CALIFICACIÓN DE IMDb
4.9/10
1.9 k
TU CALIFICACIÓN
Desalentado por una lesión, un gimnasta abandona su pasión. No obstante, al conocer a una aspirante olímpica, recupera la motivación para regresar al deporte que ama.Desalentado por una lesión, un gimnasta abandona su pasión. No obstante, al conocer a una aspirante olímpica, recupera la motivación para regresar al deporte que ama.Desalentado por una lesión, un gimnasta abandona su pasión. No obstante, al conocer a una aspirante olímpica, recupera la motivación para regresar al deporte que ama.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 nominación en total
Mitchell Gaylord
- Steve Tevere
- (as Mitch Gaylord)
Opiniones destacadas
Somewhere underneath, there is a solid, warm-blanket piece of 80s nostalgia. Fluid, European inspired visuals and a kicking 80s soundtrack move along this mtv-era sports drama. Much of the story is told visually, through montage and flashback. Features some incredible gymnastics, but hampered by some wooden acting and dialogue. It has enough zest for a light recommendation, and would be essential for anyone wanting to zone in on the bygone comforts of days gone by. They don't make em like this anymore.
Andrew White pretty much steals the show as Julie's cousin, Arthur, a musician who lost his parents and was injured in a car accident. Not hard to do when you've got charisma vacuums like Mitch Gaylord and Janet Jones playing the leads. What you've heard about this film recycling elements from Rocky IV and Purple Rain is absolutely true, but it does so without any of the style or interest. I've also seen reviews that trash Alan Silvestri's bombastic score, and I'll admit that it's melodramatic in the extreme, but it's also one of the few things aside from some great gymnastics footage that kept me awake. It's a real shame considering a great film could be made about gymnasts. This just isn't it.
This was a bad movie. The acting was mediocre, the plot was mediocre, and the characters were mediocre. However, the gymnastics were excellent and saved this movie from being a total waste. 4/10 for style, and being mediocre instead of dreadfully awful.
Now I know why the logo for Lorimar Motion Pictures had a direct shot of the sun shining right into your eyes - to blind you so you wouldn't be able to see movies like "American Anthem." I saw this movie on video first, and later at a drive-in under its overseas title "Take It Easy" (named after one of the songs by Andy Taylor - yes, the one from Duran Duran - that clogs up this movie) as the supporting feature to "Dirty Dancing." Swayze blew away Gaylord then as he has now (hey, how many movies has Mitch done since then? Thank you).
From the director of another bad movie starring someone with no business acting ("Purple Rain"), this was a very poor time at the flicks. I can still remember the boring scenes, the undramatic gymnastic moments (except for the one where our hero went too fast on the parallel bars, flew off and crashed - but sadly lived to twirl another day), and I can still remember Janet Jones as our hero's girlfriend dancing to synth soft rock instead of the usual stuff.
Actually, Janet's hard body and Alan Silvestri's score (which Mike Clark from 'USA TODAY' dismissed at the time as the kind of stuff associated with political campaign ads - but let's face it, what do most movie critics know about movie music?) were the only good things about the movie - I got the soundtrack album hoping that there'd be some of it, and was not happy to find none of the orchestral stuff there; he only had two synth cuts in amongst the likes of John Parr (did this man ever record anything NOT for a movie?), the aforementioned Andy Taylor and Graham Nash. In other words, like the movie, it sucked apart from him.
Lorimar should've stuck with "Dallas" and "The Waltons."
From the director of another bad movie starring someone with no business acting ("Purple Rain"), this was a very poor time at the flicks. I can still remember the boring scenes, the undramatic gymnastic moments (except for the one where our hero went too fast on the parallel bars, flew off and crashed - but sadly lived to twirl another day), and I can still remember Janet Jones as our hero's girlfriend dancing to synth soft rock instead of the usual stuff.
Actually, Janet's hard body and Alan Silvestri's score (which Mike Clark from 'USA TODAY' dismissed at the time as the kind of stuff associated with political campaign ads - but let's face it, what do most movie critics know about movie music?) were the only good things about the movie - I got the soundtrack album hoping that there'd be some of it, and was not happy to find none of the orchestral stuff there; he only had two synth cuts in amongst the likes of John Parr (did this man ever record anything NOT for a movie?), the aforementioned Andy Taylor and Graham Nash. In other words, like the movie, it sucked apart from him.
Lorimar should've stuck with "Dallas" and "The Waltons."
Coming off the highly successful 1984 summer olympics and seen as the hearthtrob of the games, Mitch Gaylord took his shot at the movies with this pic. The plot, such as it is, has Gaylord playing a gymnast, quite a stretch, who meets the new girl in town Janet Jones who is the only thing worth looking at in the movie, as they train for the olympics with a strict coach. Guess what, they fall for each other too. Obvious plot, dumb writing, clichés everywhere. Only if you are a fan of gymnastics, Mitch Gaylord, or Janet Jones and even then there are other choices out there. This and Kurt Thomas' Gymkata were the two and thankfully the only 2 gymnastic movies released. We were spared a Mary Lou Retton and a Domonique Moceanu movie luckily... My rating is one only because there is no zero
¿Sabías que…?
- TriviaThe film's complete failure (terrible reviews and a bomb result at the box office) sent its poor director, Albert Magnoli, into what was then known in Hollywood as "Movie Jail." Magnoli never had a hit under his own name like his smash hit 1984 debut PURPLE RAIN, only being given chances to direct theatrical films in secret such as his replacement work on TANGO & CASH. He was left to work on TV movies and hasn't directed a film anywhere since 1997.
- Citas
Steve Tevere: He hasn't let me down. It's just the opposite.
- Versiones alternativasUK releases are cut by 3 seconds.
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- How long is American Anthem?Con tecnología de Alexa
Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 4,845,724
- Fin de semana de estreno en EE. UU. y Canadá
- USD 1,867,969
- 29 jun 1986
- Total a nivel mundial
- USD 4,845,724
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