Executive Stress

Recently having subscribed to ACORN TV I discovered many of the British Television shows I had enjoyed like Reggie Perrin and Fresh Fields. But one I had never heard of was Executive Stress with Penelope Keith who I had always enjoyed on the The Good Life. Although I thoroughly enjoyed the first few episodes I was disappointed in the departure of Geoffrey Palmer does anyone know why he was replaced ?

As a comedy vehicle for Penelope Keith "Executive Stress" written by George Layton is every bit as good as To the Manor Born. This is empirically backed up by iMDB figures. Layton has form and has been the quiet writer of many excellent "Comedy-Drama" series.

The maindraw back is that this was an ITV comedy, Thames to be exact. ITV doesn't have a track record in comedy and Thames even less so with the only Comedy worthy of the name that ever came from ITV being Rising Damp and that was Yorkshire TV.

This is a shame because it is rather good. Had Executive Stress been a BBC production I think it would be remembered rather better than it is. ITV comedy rarely gets repeated, for good reason in most cases, but this deserves it's spot amongst "The Good Life", "Porridge" and "Yes Minister" on the perennial roundabout of repeats with the BBC big boys.

So what held it back? Well the jarring change of main character didn't help. Geoffrey Palmer for Peter Bowles is hardly like for like, brilliant though they both are. Particularly with Peter and Penelope's history.

The aforementioned Thames production just robbed it of that certain something. Exposure for one. No-one watched ITV for comedy. All of the great comedy experience was tied up in the BBC. John Howard Davies was by no means a slouch (The Goodies, Python, The Good Life etc) but all of that experience was within the confines of the BBC. Maybe it's the fact that writers were restricted to about 22 minutes of actual programming once you take credits and adverts out of the equation. This is opposed to the 29 minutes you would get as a BBC writer / producer. Brevity certainly doesn't make things any tighter. Only Fools and Horses really blossomed when that went to 59 minutes. So maybe the longer screentime allows for something "More".

Anyway this is well worth a watch and is one of the better 1980s situation comedies. The fact that it is an ITV production , makes me even more astonished that it came out so well.

The show was pretty good. Mostly I have a hard time with British comedies, but this one was different and I really enjoyed it. I also don't enjoy the way Americans are portrayed, but at least the American wasn't a total idiot. Better than the comedies I have seen lately. A classic with a twist.

Penelope Keith is absolutely delicous as Caroline Fielding Fairchild, a woman who wants to return to the publishing world after spending her best years raising her family and taking care of her husband, Donald.

Over the course of the series, we see Caroline and Donald try to keep the secret of their marriage from their co-workers, and the writers continually found original ways to get the characters out of scrapes. Donald's continual refusal of the advances of the lovely Angela Duxbury leads to raised eyebrows and the most comic of complications.

I first saw this series when it was still quite new (I was only about 10 at the time) but it continues to be one of my favourites. As I've gotten older and experienced a bit of the business world, I see just how accurate the series was in portraying the soap opera world of the rat race. If you have a chance to see this hillarious and delightful series, don't miss it!

I never really get the reasoning behind any sitcom replacing main characters with different actors midstream with no explanation, but this one is quite good in both iterations. Geoffrey Palmer is completely different than Peter Bowles acting wise, but they are both masterful. Penelope Keith is always flawless in her perfectly crisp comedic delivery. Very very well done and enjoyable. Now available streaming on Acorn.