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I recently saw a preview for Resident Evil, the latest sci-fi/gore opus from Event Horizon director Paul Anderson. (Not to be confused with Paul Thomas Anderson). It looks like a big budget, explosive version of Warning Sign, a strange little horror movie I remember watching in the '80s. The plot of the 1985 film involves a deadly serum leaking inside a bio-chemical plant in rural Utah. The plant is sealed off--no one can get in or get out. What happens inside is best described as Night of the Living Dead meets the Andromeda Strain. All in all, not a bad horror film, and the actors (Sam Waterston, Kathleen Quinlan--both Oscar nominees, but alas, not for Warning Sign) manage to keep straight faces. The film has an "Alien" feel to it, and is quite stylish to boot. More than anything, the film has a good, somewhat believable premise for a horror story. But the execution is just so odd. Scientists becoming zombies or monsters has been done before, and the atmospheric first half of the movie is somewhat ruined by the over-the-top, borderline campy second half. We'll see soon enough whether Anderson's version of the idea is successful, although judging from the ads, I seriously doubt it.

Durably taut, but rather restraint little low-budget biological thriller that sees a group of scientists quarantined inside a building when a deadly chemical agent they're working on is accidentally released, causing them to become violently homicidal. Caught in the middle of it is a lady security guard, who might just hold the answer for a vaccine, as she seems unaffected.

Confidently directed, thoughtfully written (as it could be seen as a minor blue print for "Resident Evil") and exemplary performed, but "Warning Sign" seems to go by unnoticed, despite it's considerably gripping and unnerving progression. Their low-scale origin is probably what tips it in that forgotten category, because it's not excitingly barnstorming in its thrills or cast. Nonetheless it bestows moments of furious intensity and compact suspense… in what feels like a waiting game after not taking all that long to get into it. The acting led perfectly pitched by Kathleen Quinlan, Sam Waterston, Jeffrey DeMunn, Richard Dysart, G.W. Bailey and Yaphet Kotto. Craig Safan chips away with an ominously airy electronic score. Director Hal Barwood well measured style, ably operates with his actors in constructing a real fearful mood inside the building, but also making the air outside just as dangerously on-edge. When it came to its irony enclosed ending, it felt a little out of place and rather forced than what it naturally built-up.

An earnest, but well engineered sci-fi / horror outing that's more than your simple filler.

Hal Barwood directed this thriller that stars Sam Waterston as Utah sheriff Cal Morse, who is forced to deal with the accidental contamination that has occurred at a research facility dealing with toxins. The military arrives to control things, but the families of the employees trapped inside the sealed-off containment area want answers, and threaten to batter down the doors to rescue them, which would be most unwise, as the released toxin has turned them into psychotic killers, except Cal's pregnant girlfriend Joanie(played by Kathleen Quinlan). Cal and a scientist(played by Jeffrey De Munn) must infiltrate the facility, to find a cure... Marginal film at least doesn't go overboard into Zombie clichés(thank goodness!), but despite the fine cast, it just misses, becoming a bit too predictable and unimaginative, though is certainly watchable enough for what it is.

This wasn't a bad film for its time. The cast is especially good. Sam Waterston and Jeffery Demunn play very well off each other and Kathleen Quinlen is a criminally underused actress, so it is always nice to see her.

The plot line has echoes of George Romero's earlier paen to paranoia and bio warfare spills 'The Crazies'. This film also pre-figures Resident Evil and 28 Days Later but played on a much smaller scale. Watching a film shot in the mid 1980's now serves as a reminder of just how bombastic and over-the-top most current films have become.

A modest effort but entertaining nonetheless.

Unlike many horror movies where you need to check your credulity at the door, what you see in this film is actually believable. The idea of military scientists finding a catalyst which induces rage in the human mind, then mating it with a virus as a delivery device, is a very scary idea! Imagine you could catch homicidal mania as easily as you could catch the flu.

The acting in this movie is good if somewhat uneven. Joanie (played wonderfully by Kathleen Quinlan) is a very intense character. Sam Waterston is good as her lover and the local sheriff.

The film is not slick, but has some intense moments that many "slicker" films can only dream of achieving. Overall a very suspenseful film.