La decadencia del imperio americano

I never had a good reason to add a review to the existing ones on IMDb, but this time I was appalled by the lack of critical thinking displayed by the majority of the reviewers.

This movie is *not* about sex, *not* about the sexual lives of the characters, and *not* about the battle of the sexes. As the title explicitly states, It is about the moral decline of a society, which in this particular case is made manifest through the over- indulging of the main characters on their sexual life and on their own personal gratification, at the expenses of their families, friends, and social group at large. This line of thought is made clear at the beginning of the movie. First, we see the main character – Remy – explaining the role of numbers in history, and claiming there is no place for morality in history, and thus drawing a line between personal and public history.

We then see Diane – one of the main characters – interviewing Dominique – the chairperson of the History department – who has just written a book entitled "Changing Concepts of Happiness". She draws a parallel between the American society at large/Empire and the Roman Empire, arguing that the search for personal happiness is associated with the decline and fall of a society. When people are too concerned with seeking quick gratification of their appetites while ignoring their responsibilities within family and larger social group, society is doomed to collapse.

And what we learn from the dialogues and the interactions that follow proves just that. What we see is that the lives of these so-called intellectuals are only marginally interested in history and the intellect. Their lives are centred around their never ending sex-hunt, and around the lies they consciously tell in order to hide the things that even according to their moral standards are considered rather unacceptable. Their relationships are fundamentally shallow and deceptive, and towards the end of the movie the whole sand castle comes crumbling down, and all is left is a huge nothingness, their nihilism, their lack of moral values and ideals. And so the story comes full circle while the characters sit together and listen to Dominique's interview, which reiterates the theme of decay, and is also the catalyst that will make the castle crumble down.

The dialogues are absolutely brilliant, and it is perhaps easy to be absorbed and forget about the broader theme, and when the movie ends you are left with a sense of desolation, even desperation, the same feelings that permeate the character's lives.

This film, made in the mid-eighties about yuppies and their lives still holds up 15 years later. It was a contemporary movie then, it is now an impressive period piece. A drama/comedy about four man who are cooking, waiting for their wives who are at the gym and all 8 talk about sex, their lives, sex, fine wine, sex and living in the suburbs! The dialogue is witty and true and never the battle of the sexes has been fought so ferociously and with such verve! You will have a treat remembering how our lives were then. A perfect 10

Then get ready for a dialogue heavy, intellectually stimulating (among other things) film about 4 men, 4 women, sex, and sociology.

I enjoyed the conversations and how the director enhanced them with flashbacks. These were the evidence to the theses that the characters were proving. You could tell that there was as much physical humor as there was dialogue-based humor! When Diane (played by Louise Portal) described what sexual positions this 'real man' would put her in, she lied on the field and literally stretched them out! Another scene took place back at the vacation home with the 4 men. They got into a convo about how silly and mundane it was to pick up girls while dancing at a disco. They all got up and started dancing! While chatting up academics as small talk! The climax of the movie was particularly moving and heart-breaking. Can you see how I'm talking mostly about the plot? This is a great film that has a lot of movement in it, and it doesn't take a lot of walking and changes of scenery to keep it going!

Each time I see this film, I know how truly wonderful cinema can be at its best. This film, which amazingly is 16 years old (don't know where the time went - frightening!!) is still as fresh, witty and engrossing as it ever was. The story revolves about a group of academics, getting ready to attend a dinner party, the men and women separately(prior to the dinner) discussing with each other their lives loves hopes and fears - sounds dull doesn't it? Well dont you believe it!! Considering its such a dialogue based film, the time flies by due to the superb performances by all involved. Yves Jacques is outstanding as the gay character, whose facial expressions and body language in the film convey what only an actor of the finest calibre could. Louise Portal as the unattached woman longing for a meaningful relationship is also worth a mention amongst the cast. I enjoyed this film so much, that I turned my rusty 'o' level French into fluency so that I could appreciate other French language movies fully, prompted my first visit of several to Montreal where once I actually, believe it or not, bumped into Remy Girard (one of the actors) in the street and started a lasting love of non-English speaking /and or art house movies when previously I had only watched popular box office. I can't guarantee you will love this movie as much as I do, but if you approach it with an open mind, I am sure that you will thoroughly enjoy it. By the way, its about time this movie was released on DVD, especially when you consider some of the junk which has!!!

Having lived and taught at a francophone public university in Montreal in the early 1970's, I found this movie (just recently available through Netflix) accurately reflecting the preoccupation with sexual liberation, sexual experimentation and gender equality among so many Quebecois. Starting in the 60's, and definitely continuing into the 70's, Quebecois totally overthrew centuries of social control exercised by a particularly conservative Catholic church. Except for the 17th century language with its unique pronunciation, and maybe "cabane-a-sucre" (maple syrup) parties in late winter, countless traditions and social hierarchies apparently were scrapped. I believe sexual exploration and questioning of authority went far deeper than in the US, at least among the many urban middle and working class young people I met in that period. Yes, "Decline ..." is wordy, but words have their own eroticism, and mind-body integration is a big part of the sexual liberation the characters were facing, for better or worse. If you like this movie don't miss the sequel, The Barbarian Invasions, which reexamines these characters from a (hopefully) more mature perspective, skillfully weaves death and desire, and is just a great movie.