CALIFICACIÓN DE IMDb
6.5/10
3.7 k
TU CALIFICACIÓN
Una joven de 15 años de espíritu libre coquetea con un extraño peligroso en los suburbios del norte de California y debe prepararse para las aterradoras y traumáticas consecuencias.Una joven de 15 años de espíritu libre coquetea con un extraño peligroso en los suburbios del norte de California y debe prepararse para las aterradoras y traumáticas consecuencias.Una joven de 15 años de espíritu libre coquetea con un extraño peligroso en los suburbios del norte de California y debe prepararse para las aterradoras y traumáticas consecuencias.
- Dirección
- Guionistas
- Elenco
- Premios
- 3 premios ganados y 5 nominaciones en total
Sara Inglis
- Jill
- (as Sarah Inglis)
David Michael O'Neill
- Mall Boy
- (as David O'Neill)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This film is one of the most realistic "coming of age" films I have seen. In fact, parts of it gave me deja vu when I remembered the summer of my 15th year when my best friend and I first discovered we were attractive to men and didn't know quite what to do with that knowledge, as we made the transition from "little girl" to "woman." The main character, Connie, is clearly torn between wanting to bond with and be a part of her family and wanting to exert her independence, and trying to balance all of her roles as she grows up. The best part of the film - which is a small moment actually, but very powerful - is when Connie plays James Taylor's Handy Man and her mother listens to it in another part of the house - that scene shows that mother and daughter are both going through "growing pains." Although the ending was a downer, it is worth seeing the film for Laura Dern's brilliant performance.
The really remarkable thing about Smooth Talk is just how true to life it is. Whilst I haven't been a teenage girls in the 1980s, I am currently a teenager. And let me just say that this is EXACTLY how it feels to be one. I can't count all the times that I've seen movies like High School Musical or Sixteen Candles, where the insights into teenage life are about as deep as a kiddie pool. Smooth Talk, on the other hand, paints a realistic portrait of how it feels to chase after people because it feels like the most important thing to have a partner. It gives insight into teenager's troubled relationships with their parents, and (very intelligently) doesn't entirely put the blame on either party. Everything from the acting to the writing to the directing just screams "this is what it's like to be a teenager." And frankly, it earns the right to do so.
That's how the first two thirds of the film are, with stakes about as high as any other teen movie. But then the last act changes things up a bit. It sneaks up on you, and without realizing it you were lured into a false sense of security. But Smooth Talk's goal isn't to be a fun teen film: it's to show you what it's really like to be a teenage girl. So the dark side of reality sets in during the last half hour, and you are left with more empathy for women than you came in with. This is the power of films: they can put you in the shoes of someone like no other medium. And Smooth Talk takes full advantage of that.
Overall, Smooth Talk is smarter than most teen movies, but no less interesting. I'd recommend it to anyone: kids wanting to see what it's like to be a teenager, adults wanting to revisit the past, and teens who just want to see themselves on screen.
Final Score: 84/100.
That's how the first two thirds of the film are, with stakes about as high as any other teen movie. But then the last act changes things up a bit. It sneaks up on you, and without realizing it you were lured into a false sense of security. But Smooth Talk's goal isn't to be a fun teen film: it's to show you what it's really like to be a teenage girl. So the dark side of reality sets in during the last half hour, and you are left with more empathy for women than you came in with. This is the power of films: they can put you in the shoes of someone like no other medium. And Smooth Talk takes full advantage of that.
Overall, Smooth Talk is smarter than most teen movies, but no less interesting. I'd recommend it to anyone: kids wanting to see what it's like to be a teenager, adults wanting to revisit the past, and teens who just want to see themselves on screen.
Final Score: 84/100.
Since I read Joyce Carol Oates' short story "Where Are You Going, Where Have You Been?" many years ago as a teenager myself (many Oates' works were translated to Russian - she was and I hope still is very popular there), I've been fascinated by it. I've read many Oates's stories and some of her novels but the 10 pages long story of 15 years old Connie, "shallow, vain, silly, hopeful, doomed but capable nonetheless of an unexpected gesture of heroism at the story's end" has stuck in my memory and I could never forget it. When I found out that the story was adapted to the screen, I tried to find the movie, "Smooth Talk" (1985) directed by Joyce Chopra and I saw it finally last weekend. A disturbing coming of age drama, the winner of The Grand Jury Prize at 1986 features 18 years-old Laura Dern who appears innocent, gawky, and provocative all at once. Laura owns the film as a sultry woman-child who just began to realize the power of her sexual attractiveness during one long summer that would change her life forever. It does not surprise me a bit that Dern's next movie would be David Lynch's "Blue Velvet" where she played sweet and innocent Sandy and in a few years she would play her best role, Lula Fortune in his "Wild at Heart" (1990). The more I think of Laura, the more I see her as one of the most talented actresses of her generation. She is fearless in taking sometimes unflattering roles and she never lost that aura of innocence wrapped in irresistible sexuality that made her Connie in "Smooth Talk" so alive and unforgettable.
