Un experto en diversiones

Matthew Broderick looked so brilliant in those days. While this film single handedly made him Ferris Bueller forever, at least this is a film that can be seen all throughout the years without dating too badly. Sure, the music and props will signify a time of discontent and bad hairdos, but the idealistic look of a man simply wanting to ditch school has never been made more daringly and charmingly.

Everything about this film was gold, from the postmodern "conversations" with the audience to the little back stories which seem to shape the overall canvas of the film. While Alan Ruck was way too old to play in this movie, at least he proved to be a great opposite to the cool and nonchalant Ferris. Gross-out comedies may now be the norm, at least we can look back to this film and enjoy a good, genuine laugh.

First of all let me say that this movie is genuinely, ingeniously funny, the watch-it-twelve-times-and-it-never-gets-old kind of movie. I myself have seen it seven and a half times and will probably view it again before the end of summer. The movie stars then 23-year-old Matthew Broderick as 17-year-old Ferris Bueller, a high school student who would like nothing better than to be done with school. So he gives in to a strong temptation to cut class and go to downtown Chicago with friends Cameron and girlfriend Sloane (who he gets out of school extremely cleverly, and quite hilariously i might add!). It doesn't take long for principal Edward Rooney to catch on to Ferris's skipping, so he tries as hard as he can to catch him, but is going on about it quite unsuccessfully. All through the movie we learn of Cameron's struggles with his parents and life itself, and through all the hilarity of the movie Cameron finds a part of himself that he hadn't been able to find before. The movie consists of several several fun scenes, such as the German American Appreciation Day Parade, in which Ferris climbs onto the Great Float and the parade-goers dance to "Danke Schoen" by Wayne Newton and "TWIST AND SHOUT" of course, by the Beatles. Other very important characters are Jeanie Bueller, his revenge-seeking sister who can't seem to understand why Ferris gets away with everything, and Grace, the absent-minded and honest-to-a-fault secretary. There are so many left out parts and characters but to see them all you'll have to watch the movie (you won't regret it!). "Life moves pretty fast. If you don't stop and look around once in a while, you could miss it." -ferris bueller I give this movie 2 thumbs up, if only i had more hands i could give it a higher rating....

On my IMDb "Top 10 Greatest Comedy Films" list.

No other "Coming Of Age" teen film since has been able to knock Ferris Bueller off its post-American Graffiti "COA" throne. Like the 1961 Ferrari GT 250 SWB California portrayed in this film (more than one used in production, and all were well-made knock-offs as no one was going to risk knocking around an ultra-rare $25M collectable), there is simply no substitute (George Lucas' American Graffiti' still reins as the all-time #1 COA film, but that came 10 years earlier, and is in a class by itself, although this film is also deserving of being considered an "important and significant film").

This was John Hughes' 4th directed movie, during his most prodigious period from 1984 to 1990, that also included 'The Breakfast Club' and 'Home Alone'.

Hughes tried to portray teens realistically and gave them relevance in his films - he was empathetic to the challenges of adolescence, and consciously avoided Hollywood's often shallow characterizations of the teen high school years.

The Library of Congress selected the film in 2014 to be preserved in the National Film Registry, honoring FBDO for its cultural significance.

Presenting "the 1980's", the golden era of teen flicks. This is another outstanding classic.

What makes the whole idea absolutely hilarious is that this isn't at all something teenagers would do when taking a breather from school. Fine dining, art exhibits and parades, really? Or how would I know, perhaps the jazz was different back in the 80's.

The humour here is very subtle but effective all the same. It's hidden in the facial expressions, gestures and tone of voice. I particularly enjoyed the famous 'staring at a canvas' scene which I found both highly entertaining and profound at the same time.

Modern-day film and television industry could take a lot from this one. It shouldn't be all about the bawdy comebacks and toilet jokes. Humour is most effective when it's undetected.

But on a more serious note, there are actually important themes that are discussed here whether it's defying your parents, discovering your abilities or keeping your friends close but enemies even closer.

With both its lighter and more serious facets I know a comedy when I see one. And this is pure comedy gold.

I remember watching this movie, and while I loved the first 2 acts, both full of endless laughter, I couldn't help but think that Ferris Bueller was something of a narcissist. He does many seemingly selfish things; lying to his parents, humiliating his principal, and putting his 'best friend' in danger, all so he can have 7 carefree hours off of school. It is not until the 3rd act that he becomes a 3-dimensional character, and we begin to understand him and realize he is not the sociopath we might have assumed he is. While it seems he does all the things he does for his own pleasure, it becomes clear in the last 20 minutes he was really doing it for his friend. At the beginning of the movie, Cameron is timid, constantly worried, and unsure of himself. We learn his parents argue, and his dad neglects him, and would rather work on his Ferrari instead of spending time with his son. Throughout the movie, Ferris tries to boost his friend's self-esteem, and by the end, he has succeeded. His friend is a completely different person, and most of the major characters are, notably his sister. However, Ferris doesn't seem to change at all. He helps his friends become better people, but in doing so, he isn't changing at all.