La saga de los esfuerzos de un detective de la policía de Chicago para detener al despiadado joven encapuchado del crimen organizado.La saga de los esfuerzos de un detective de la policía de Chicago para detener al despiadado joven encapuchado del crimen organizado.La saga de los esfuerzos de un detective de la policía de Chicago para detener al despiadado joven encapuchado del crimen organizado.
- Nominado a 3 premios Primetime Emmy
- 3 nominaciones en total
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From producer Michael Mann, a brilliant crime drama series that can be mentioned with similar reverence as THE UNTOUCHABLES(TV series)1959-1963. Chicago, Cleveland, St. Louis, Las Vegas...organized crime is spreading its wings. Michael Torello(Dennis Farina)is the head of Chicago's Major Crime Unit and determined to bring down up and coming crime figure Ray Luca(Anthony Denison). The action takes place in the early 60s...and it is very impressive that the clothing, hair styles, automobiles and music are circa 1963. The opening theme is a revved up revised version of Del Shannon's "Runaway". The Torello/Luca relationship may even be more intense than that of Ness/Nitti in THE UNTOUCHABLES. From direction to dialogue; from story line to acting...hard to find fault with one of the best in this genre.
Kudos for strong acting from Stephen Lang, Bill Smitrovich, Andrew Dice Clay, Jon Polito, David Caruso, Ray Sharkey and Joseph Wiseman. Rocker Todd Rundgren is responsible for all original music that drives this 42 episode crime drama.
Kudos for strong acting from Stephen Lang, Bill Smitrovich, Andrew Dice Clay, Jon Polito, David Caruso, Ray Sharkey and Joseph Wiseman. Rocker Todd Rundgren is responsible for all original music that drives this 42 episode crime drama.
I miss it, and it's been nearly 20 years! I'm just surprised there is not a bona-fide cult following for this show! If anyone reading this disagrees, well speak up!! The show premiered when I was a teenager, and I thought it was cool as sh%#! Of course, I was also watching Pee-Wee's playhouse, Joes Bob Briggs Drive-In Theatre, going to see Roy Orbison in concert one last time. And while the addition of cast member Andrew Goldman (Dice-Clay) may not have done much in retrospect for the show, I'll be damned if it didn't prove that he could actually act! I'm not kidding, he did a fine job! Dennis Ferrina, the Maimi Beach widows dream, so my (much older) ex used to tell me... I've been rooting for him ever since this show. (And Midnight Run paid off!)Not sure yet on Law & Order.....
Michael Mann is a first class director. He is laser focused and always delivers in spades. He is the genius who directed the tv film The Jericho Mile and the film noir classic with Jimmy Caan Thief. I think he needs to be given credit for this HE DIRECTED THE FILM THAT IS BETTER THEN SILENCE OF THE LAMBS!!!!He directed Manhunter which was so unjustly overlooked when it was released, but has now on DVD been given the credit it deserves. Mann also directed Heat, The Insider and Ali. Before he did that however, he created the classic tv shows Miami Vice and Crime Story. These are the series that made tv crime shows "grow up" in a sense. It made them more gritty and realistic the way that The Untouchables and Dragnet did. Mike Torello on this show was just as tough and bad ass as Elliot Ness or Joe Friday! I loved the look of this series, it made you feel like you were back in that time where cars had finns, where rock and roll was king and where the good guys wore black! I loved the theme music for the show, it was Del Shannon's "Runaway" I always remember that song. Mike Torello against Ray Luca was almost like a morality play of good versus evil. The scripts were first class, and the actors never gave a performance that didn't rule. Dennis Farina had actually been a cop with Chicago Police Department and it amazes me that a man who never had an acting lesson could give such a fine performance in every show that he has been in! Crime Story wasn't a show for sissies, but it always delivered and kicked ass!
I watched this show faithfully practically from the first show and throughout its run. When this show premiered in 1986,I was a freshman in high school and hadn't yet gotten access to my own car,so my social life was kinda limited. Knowing that,many of my Friday nights(when they,NBC,first plugged this show into their line-up)were "freed up" to watch television and I was usually between this show and the even shorter-lived ABC series "Starman". Ordinarily,I wouldn't ever suggest that one should eschew a social life in order to watch television,but I have to say that,where this show is concerned,I'm kinda glad I didn't have much of a social calendar.
Producer Michael Mann,flush with success in the mid-eighties from his white hot popular,MTV-fueled crime show "Miami Vice",created this show,a change of pace from the slick,'80s "Vice": cold,rough Chicago of 1963,where pre-Miranda warning cops battled tough,old school mobsters and rising,ambitious hoods. In this setting we watch as a war is brewing between two particulars:tough,no-nonsense Major Case squad Lt.Michael Torello(Dennis Farina,actual Chicago cop turned actor,excellent) and rising young-ish hood Ray Luca(Anthony Denison,so good here he's become somewhat prone to typecasting). As Luca's climb in the outfit continues to rise,the body count of people he uses(including some friends of Torello's)rises,and this fuels the drama further still.
