Agrega una trama en tu idiomaA psychopathic killer in pursuit of his next victim crosses paths with Patricia Teeling (Moira Harris), full of enthusiasm for her new life in Dublin.A psychopathic killer in pursuit of his next victim crosses paths with Patricia Teeling (Moira Harris), full of enthusiasm for her new life in Dublin.A psychopathic killer in pursuit of his next victim crosses paths with Patricia Teeling (Moira Harris), full of enthusiasm for her new life in Dublin.
- Dirección
- Guionistas
- Elenco
Moira Sinise
- Patricia Teeling
- (as Moira Harris)
Bairbre Ní Chaoimh
- Monica Quigley
- (as Bairbre Ni Chaoimh)
Jim Bartley
- Hugh Teeling
- (as James Bartley)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
1. If you are filming a movie in scenic Ireland, your lead should be: a).a famous American actress, b). an unknown Irish actress, c).an unknown American actress who is incapable of maintaining a convincing Irish accent.
2. When your villain, "the Phone Call Killer", telephones his victims he should: a). speak in a eerie, sinister voice, b). not speak at all but only breathe heavily, c).talk like Kelsey Grammar's character "Sideshow Bob" on "The Simpsons".
3. If you are making a murder mystery, you should have: a).a multitude of possible suspects, b). only two possible suspects, c).only two suspects, one of whom is such a ridiculously over-the-top red herring that he couldn't possibly turn out to be the killer.
4. At the climax of the movie the villain should: a). stalk the heroine with a big knife, b). chase the heroine with a giant axe, c).use the heroine's bare ass for his own personal set of bongos.
5. If you are director Robin Hardy and you have directed the cult horror classic "The Wicker Man" you should follow it up with: a).another cult horror classic, b). a lesser--but not completely embarrassing--effort, c)."The Fantasist"
2. When your villain, "the Phone Call Killer", telephones his victims he should: a). speak in a eerie, sinister voice, b). not speak at all but only breathe heavily, c).talk like Kelsey Grammar's character "Sideshow Bob" on "The Simpsons".
3. If you are making a murder mystery, you should have: a).a multitude of possible suspects, b). only two possible suspects, c).only two suspects, one of whom is such a ridiculously over-the-top red herring that he couldn't possibly turn out to be the killer.
4. At the climax of the movie the villain should: a). stalk the heroine with a big knife, b). chase the heroine with a giant axe, c).use the heroine's bare ass for his own personal set of bongos.
5. If you are director Robin Hardy and you have directed the cult horror classic "The Wicker Man" you should follow it up with: a).another cult horror classic, b). a lesser--but not completely embarrassing--effort, c)."The Fantasist"
I saw this movie for one reason and one reason only and, probably like everyone else who has seen it, that reason is because the film is directed by Robin Hardy; the man behind the all-time cult classic 'The Wicker Man'. I honestly have no idea how a man behind such a great film as The Wicker Man could end up directing something as crap as this. The Fantasist does not have a very good reputation, and that's hardly surprising as this film is completely boring. It was thirteen years between the release of this film and Robin Hardy's classic, but I actually believe that shooting for The Fantasist began in 1974, only production was slow as the cast and crew kept on falling asleep during shooting! The film takes place in Ireland and follows an Irish woman who moves to Dublin. It's not long before she begins receiving obscene phone calls from a stranger, and (coincidently?) there also happens to be a killer on the loose known as 'The Phone Call Killer'. Most people in that situation would change their phone number, but our heroine is drawn to the mystery caller instead...
The film starts off slowly but any hopes of it getting better are quickly dashed when it becomes quite clear that the pace is never going to pick up. This movie will grind you down; such is the sheer boredom on display. The film could be termed a slasher since people get sliced and diced, but it seems that Robin Hardy wanted it to be a bit more than just a slasher, and it's backfired horribly as there is no interest created around the central premise which absolutely kills it. Robin Hardy also had no luck in the casting department either as American actress Moira Harris fails to convince or generate any sympathy from the audience. The Wicker Man was a largely aesthetic affair with the picturesque island featuring strongly as well as the standout ending; but there's nothing like that here; all the locations are dreary and drab and that adds to the intense torture that is The Fantasist. Hardy probably wanted the movie to be a bit steamy and while there are brief flashes of nudity, the film certainly isn't sexy (though a sequence that sees the killer undress a girl with his knife is one of the few memorable moments). It all boils down to a stupid and predictable ending and overall, I would not recommend this rubbish even to hardcore fans of The Wicker Man.
