Adolescente salvaje

Despite her masculine sounding name and a love of traditionally male pursuits (fixing cars, basketball, baseball, driving like a maniac), there's nothing remotely butch about Tommy Boyd (Betsy Russell) when it comes to her physique: under the baseball cap and greasy overalls, there is an absolute babe waiting to get out, as stock car driver Randy Starr (Gerard Christopher) discovers when he invites Tommy (short for Tomasina) to pay him a visit at the mansion of his millionaire sponsor Ernie Leeds Jr (Eric Douglas).

A typically silly 80s romantic sex comedy, Tomboy is predictable, poorly acted and badly directed nonsense, but the oodles of cheap titillation courtesy of the awesomely sexy Russell (and Kristi Somers as her equally hot best friend, dancer Seville Ritz), a naff 'battle of the sexes' story-line, and one of the worst car races in movie history (Tommy's vehicle being equipped with a daft onboard computer and rocket propulsion) help to elevate the film from utter drivel to entertaining cheeze, making it more fun than it really has any right to be.

And how can you not love that cheesy, peppy, oh-so-80s pop theme song? This irresistible female-empowerment exploitation comedy stars the adorable, sexy as hell Ms. Russell as Tomasina "Tommy" Boyd, a young lady who'd much rather tinker with cars and play sports than do so-called "girly" things. She worships studly race car driver Randy Starr (Gerard Christopher), whom she is able to meet through Ernie Leeds, Jr. (Eric Douglas), a filthy rich auto racing entrepreneur. When the confident Randy isn't able to take her seriously, she sets out to prove that anything he can do, she can do just as well, if not better.

"Tomboy" creates some pretty good vibes for a pleasant 91 minutes. There's enough laughs and titillation to make it quite watchable. A big part of the appeal is Russell, one of the iconic 80s hotties who'd also made her mark in movies like "Private School", "Avenging Angel", and "Cheerleader Camp", and who's recently made a comeback in some of the "Saw" sequels. The movie itself is silly and clumsy at times, but ultimately upbeat entertainment. Voyeurs will be pleased with the amount of breast shots on display, and can take delight in a goofy, erotic commercial performed by Tommy's friend Seville (Kristi Somers, "Hell Comes to Frogtown"). The soundtrack provides tons of cheesy goodness.

The direction by Herb Freed, who'd previously done the horror pictures "Haunts", "Beyond Evil", and "Graduation Day", may not be inspired but it gets the job done, as do the performances by an engaging cast. Veteran Richard Erdman is likable as Chester, Tommy's boss and pal; Douglas, son of Kirk and brother to Michael, is effectively smarmy as the rich jerk. Fans of 80s movies will note the appearances by such people as Cynthia Thompson (the female lead in "Cavegirl", Dennis Hayden (one of the terrorists in "Die Hard"), and trash flick favourite Michelle Bauer, in an uncredited bit.

This kind of thing may not be Shakespeare, but it sure hits the spot for people just looking to have a good time.

Seven out of 10.

Not a flashback for anytime of my young boy to teenager 1970's, or my young adult to college BA and Master degree then first professional job in 1989, nor does it represent the hundreds of people I knew and worked or studied with during this time. However, it simply is a mindless ride into what might of been if all the stars were aligned and an actual UFO had landed inside your favorite college or NFL stadium and world peace had spontaneously broken out. Grab some popcorn, your favorite drink, put the top down on your convertible, and shot for the stars. A Crown International Picture, and thank God, not a Cannon production. I bought a used 12 pack of Too Cool for School as wanted to see The Van, and I will say that you get a full 1920 Kps with 12 chapter index, while a Cannon 4 pack had no chapter indexes and usually 75 minute run time, while AIP run a full 90 minutes. I also own AIP 200 movie pack of drive in both horror and sci fi and most US movies are filmed with professional care, unlike Canon and many International producers.

Betsy Russell, the 80's B-film queen who provided two of the only three reasons that Private School is worth seeing (Michael Zorek is the other) is miscast as Tomasina "Tommy" Boyd, a young woman who works as a mechanic and dreams of being a stock car driver and meeting her idol Randy Starr. She is also the tomboy of the film, who acts like a jock with her love of athletics than the usual girl things, unlike her friends.

Once again, this is an 80's film, so get ready for the requisites of the best decade of the 20th century. You'll see an aerobic style dancing display, shower scenes, a party, feathered hair, horrible fashions, music in the background almost half the time, etc. At least it's easier to take than the cheeziness you'll see in teen-pop videos, but it's cheddar all the way.

Betsy Russell, even with the Joel Polnochek hairstyle, just can't play a realistic tomboy. She's a gorgeous looking woman. Granted, I may be stereotyping here, but she's not the type who conveys it properly. I'd say that Drew, Lucy, and Cameron of "Charlie's Angels" fame are more "tomboyish".

While nothing more than poor, there are a few good scenes, such as the silly donut commercial that Tommy's friend Seville does, a scene where Tommy eyes her Randy Starr poster and the camera pans it down to a certain area. Also, if the makers of Gran Turismo are reading this, please put the cars featured in this movie in your next game, they rock. I'd love to drive one of those instead of a $2,000,000 F1. Otherwise, pass!

This is perhaps one of the best "worst" movies ever made. This movie is so bad that most people who worked on it never worked again in Hollywood. The earliest anyone worked after this movie was 1989. It was certainly a career killer. But it was much more than that. If you think a girl shooting hoops on a motorcycle is hilarious or that a race car goes faster because cardboard accessories and onboard computers, this is the movie for you. This is one of the finest examples of the teen "sex-politation" genre in the early 80s. It stars the the recently deceased Eric Douglas and Betsy Russell (who was the Gretta Garbo of this genre). If you can find this movie- buy it. It is that good.