saved but for the virtue of Mulligan in the cast and a bit part for pre-"NYPD Blue" Franz.
For years, he depended on the kind of pratfalls that course through "A Fine Mess" as his bread and butter, so to speak. They served the "Pink Panther" series well, and made Inspector Clouseau a world-wide reference point for the ultimate in clumsiness.
But for a movie that basically features two losers crossing the mob in a horse race then moving a piano to a rich lady's house, this film is all over the place. So many people introduced then forgotten, plot lines that go nowhere, laughs that are fun for the moment but have no context.
Shocking, really, this coming as it does from Blake Edwards, who once personified classy comedy with such works as the aforementioned "Panther" films, not to mention classics like "10", "Micki + Maude" and the under-appreciated "S.O.B.".
And with the calibre of talent, you'd expect great things; the manic Mandel, lecherous Danson, luxuriant Alonzo, and wackos like Mulligan and Margolin as mob flunkies all have the fire, but there's just nothing here to stoke the furnace.
There were separate moments here and there that gave me a smile but, like the movie itself, it just lives for the moment, then is gone.
TIDBIT - The idea for this movie actually came from a Laurel and Hardy short where Stan and Ollie try to move a huge piano up innumerable flights of stairs. Hence, the name.
It still is fitting: this movie is definitely a "Mess", if not a "Fine" one.
Three stars. Saved but for the virtue of Mulligan in the cast and a bit part for pre-"NYPD Blue" Franz.
¿Sabías que…?
- TriviaLocation manager Ron [Ronald M. Quigley] scoured Los Angeles for the right kind of drive-in, only to find that nowhere in the megalopolis was one to be found. The solution was to locate a suitable parking lot and build the eatery to the specifications of the script. On a Brentwood corner lot, production designer Rodger Maus and his art and construction departments built a working drive-in dressed both inside and out with neon and jukeboxes, counter and kitchen. As soon as the building took shape, the local office personnel and residential neighbors began dropping by asking when it would open. They were very disappointed to learn that it wouldn't.
- ErroresWhen the thugs chase Spence and Dennis away from the racetrack in their car, they wind up crashing into a vending table full of stuffed toys with the collision seen in an interior shot. In the exterior shot that follows, the camera can be seen in the car's back seat.
- Citas
Dennis Powell: We're gonna die, Spence! We're gonna die!
Spence Holden: No we're not...
Dennis Powell: I still have orders!
- ConexionesFeatured in The Temptations: A Fine Mess (1986)
- Bandas sonorasA Fine Mess
Written by Henry Mancini and Dennis Lambert
Produced by Peter Bunetta and Rick Chudacoff for Ripe Productions
Performed by The Temptations
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- How long is A Fine Mess?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 15,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 6,029,824
- Fin de semana de estreno en EE. UU. y Canadá
- USD 2,620,657
- 10 ago 1986
- Total a nivel mundial
- USD 6,029,824
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By what name was El gran relajo (1986) officially released in Canada in English?
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