Rescate en el barrio chino

Kurt Russell stars as Jack Burton, a long haul truck driver who ends up getting caught up in this bizarre fight in San Francisco's Chinatown district. As an aside, never once does he have a trailer hooked up to his rig. What exactly is he hauling? I guess I can assume he picked up a trailer from his origin point, dropped the trailer off at his destination, and now is driving through San Francisco enroute to pick up another trailer to bring somewhere else? Who knows.

Russell gets caught up in this crazy conflict in Chinatown involving a Chinese prince/crime lord. It seems that the prince/crime lord have kidnapped Russell's friend's fiancee--a beautiful green-eyed Chinese woman. It seems that the a green-eyed woman is the key to removing an ancient curse that keeps the prince/crimelord immortal and flesh-less. Kim Cattrall appears as a green-eyed American woman who I guess just lives in Chinatown and knows all about the conflict. Cattrall's green eyes end up attracting the interest of the Chinese prince/crime lord who decides to kidnap her as well, thinking that he can offer her up as tribute to the god who placed the ancient curse on him, then the green-eyed Chinese woman will live out her life as his unwilling wife.

This movie was ridiculous and absurd in all the best ways-- lots of extended gymnastics tumbling scenes, overly long airborne sword fights, people jumping much higher than they should be able to, a monster with an eyeball on the end of his tongue, Russell getting his boot knife stuck in a guy's body, blinding lasers coming out of people's mouths, lightning strikes emanating from people's bodies... this movie has everything.

This is one of the wildest stories ever: a cartoon come to life and a mixture of an old-time serial with modern special-effects with bold colors all the way through.

This movie is pure tongue-in-cheek. One just has to take nothing seriously in here and just go along on the wild ride. From the nonsense mystical Chinese sorcery that is taken so reverently, to the American hero "Jack Burton" (Kurt Russell) who displays the fearless macho man, to combatants flying through the air (this was 15 years before Crouching Tiger, Hidden Dragon was filmed), to one exotic character and situation after another - it's all absurd fun.

Russell plays his role to the hilt, playing his favorite kind of role when he was younger: brash, bold and an ignoramus who fears absolutely nothing. His lines are deliberately corny and one can bet he had a lot of fun making this movie. He even gets in a few good comedic lines. His partner, Dennis Dunn, is a likable guy with a devilish grin on his face and Kim Cattrell plays the more modern damsel-in-distress role to the hilt, too.

They could have lightened this up a bit on the action - it gets to be too much at times - but the movie is just slightly over an hour-and-half. It still wore me out the first few times I saw it.

All in all: ludicrous fun, a kind of Indiana Jones in Chinatown adventure flick.

One of the Best Maverick, B-Movie Directors Ever, John Carpenter has Gained Legions of Fans and has Attained an Almost Deity Status that, say, Roger Corman Never Could, Mostly because of Home Video and the Internet.

He has Directed a lot of Entertaining Movies, mostly Outside the Hollywood System and has Always been Comfortable Making Low to Mid Budget Movies with that Carpenter Vision. He has made Sure Enough Classics, a Few Mediocre (although His Cult would never admit it) Movies, and a Handful of Bad Ones (Blasphemy).

This is One that when First Released was Unfairly Maligned, Dismissed, and Outright Blasted by the Critics. It was Ignored at the Box Office and was a Big Flop. But the Director Never thought He was in Big Trouble. He just Continued Making Movies as if Nothing Ever Happened. This Film is Part of the Carpenter Canon and has become a Cult Favorite.

It is a High Energy Hoot of a Movie. The Director's Homage to those Mystical Asian Movies Full of Sorcery, Fun and Fantasy, Combined with an Over the Top Take on Marital Arts and Monsters. This was a Colorful, Costumed Creation Done with Wire Works and Real Life Make Up with a Minimal Use of the Primitive CGI Available. It is Entertaining as All Get Out.

Out of 20th Century Fox, Big Trouble in Little China is directed by John Carpenter and stars Kurt Russell, Kim Catrall, Dennis Dun, James Hong & Victor Wong. The adaptation is by W.D. Richter with the screenplay from Gary Goldman & David Z. Weinstein. Dean Cundey photographs and Alan Howarth doubles up with Carpenter for the musical score.

Truck driver Jack Burton (Russell) agrees to take his friend Wang Chi (Dun) to pick up his fiancée at the airport. Little does he know that he is about to get involved in a supernatural battle between good and evil beneath San Francisco's Chinatown district.

A box office failure upon its release, and known to be the moment when John Carpenter gave up on Hollywood, Big Trouble in Little China has gathered "cult" momentum over the years and shows up rather well these days. Blending Chinese mysticism with chop-schlocky adventure, Carpenter's movie is at once daft but also a ball of energetic fun - propelled by a handsome, but inept action hero. Carpenter had always wanted to tackle a martial arts movie, and here he gets to do it whilst laying on the comedy and playing with effects work as his movie mostly comes alive in a magical underworld of monsters, magicians and sexy green eyed women.

It's evident now that the film was ahead of its time, not from a technical viewpoint, but from the point it tried to Americanise chopsocky. This is some time before Chinese style wire-work and mythology became common to Hollywood, one has to believe that Tarantino was nodding approvingly around about this time. It's also worth noting that although this "American" movie has an American beefcake as its main protagonist, it's the Asian Americans who actually are the heroes of the piece, with Dun's sidekick the stand out hero as Russell's Burton bumbles his way from one sequence to the next. It was a bold move by Carpenter to structure the narrative this way, something that annoyed the executives at Fox and kept the paying public bemused. It's easy to see why the film failed, contrast it with the similarly themed Eddie Murphy movie, The Golden Child, from the same year, which was a box office success. There the public got what they wanted (or what they were used too), the standard American hero fluff where Murphy saves the day and gets the girl.

Carpenter dared to be different and clearly had a lot of fun along the way, as evidently did his cast. It may have taken a decade of VHS and DVD releases to prove he was right, but right he was, Big Trouble in Little China is a damn fine popcorn movie. Russell plays it meat head style, with swagger in tow and tongue stuck in cheek, nicely toned physique for the girls to enjoy, and making vest wearing cool two years before Willis did in Die Hard. Cattrall is wonderfully alluring, red lips and green eyes shimmering bright in a world of colour; and boys do look out for her wet scene, it's wolf whistle time! Dun is likable and athletic, while Hong as Lo Pan gives the action/adventure genre a truly memorable villain. The film is briskly paced and not found wanting in the set piece department either. Not all the effects are high grade stuff, but in a film with such zestful comic book traditions at heart, it hardly matters one jot. With a great home format package doing it justice, Carpenter's movie is now, at long last, getting the appreciative audience it fully deserves. Amen to that. 8/10

What can one say. The movie plays like one of those great old comic books you read as a kid. The dialogue is so cartoonish that you expect to see balloons appear above the characters heads. The acting is excellent, with everyone taking a tongue in cheek approach and obviously having a good time making the film. Some of the best fight scenes in recent memory, with everyone "kung-fu fighting" at the drop of a hat. Kurt Russel is a hoot as the more than slightly dumb macho hero. Cartoon violence minus the gore, humourous special effects, evil magicians, green eyed damsels in distress, even a monster or two.

A great film for a night of light movies! See it if you get a chance!