Silverado

By 1985, the movie 'western' was a genre long dormant, with film critics quick to point out that audiences had become far too 'sophisticated' for old-fashioned "shoot-'em-ups". Two film makers decided to test the waters, however; Clint Eastwood, reviving an older version of his "Man with No Name", directed and starred in his SHANE homage, PALE RIDER; and Lawrence Kasdan, fresh from the huge success of THE BIG CHILL, fulfilled his life-long dream to make a western, with SILVERADO. Neither film was successful at the box office, and pundits predicted they would soon be forgotten...but a new force in the movie industry was emerging, video rentals, and SILVERADO, with it's spectacular action sequences, charismatic heroes, and sweeping, unforgettable music score (by Bruce Broughton), was an unexpected and overwhelming hit, drawing Hollywood's attention to the new market, and lifting the film to the near-classic cult status it enjoys today.

While PALE RIDER would focus on Clint Eastwood's continuing demythologizing of the West (which would culminate in 1992's UNFORGIVEN), SILVERADO embraces all the 'classic' Western clichés, serving them up with such exuberance that they seem 'fresh'. The story of four likable 'shootists' of nearly superhuman skills, bonding, and ultimately taking on a corrupt sheriff and his brutal gang of deputies in the town of Silverado, trots out one traditional element after another, from the classic 'bushwhack' (with a John Ford 'Doorway Framing' homage shot) to the 'pretty widow' in a wagon train; from the 'saloonkeeper with a heart of gold' to the 'crooked gambler with a concealed weapon'...and even climaxes with that most traditional of finales, as two ex-partners face off on a dusty street in an old-fashioned Western shootout.

The four leads couldn't have been cast more perfectly; Scott Glenn channels Gary Cooper as a laconic cowboy fresh from an undeserved 5-year prison stretch; Kevin Kline exudes his signature charm as an ex-gang member whose life changed because of "a dog"; Danny Glover is warm and reassuring as a man moving west from Chicago to help his family, armed with a legendary Henry rifle; and, best of all, young Kevin Costner, in his breakout performance, is irresistible, wild and acrobatic, as Glenn's ever-optimistic, carefree younger brother, a part Kasdan wrote specifically for the actor, after his scenes were cut from THE BIG CHILL.

The supporting cast is equally superb, with standout performances by giant Brian Dennehy, John Cleese (as a sheriff who knows 'where' his jurisdiction ends), Jeff Goldblum, Linda Hunt, James Gammon ("You led a posse to my best hide-out??"), Jeff Fahey, and, in a wonderful if brief role, breathtaking Rosanna Arquette, as the widow courted by both Kline and Glenn. With a cast THIS good, it is remarkable that the film had to 'go to video' to achieve success!

The final line of SILVERADO, "We'll be back!", shouted by Costner as he and Glenn ride 'into the sunset', has had countless fans wishing that a follow-up movie had been made (a 1999 nationwide video poll chose SILVERADO as the film "Most Deserving of a Sequel"), but time has, sadly, eliminated that possibility. The film that 'failed' when released, in a genre that 'experts' considered passé, is, after nearly 20 years, still winning new fans.

As Kevin Kline and Linda Hunt say, as a toast: "Here's to the good stuff...May it last a long time!"

'Silverado', Co-Written & Directed by Lawrence Kasdan, is an Entertaining Western Flick, that manages to hold your attention in the goings-on. Even the performances, are well-done, that only add to it's booty.

'Silverado' depicts a chance encounter between a group of cowboys who travel to the town of Silverado, where they thwart the plans of a rancher and a corrupt sheriff.

Though the entire concept of the Good challenging the Evil, has been told on celluloid a dozen of times, 'Silverado', however, manages to convince it's viewer, thanks to it's interesting screenplay. Lawrence & Mark Kasdan's Screenplay is nice, and plays it safe. The Action Sequences are very well shot, while the Cinematography is good. Editing & Art Design deserve a mention.

Performance-Wise: Kevin Kline is good. Scott Glenn is efficient. Kevin Costner & Danny Glover are in form. Jeff Goldblum, Linda Hunt, Rosanna Arquette & John Cleese lend very good support. Brian Dennehy is excellent as the corrupt sheriff.

On the whole, 'Silverado' succeeds by entertaining it's viewer.

I love this movie, so much that I finally got tired of renting it and bought a copy. I tell anyone who asks that it's "...the western for 12-year-old boys of all ages." I'd guess that women would enjoy it also, if for no other reason than the superb male cast. I can't think of a film which has a cast with greater depth. I love the humor woven through the episodes of action and buddyhood, and nearly fell out of my seat laughing when John Cleese first appeared on screen. His first line is an all-time great, right up there with Tommy Lee Jones' "My my, what a mess" in The Fugitive (I won't quote it, in case you haven't seen the film). If you want to be thoroughly entertained for a couple of hours, and don't require powerful social import in your viewing choices, I'd recommend Silverado strongly. Actually, the relationship of Danny Glover to the main protagonists IS socially important, so enjoy that too.

If you are looking for a very entertaining western, it's hard to top this one. It's fairly long at 134 minutes, but the deep cast and always-interesting story make the time fly by.

The first half of the film is about as good as it gets but two climactic scenes at the end get a little too carried away with the "Rambo" mentality of good guys not getting shot when they should have, etc. But, overall, it's so good it is still very highly-recommended. Among the "lists" you see on this website's message boards and elsewhere, you rarely see this movie mentioned among top westerns and that is a huge oversight.

There are four main "good guys" that are played by well-known actors: Kevin Kline, Scott Glenn, Kevin Costner and Danny Glover. I especially liked Kline as "Paden" with his gentlemanly manner about him and Glenn's voice always makes him interesting. Costner is so young looking he almost looks like a teenager.

Brian Dennehy, as the villainous "Sheriff Cobb," is verbally restrained in here, which was nice to hear, for a change but he's still intense and fascinating. (This movie marked the 10,000th time Hollywood made a lawman the villain since the 1960s).

The story is fun, a straight cowboy movie with no romances or gratuitous sex scenes thrown in and has the usual beautiful western scenery and photography. The only problem was the sound. The soundtrack is so loud so have to crank up your center speaker to hear the dialog over the music.

Silverado is damn good fun. Being a small fan of the Western genre, I felt this was the most refreshing one I've seen in a while. The genre had pretty much died, but came back in Silverado, and it felt so fresh.

The plot is simple and cliche, I think it's paying homage to the classics. It sticks within the Western boundary and does its thing.

The cast is pretty good, and well known, but in 1985, these actors were just Hollywood virgins. I was surprised by John Cleese, he stuck out like a sore thumb, but I enjoyed his performance. You have Costner hamming it up, and Jeff Goldblum was cool. Scott Glenn was probably the best. Hell, Glover was pretty good, too.

The direction is wonderful as is the editing, the film moves along at a decent pace. I wish Lawrence was a more prominent director, he deserves more success.

The film score is very nice, fits the film perfectly.

Overall, one of the best Westerns in the last 25 years.