The film starts off slowly but any hopes of it getting better are quickly dashed when it becomes quite clear that the pace is never going to pick up. This movie will grind you down; such is the sheer boredom on display. The film could be termed a slasher since people get sliced and diced, but it seems that Robin Hardy wanted it to be a bit more than just a slasher, and it's backfired horribly as there is no interest created around the central premise which absolutely kills it. Robin Hardy also had no luck in the casting department either as American actress Moira Harris fails to convince or generate any sympathy from the audience. The Wicker Man was a largely aesthetic affair with the picturesque island featuring strongly as well as the standout ending; but there's nothing like that here; all the locations are dreary and drab and that adds to the intense torture that is The Fantasist. Hardy probably wanted the movie to be a bit steamy and while there are brief flashes of nudity, the film certainly isn't sexy (though a sequence that sees the killer undress a girl with his knife is one of the few memorable moments). It all boils down to a stupid and predictable ending and overall, I would not recommend this rubbish even to hardcore fans of The Wicker Man.
I just finished watching this movie this weekend for the second time, having seen it on TV about six years ago. And it was just as good as I remembered it to be. The plot twists are very very clever, enough to keep you guessing to the end. My g/f commented that it was a bit slow to get started, but once we got into it, she was guessing who the culprit was all the way through.
One other thing - the scenery shown of Ireland is absolutely gorgeous.
One other thing - the scenery shown of Ireland is absolutely gorgeous.
It was made 13 years later (1986) and was marketed on video in the U. S. as a slasher film which it absolutely is not. I'm not even sure if THE FANTASIST was released in the U. S. theatrically and it is just now making its DVD debut there. Yes, there is a serial killer and a couple of women die but, that's not what the film is really about. The movie is set in Dublin and it deals with one woman's attitudes toward men and sex in then contemporary Ireland.
The central character of Patricia (Moira Harris) is a country girl who goes to Dublin to make her way and to escape her parochial family who have other plans for her. Although she is savvy enough to be wary of most men, she is still on the lookout for Mr Right. While there she becomes interested in an American writer (Timothy Bottoms) and then becomes the target of the "phone killer" who has murdered Bottom's wife along with several other women. Could it possibly be Bottoms and if it isn't then who is it?
Writer-director Hardy takes this scenario and invests it with observations on the nature of relationships from a woman's point of view. He also explores the darker side of sexuality as the titular character is obsessed with recreating a famous nude painting by Francois Boucher of Louis XIV's mistress (who happened to be Irish). This gives the film the elements of an Italian "giallo" but if you've come looking for a typical slice and dice offering than forget it.
As was evident from THE WICKER MAN, Robin Hardy has more on his mind than just a simple crime story. There are a number of eccentric, occasionally humorous touches including a truly bizarre spanking scene. It also has a hurried, unsatisfying ending. Still THE FANTASIST has something to say and should be seen for its social observations if nothing else. It's a hard film to categorize and, as such, will have a very limited appeal...For more reviews visit The Capsule Critic.
The central character of Patricia (Moira Harris) is a country girl who goes to Dublin to make her way and to escape her parochial family who have other plans for her. Although she is savvy enough to be wary of most men, she is still on the lookout for Mr Right. While there she becomes interested in an American writer (Timothy Bottoms) and then becomes the target of the "phone killer" who has murdered Bottom's wife along with several other women. Could it possibly be Bottoms and if it isn't then who is it?
Writer-director Hardy takes this scenario and invests it with observations on the nature of relationships from a woman's point of view. He also explores the darker side of sexuality as the titular character is obsessed with recreating a famous nude painting by Francois Boucher of Louis XIV's mistress (who happened to be Irish). This gives the film the elements of an Italian "giallo" but if you've come looking for a typical slice and dice offering than forget it.
As was evident from THE WICKER MAN, Robin Hardy has more on his mind than just a simple crime story. There are a number of eccentric, occasionally humorous touches including a truly bizarre spanking scene. It also has a hurried, unsatisfying ending. Still THE FANTASIST has something to say and should be seen for its social observations if nothing else. It's a hard film to categorize and, as such, will have a very limited appeal...For more reviews visit The Capsule Critic.
The plot jumps around a bit so you really don't understand the connections between various characters, and the movie is quite illogical at times. However, there are enough freaky moments to make this worth viewing. "What the Hell?!" popped into my mind many times- in a pleasurable way. The dialogue is great as well. If you want an interesting experience, bear with this VERY odd one.
¿Sabías que…?
- TriviaThe band in the nightclub is Level 42 playing their song 'Love Games'.
- Citas
Detective: [speculating on sex-killer's identity while inspecting murder scene] He's... unlikely to be a missionary.
- ConexionesFeatured in Katarina's Nightmare Theater: The Fantasist (2012)
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