Famously,the show's producers,by the end of 1986-87 had reasoned that the relatively low ratings had doomed the show to cancellation,this prompting the last episode to feature two of the main characters(I won't say which ones,since I'm certain that not EVERYONE knows about this show)were offed by a nuclear bomb detonation. So when the show's loyal fan base demanded the show to be brought back by a semi-reluctant NBC,the show,already changed of scenery to glitzy Las Vegas and the Chicago cops now Marshalls of the Department of Justice,had to undergo a fair amount of writer change and the storyline began to become stranger and more stilted,yet I still found the show very compelling. Many of the actors on the show have gone on to many other--and much more famous and successful--projects,but I still remember them from their stint on this show. This show was also a launching pad for then-unknown actors such as Lorraine Bracco,Gary Sinise,Stanley Tucci,David Caruso and Julia Roberts.I think it's a testimony to a show's potency when it can be off the air almost twenty years and STILL inspire plenty of interest on its IMDb site and on various TV and video websites.Heck,even the THEME SONG(Del Shannon re-doing his hit "Runaway")I thought set the mood and tone for the show,further adding to the enjoyment. Having seen all of the episodes at least twice,I feel like I may be inclined to buy the eps on DVD yet.
While it may seem a little dated,restrained and hokey by today's TV crime drama standards,I'd still recommend one--if one can run across this show--to give "Crime Story" a look.
Producer Michael Mann,flush with success in the mid-eighties from his white hot popular,MTV-fueled crime show "Miami Vice",created this show,a change of pace from the slick,'80s "Vice": cold,rough Chicago of 1963,where pre-Miranda warning cops battled tough,old school mobsters and rising,ambitious hoods. In this setting we watch as a war is brewing between two particulars:tough,no-nonsense Major Case squad Lt.Michael Torello(Dennis Farina,actual Chicago cop turned actor,excellent) and rising young-ish hood Ray Luca(Anthony Denison,so good here he's become somewhat prone to typecasting). As Luca's climb in the outfit continues to rise,the body count of people he uses(including some friends of Torello's)rises,and this fuels the drama further still.
Famously,the show's producers,by the end of 1986-87 had reasoned that the relatively low ratings had doomed the show to cancellation,this prompting the last episode to feature two of the main characters(I won't say which ones,since I'm certain that not EVERYONE knows about this show)were offed by a nuclear bomb detonation. So when the show's loyal fan base demanded the show to be brought back by a semi-reluctant NBC,the show,already changed of scenery to glitzy Las Vegas and the Chicago cops now Marshalls of the Department of Justice,had to undergo a fair amount of writer change and the storyline began to become stranger and more stilted,yet I still found the show very compelling. Many of the actors on the show have gone on to many other--and much more famous and successful--projects,but I still remember them from their stint on this show. This show was also a launching pad for then-unknown actors such as Lorraine Bracco,Gary Sinise,Stanley Tucci,David Caruso and Julia Roberts.I think it's a testimony to a show's potency when it can be off the air almost twenty years and STILL inspire plenty of interest on its IMDb site and on various TV and video websites.Heck,even the THEME SONG(Del Shannon re-doing his hit "Runaway")I thought set the mood and tone for the show,further adding to the enjoyment. Having seen all of the episodes at least twice,I feel like I may be inclined to buy the eps on DVD yet.
While it may seem a little dated,restrained and hokey by today's TV crime drama standards,I'd still recommend one--if one can run across this show--to give "Crime Story" a look.
Crime Story was a strange, hard and often inspired tv series from the mid-eighties. It was made by the producer of Miami Vice, Michael Mann, and the cast is stocked with Michael Mann regulars - Stephen Lang, Bill Smitrovitch, Ted Levine and Dennis Farina (all except Ted Levine are in Manhunter).
Although Farina and his crew throughout the series chase after their arch nemesis, Ray Luca and his gang (Pauli Taglia, Frank Holman), the story comes in two parts. The first part, allegedly set in Chicago, the second set in Las Vegas.
Throughout the series, the director tries for a fifties, early sixties feel, even though that's tough to maintain. Great music, every episode is introduced by Del Shannon's "Runaway".
However, very often the focus is the psychological dynamic between Mike Torello (real-life Chicago cop Farina) and Ray Luca (played with a psychopathic coldness by Anthony John Denison). Torello may be on the right side of the law, but there is an equally uneasy quality about the doggedness with which he keeps going after Luca. What would his life be without him? Torello is also frequently tempted to cross the line and behave in a more effective, but illegal way himself.
If you haven't seen it, and you like Wise Guy, or the feel and look Michael Mann gives to his productions, don't miss this series. As this is a classic 80s series, there are also lots of cameos from familiar actors and actresses.
Although Farina and his crew throughout the series chase after their arch nemesis, Ray Luca and his gang (Pauli Taglia, Frank Holman), the story comes in two parts. The first part, allegedly set in Chicago, the second set in Las Vegas.
Throughout the series, the director tries for a fifties, early sixties feel, even though that's tough to maintain. Great music, every episode is introduced by Del Shannon's "Runaway".
However, very often the focus is the psychological dynamic between Mike Torello (real-life Chicago cop Farina) and Ray Luca (played with a psychopathic coldness by Anthony John Denison). Torello may be on the right side of the law, but there is an equally uneasy quality about the doggedness with which he keeps going after Luca. What would his life be without him? Torello is also frequently tempted to cross the line and behave in a more effective, but illegal way himself.
If you haven't seen it, and you like Wise Guy, or the feel and look Michael Mann gives to his productions, don't miss this series. As this is a classic 80s series, there are also lots of cameos from familiar actors and actresses.
¿Sabías que…?
- TriviaDel Shannon re-wrote and re-recorded his classic hit "Runaway" for the title sequence of the series.
- ErroresDuring the series run, many post-1963 cars are visible in the background.
- Citas
Lt. Mike Torello: Hey you. You hurt anybody else, when this is over, I'm gonna find what you love the most and I'm gonna kill it. Your mother, your father, your dog... don't matter what it is, it's dead.
- Créditos curiososAl Kooper ... Guy who picks music for the show
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