American Anthem

I have to give it a 10. I had a life size poster of Mitch Gaylord on the back of my door from 85-92! There was no crush that could match my crush on Mitch. I would have seen any movie that he was in, gymnastics or not. Shoot, he was the reason I watched the Olympics back then. American Anthem is a great movie. It had good characters and you were really pulling for them. Granted, I was a kid when I saw it... but as far as 80s movies go... this one belongs in the ranks of Dirty Dancing, The Breakfast Club, and Sixteen Candles. I borrowed the video from a friend and remember keeping it for years. She came and got it a few days before I left for college!! I haven't seen since, but I'd buy the DVD if there were one!

A dull film that tried to capitalize on the craze the U.S. had with the Summer Olympics of 1984 in Los Angeles, but came way too late to make any impression with movie audiences. "American Anthem"'s stars are much more interesting than the film itself which is a dud to put it mildly. The movie focuses on a young man (Mitch Gaylord) who gets the itch to compete in gymnastics again after meeting the new girl in town (Janet Jones). She is training for the Olympic trials and of course he starts to compete once again just basically to be with her more. A corny production that has no real pep at all. Gaylord, a former Olympic gold medalist in gymnastics, proved to be a bust as a leading man. He would later appear in a few soft-core direct-to-video adult productions and become a stunt man for several other films (most notably "Batman Forever"). Janet Jones would later marry all-world hockey star Wayne Gretzky after this film. That is her claim to fame, not "American Anthem". Turkey (0 stars out of 5)

There's really not much better than the high concept films of the '80s, and this one has it all. Ever notice how in these films, everyone in the ENTIRE TOWN seems centered around whatever miraculous achievement the star is involved in?

In this case, it's a whole group of friends, a whole family and a WHOLE TOWN focused on gymnastics! This movie made me want to rush out and become a gymnast, though I think that may be tempered by the fact that my teeny-bopper mind wanted to fall into the awaiting arms of Mitch Gaylord.

Granted, Mystic Pizza made me want to work in a restaurant and North Shore made me want to...uh...go to Hawaii and make fun of people, but as a film rooted in its conception of gymnasts, nothing's better than the would-be star who fails and fails until he finally gets it right.

Hoo-yeah.

Somewhere underneath, there is a solid, warm-blanket piece of 80s nostalgia. Fluid, European inspired visuals and a kicking 80s soundtrack move along this mtv-era sports drama. Much of the story is told visually, through montage and flashback. Features some incredible gymnastics, but hampered by some wooden acting and dialogue. It has enough zest for a light recommendation, and would be essential for anyone wanting to zone in on the bygone comforts of days gone by. They don't make em like this anymore.

Now I know why the logo for Lorimar Motion Pictures had a direct shot of the sun shining right into your eyes - to blind you so you wouldn't be able to see movies like "American Anthem." I saw this movie on video first, and later at a drive-in under its overseas title "Take It Easy" (named after one of the songs by Andy Taylor - yes, the one from Duran Duran - that clogs up this movie) as the supporting feature to "Dirty Dancing." Swayze blew away Gaylord then as he has now (hey, how many movies has Mitch done since then? Thank you).

From the director of another bad movie starring someone with no business acting ("Purple Rain"), this was a very poor time at the flicks. I can still remember the boring scenes, the undramatic gymnastic moments (except for the one where our hero went too fast on the parallel bars, flew off and crashed - but sadly lived to twirl another day), and I can still remember Janet Jones as our hero's girlfriend dancing to synth soft rock instead of the usual stuff.

Actually, Janet's hard body and Alan Silvestri's score (which Mike Clark from 'USA TODAY' dismissed at the time as the kind of stuff associated with political campaign ads - but let's face it, what do most movie critics know about movie music?) were the only good things about the movie - I got the soundtrack album hoping that there'd be some of it, and was not happy to find none of the orchestral stuff there; he only had two synth cuts in amongst the likes of John Parr (did this man ever record anything NOT for a movie?), the aforementioned Andy Taylor and Graham Nash. In other words, like the movie, it sucked apart from him.

Lorimar should've stuck with "Dallas" and "The Waltons."