La miel del diablo

Cecilia (Blanca Marsillach) is in love with the sax player Gaetano (Stefano Madia) who has an accident with his motorbike. Later, Doctor Guido Domenici (Brett Halsey) supervises the operation, but he makes a fatal mistake because he doesn't pay attention. He has problems with his wife Carole (Corinne Clery) who wants a divorce. Understandably, Cecilia doesn't care about the doctor's personal problems - she only knows he is responsible for the death of Gaetano and wants revenge. She phones him, threatens him, then abducts him, tortures him and says she will finally kill him. However, as they spend a lot of time together, a strange relationship begins to form... (Note: the names of the characters are different in the original Italian version compared to the English version.) Although this may have similarities with "9 1/2 Weeks" on the surface, "Il miele del diavolo" reminds me more of the deeper, obsessive films of Andrzej Zulawski or even Luis Bunuel. Stylistically, this is quite experimental, as Cecilia sees her dead boyfriend walking around and has flashbacks like visions. Beyond the obvious bits of exploitation, this is an ambitious and interesting work by Fulci (who briefly appears as a talisman seller).

Devil's Honey, The (1986)

** 1/2 (out of 4)

Bizarre film for Fulci sees him in more of a Jess Franco type of territory. In the film, a woman (Blanca Marsillach) loses her mind after the death of her boyfriend. Even though it was his fault, she blames the doctor (Brett Halsey) who was operating on him when he died. Soon the woman kidnaps the doctor and plans to torture him both physically and sexually. This certainly isn't the type of film you'd expect someone like Fulci to make especially during this period in his career. Throughout this decade we were getting non-stop violence and gore but that's all cut out here and in its place is non-stop nudity and bizarre sex scenes. The first twenty-minutes of this film features one sex scene after another and it appears they each get more and more bizarre. Fulci's THE NEW YORK RIPPER was pretty perverse but so is this film and that includes a scene where the boyfriend "satisfies" the woman by putting his trumpet up to her private parts and playing. The sex scenes never reach the hardcore stage but Fulci handles them pretty well, although he never quite reaches a full erotic mode. The biggest problem for me was the actual screenplay and the entire revenge aspect. One could compare this film to Franco's SHE KILLED IN ECSTASY but that movie worked a lot better because we understood the woman's need for revenge. That's not the case here for a couple of reasons. The first being that the man is a complete jerk to her so we really don't care when he dies. The second reason is because the woman is simply blaming the wrong person for his death. There's no way around that and it's hard to buy into anything she's doing because you simply don't agree with her. Halsey, a soon to be Fulci regular, does a pretty good job in his role but there's no question that the film belongs to Marsillach who really digs deep into her character. The two work quite well together and certainly make the film a lot better than it really has the right to be. The brisk 78-minute running time moves pretty well and the jazz score is quite nice as well. Fans of Fulci will certainly want to check this one out but others probably won't find too much entertainment here.

I do know Fulci as a horror buff from his splatter flicks but I even knew him from his sometimes almost porn look-a-like flicks. This here doesn't fit in one of those categories.

There isn't any blood to see in a gory fashion but it do gives the viewer a lot of nudity. Weird for being made in the late eighties that armpits are still hairy and bushes aren't trimmed. Nevertheless, for me this is a pure sleazefest. We do see some kind of masturbation done by a saxophone and we do have a close up of a pussy being satisfied with lipstick. If that isn't sleazy enough one guy is being wanked off by his girlfriend while riding a motorbike. Corinne Cléry is almost naked the whole flick and it is as gratuitous as it can get. It also contains the Stockholm Syndrome.

it's a weird story full of sex and torture towards the end. Fulci fans do search this rare to find flick but it's findable on fleamarkets in the Netherlands and Belgium on VHS. Most copies that are being sold on DVD do contain Dutch subs.

As I said before, not a typical Fulci but not boring at all.

Gore 0/5 Nudity 3,5/5 Effects 0/5 Story 2/5 Comedy 0/5

Lucio Fulci's name has become synonymous with gore; and that is unfortunate, as there's so much more to the great Italian director than just splatter flicks. The four pre-Zombi 2 Giallo films that Fulci made prove this, and there's enough other gems dotted throughout the man's filmography that go a long way towards proving it further; The Devil's Honey being one of them. This is a surprisingly restrained film considering the more famous Fulci flicks, although the lack of gore is somewhat made up for in nudity; as this film is certainly not short on that front. The first twenty minutes aren't a far cry away from being a porn film, and it's not until the first plot point that we realise Fulci does have actually have a story to tell. The plot follows a young man who has an accident (which is completely his own fault) and ends up on the operating table of Doctor Simpson, a man tormented by his nagging wife and questionable manhood. After the young man dies, poor old Doctor Simpson begins receiving irritating phone calls from a woman repeatedly asking why he let the man die. Before long, he finds himself the captive of the vindictive female.

It has to be said that the story plays out well, and while it's not exactly plot heavy; Fulci does a good job of keeping the sexual tension high, and that is highly beneficial since it's the main point of the movie. The film is bound to appeal to sadists and feminists alike, as much of the movie features the young women exacting her revenge on the man she blames for the death of her lover. The main intrigue comes from the relationship between the two leads, as although their acquaintance is based on hatred; they soon develop a perverse love for one another. Perhaps the most surprising thing about this film is the fact that the love doesn't come across as contrived! Fulci sets up the characters so well that it's easy to see how and why this relationship transpires as it does. The only real problem with the film is that Fulci spends a little too much time with flashbacks between the girl and her dead lover, and this takes the focus away from the girl and the doctor, which should always be kept at the forefront of the film. However, The Devil's Honey works well in spite of that and overall this little thriller is well worth seeking out! I'd also like to give a quick mention to the poem that the movie takes its title from, as like the rest of the film - it's rather good!

Lucio Fulci, who is sometimes referred to as the "Godfather of Gore" (an honorific he shares with Herschell Gordon Lewis) is best known for horror films in which logic takes a step back to striking visual aesthetics and over-the-top gore. I don't mean this as criticism but rather as an observation in the spirit of acceptance that art does not necessarily always have to make sense.

In DEVIL'S HONEY, Fulci brings the same kind of aesthetics to the erotic thriller genre, and it makes for a movie which contains several scenes that have to be seen to believed. There is no gore to speak of, but it seems Fulci applied the same approach he uses in his gore scenes to his sex scenes.

All the major characters have kinks, and when tragic circumstances bring two of them together in a highly unusual manner-one kidnaps the other as part of a revenge plan-lo and behold, the kinks of the two turn out to complement each other.

This film is not for vanilla lovers. It is hard to categorize, as it is not quite porn and also not mainstream in any sense. There are not very many movies like it out there, the closest I can think of being THE IMAGE (1975) in terms of the kink, and the much tamer SEX &THE OTHER MAN (1995) in terms of the basic concept.

The movie is probably most of interest for those who would like to broaden their horizons in terms of what has been captured on film.