Si quieres puedes volar

Like other commentators before me I watched this film as a young man and it touched me. In fact it moved me to tears. Now I am older I am still touched by the simplicity of this film and yet it is complex in showing us that from adults to children we all have things to deal with. The reason why Eric Gibb could fly is the most touching of all and in case there are people who do not believe that it is possible for one to sense tragedy in one close to you, believe me it's real.

As I pen this comment I have just watched it again and cannot help but feel that even twenty years plus since this movie came out there is the scope for a sequel 'The Man who could fly' I am not talking about a TV series but a one off movie showing our stars meeting again in adult hood. Something to think about. I liked this movie and I would like to own it on DVD should it be released for the European audience.

I'm so tired of modern family movies full of fart jokes or movies where teenagers make love to pastries and it's supposed to be funny and then they staple on some superficial message at the end in an attempt to be poignant and balance out all the trash that came before. Every other week we are tortured with some nonsense of this calibre and whenever I wish for a movie that stands out from the crowd I have to go back in time and consider some overlooked gem. The Boy Who Could Fly is exactly that.

The characters seem so real and their emotions genuine, it builds at a slow pace but it never gets boring and story development is consistent. This is not a ferociously loud summer crowd-pleaser or something bloated with pointless SFX. Very few movies have the power to make a whole story out of characters and situation alone without feeling the need for some ridiculous set piece or blaring thrash metal guitars.

In fact Bruce Broughton's score is the wonderful opposite of that. The performances, especially the two leads, are flawless and the direction is far more refined than the typical. Everything in this movie comes together perfectly to make a film so unique and charming. If you have lost your faith in the current dreck that graces our screens and if you want a family movie with some meaning and subtext then check this out. And keep an eye out for director John Carpenter as on of the Coupe De Villes.

The DVD is in 1.78:1 anamorphic widescreen and in Dolby 2.0. It has an introduction by Jay Underwood and director Nick (Michael Myers) Castle, they also feature in a commentary with Lucy Deakins and Fred Savage.

In an atmosphere of fantasy, the movie explores several real human issues. The story centers on a mother (Bonnie Bedelia), her young teenage daughter (Lucy Deakins), and her pre-teen son (Fred Savage) as they struggle to cope after the beloved father's sudden passing. Their grief is intensified by the manner of his death and their almost immediately having to adjust to a new life, a new home, a new neighborhood, and for the kids, a new school and new friends. Into this mix enters Eric (Jay Underwood), the apparently autistic teenage boy next door, who is coping with demons of his own as a result of his parents' sudden death in an airplane crash. So grief is involved, and adjustment, and trying to fit in, and acceptance of human differences, and courage, and love - love within a family group and among people, as well as real boy/girl love. Writer-director Nick Castle deals with these issues with respectful sensitivity, as does the excellent ensemble cast of Lucy Deakins, Jay Underwood, Bonnie Bedelia, Fred Savage, Colleen Dewhurst, Fred Gwynne, and Mindy Cohn. That fantasy might be important to plot movement shouldn't be surprising, considering the movie's title. However, whether that fantasy is allegorical or real, or both, is in the eyes of the beholder. In any case, it's a warm and poignant tale, and it deserves a high place in the literature of motion pictures.

The Boy Who Could Fly is one of those rare family films that mixes just a touch of fantasy with a truly down-to-Earth dramatic story.

Following the death of Bedelia's husband, she moves her family into a new neighborhood next door to an autistic young man (Underwood). Deakins gains interest in Underwood's silent world of thought while attempting to keep things stable at home. Unusual things begin to happen around Underwood. While life seemingly falls apart for her family, Deakins and the audience are irresistably drawn into Underwood's world and we begin to question if his apparent dream to fly isn't more than just a fantasy. The acting in this film is superb, especially silent Underwood who conveys more thought and emotion with his eyes, face and body than the actors who speak. Bruce Broughton's melodious score is heartwarming and delivers full enchantment for the "flying?" scenes. (The main theme is so enchanting, the Walt Disney company has used it to open every film at their El Capitan theater in Hollywood, CA). This is a wonderful film for the entire family. Slight warning: for families that have recently lost a parent, it would be a good idea for the other parent to watch with the kiddies. And although they may find themselves dealing with the emotion of their trauma, they should feel much better when the film ends.

A classic 80's film that nears cheesy pap but still avoids and retains heart through excellent pacing, dialog and acting. It might not hold up as well as when I first saw it because the family film concept had not yet been run into the ground yet for me.

Fred Savage does a good job in an interesting subplot that involves a bully and funerals for GI JOE soldiers. Fond memories of his confrontation with the neighborhood bullies still color my memory of this film.

A fun warm family fantasy that seems to be in short supply as of late due to it being nearly impossible to make something realistic because of the amount of film cliche in the modern world. Still, the film is very watchable and fun. 7/10