Big Trouble

Long time buddies from Actor's Studio days John Cassavetes and Peter Falk collaborate on this humorous send up of Billy Wilder's Double Indemnity. Wilder's whose humor could be grimly ironic was still around when Big Trouble came out. I wonder what Billy thought especially since Double Indemnity classic that it is has very few laughs.

It was one fateful day when Alan Arkin met up with Beverly D'Angelo who had that low cut come up and see me ambiance that got Arkin hooked. Up there for a homeowner's policy discussion, Arkin sells them a life insurance policy for husband Peter Falk with that ever fateful double indemnity clause for accidental death.

Our first meeting with Falk should tell you this won't work out quite like Double Indemnity did. Both he and D'Angelo like to live large, check out the mansion they have. And I won't say what it is that Falk does for a living to bring in the Benjamins, but trust me he's one shady character. In fact not unlike the man he played in my favorite Peter Falk movie The Brink's Job, but far more upper class or at least he's used to living like that.

Now a man used to privilege is Robert Stack, CEO of the insurance company that Arkin works for. Arkin's having trouble and who wouldn't paying tuition for his teenage triplets who MUST go to Yale to study music. Stack's a hearty and hateful privileged WASP snob who tells Arkin it's better that people make it on their own. No help from him getting into his birthright alma mater. After that Arkin is as easy prey for D'Angelo as Fred MacMurray was for Barbara Stanwyck in the original.

All I will say is that Big Trouble doesn't quite work out the way the original did. Funniest scene in the film for me is the Medical Examiner's office where the post mortem is conducted by Dr. Richard Libertini who is in on the plot and who's a character himself. The Edward G. Robinson insurance investigator role is Charles Durning. Durning is as smart as Robinson, but it wouldn't have taken a Barton Keyes like genius to blow this one up.

Big Trouble will not be a Billy Wilder like classic, but it's pretty funny and director Cassavetes and actor Falk work well together with the whole cast. Cassavetes and Falk had almost 35 years of experience together and they function like a well greased machine.

In addition to Billy Wilder both Fred MacMurray and Barbara Stanwyck were also still with us when Big Trouble hit the big screen. Wonder what they thought too?

This comedy according to Cineaste magazine was not directed by John Cassevettes but was lent his name after a young inexperienced director colleague of his fell into big...well, you know. This article went on to say that he was pretty grumpy on his deathbed knowing that this would be his last "credit". Well, that's a shame, because for a man who only made one comedy, a loopy one at that, this movie might have rounded out a legacy of angst, disillusionment and good old-fashioned middle-class American self-torture.

If that last labyrinthian sentence did nothing to sway you then consider this: the supporting actresses Beverly D'Angelo and Valerie Curtin are quite funny, too, enough to make this silly and completely unimportant take on one American's attempt to "send the boys to Yale" worth a watch. There is an unusual amount of improv in certain scenes that actually give the movie a satirical bite, hey folks,I heard on the radio yesterday that 60% of all Americans have $4500 of debt or more! Anyone who's lost sleep wondering "where will I get that kind of money?" will relate to Big Trouble.

I worked on this film in 1986, in a scene that was ultimately left on the cutting room floor. When I auditioned for the film, I met with the director, who was in fact, Andrew Bergman (credited solely as the writer). Several weeks went by before I actually worked, and by that time, Bergman had been replaced by John Cassevetes. What I was told at the time, was that Bergman had been fired, and that Falk, a friend of Cassevetes, recommended that Cassevetes come in to finish the job. I don't know how much of the film was already in the can at that point, but I know that Cassevetes changed the script a bit. In the scene I was involved in, Falk and Arkin go into a hardware store to buy dynamite to blow up a building (An insurance office, as I recall). I played the Hardware store clerk. I remember the script being pretty much thrown out the window, and improvising much of the dialog, which included Falk explaining that the dynamite was need for a luau. "My Wife," he said, "makes a suckling pig, that'll knock your eye out. First you baste it––" "With clarified butter," Arkin chimes in. "Then blast the sh*t of it with dynamite." As the clerk, I apologize that the store doesn't carry dynamite, and end up selling them a hundred pounds of charcoal briquettes instead.

Funny.

And you will likely never see this scene.

Ah well.

Leonard Hoffman (Alan Arkin) is an insurance agent with a suburban family. His three sons all get accepted into Yale. His boss Winslow (Robert Stack) refuses to help him with any scholarships. His work mate is the hard-nosed O'Mara (Charles Durning). He goes on a sales call to the drunken rich trophy wife Blanche Rickey (Beverly D'Angelo). She complains about her gambler husband Steve Rickey (Peter Falk). Desperate for money to pay for his kids' college, he joins Blanche to murder her husband for the life insurance.

This is the last film of John Cassavetes and he apparently hated it. The plot is so close to Double Indemnity that this is basically a spoof. Of course, none of it is funny because every moment of the movie, I'm asking if this is deliberate. It's hard to tell since Double Indemnity is not watched all the time. In order for a spoof to work, the audience must know all the beats in the original and what the filmmaker is doing to satire each moment for a joke. Then the last third of the movie goes bonkers. It becomes non-sense. The actors are trying for some wacky physical comedy despite the noir story. It's frustrating to watch a movie where the jokes don't work. One can see that everybody is trying but I don't understand what the film is trying to do.

"Big Trouble" is a mediocre film. You will laugh occasionally but that's about all. And that's crushing considering the two leads, Alan Arkin and Peter Falk, and the writer, Andrew Bergman, previously teamed or "The In-Laws" an all-time great film comedy.

Here the two leads play basically the same parts. Falk is the one in control with his devious ideas while Arkin is the meek, unsuspecting one thrown in over his head. This time around the needlessly complicated plot follows an insurance scam.

The film was directed by John Cassavettes, one of our great directors. But comedy is not a genre he handled well. There were numerous reports of problems during shooting. It shows on the screen.

The one bright spot is Beverly D'Angelo looking as sexy as ever. Maybe they should have relegated Falk and Arkin to backup and made her the lead.