The links to the full text of the story and to the Oates' article about adapting it to the film are posted on the movie's message board. I was shocked to find out what the real story behind the fictional was.
The links to the full text of the story and to the Oates' article about adapting it to the film are posted on the movie's message board. I was shocked to find out what the real story behind the fictional was.
A few things I liked about this movie: It stayed fairly close to the story.
The terror element in the scenes between Connie (Dern) and Arnold Friend (Williams) were present, as were in the short story by Joyce Carol Oates.
Laura Dern's performance was excellent, as a young girl experimenting with flirtations as she becomes aware of her budding sexuality. But something happens one day...
Somehow, inadvertently, she attracted the attention of "Arnold Friend". (If you remove the R's from his name you find his true nature).
SHe's afraid to come out of her house...she's afraid to stay inside, because he'd come in and get her. It makes the hairs stand up on the back of my neck, the same way it did when I first saw Carole Kane pick up the phone to hear "Are you in the house alone?"
I also like the way a lot of the Symbolism of JCO's original story remains intact.
What I don't like:
Treat Williams should not have been cast as Arnold Ariend. It should have been played by somebody far less attractive, and far more creepy.
They changed the ending. fine enough, as it would be hard to recapture the ending as written by Oates. However, the new ending made no sense.
4 out of 5 stars ;-)
The terror element in the scenes between Connie (Dern) and Arnold Friend (Williams) were present, as were in the short story by Joyce Carol Oates.
Laura Dern's performance was excellent, as a young girl experimenting with flirtations as she becomes aware of her budding sexuality. But something happens one day...
Somehow, inadvertently, she attracted the attention of "Arnold Friend". (If you remove the R's from his name you find his true nature).
SHe's afraid to come out of her house...she's afraid to stay inside, because he'd come in and get her. It makes the hairs stand up on the back of my neck, the same way it did when I first saw Carole Kane pick up the phone to hear "Are you in the house alone?"
I also like the way a lot of the Symbolism of JCO's original story remains intact.
What I don't like:
Treat Williams should not have been cast as Arnold Ariend. It should have been played by somebody far less attractive, and far more creepy.
They changed the ending. fine enough, as it would be hard to recapture the ending as written by Oates. However, the new ending made no sense.
4 out of 5 stars ;-)
I was impressed with Laura's acting and thought she portrayed the difficulty of dealing with coming of age in a touching and realistic manner. Her hormones outpaced her friends noticeably and that put her at odds with her closest friends and also made her the target of males far beyond her abilities to understand and defend herself from. My daughter is now grown and survived her teen years quite well. I thought of this film often during those years and am thankful she did not develop early and that she had sufficient parenting to avoid characters such as Treat played. I have not found this movie available on tape or disc and feel that that is a great loss.
¿Sabías que…?
- TriviaDirector Joyce Chopra knew Laura Dern was right for the role of Connie when she heard "Is That the Way You Look?" from James Taylor playing on Dern's answering machine. Ironically and unknown to Dern, Taylor was the movie's music director and had suggested using that song in particular as one of the soundtrack's featured songs.
- ErroresWhen the girls are looking across the street at Frank's Drive-In, the gold Pontiac is already in the parking lot, conspicuous because the left brake-light is out. Then the gold Pontiac is heard coming down the road and seen turning into the parking lot, sporting the nonworking light.
- Versiones alternativasPBS edited two minutes from this movie for its 1987 network television premiere.
- ConexionesFeatured in At the Movies: Salvador/Smooth Talk/Crossroads/Turtle Diary (1986)
- Bandas sonorasLimousine Driver
Performed by James Taylor
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- How long is Smooth Talk?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- Bedrohliches Geflüster
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 2,400,000 (estimado)
- Total en EE. UU. y Canadá
- USD 16,785
- Fin de semana de estreno en EE. UU. y Canadá
- USD 16,785
- 17 nov 1985
- Total a nivel mundial
- USD 16,785
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What is the French language plot outline for Smooth Talk (1985)?
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