CALIFICACIÓN DE IMDb
5.8/10
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TU CALIFICACIÓN
Agrega una trama en tu idioma4 LA cops are fighting the war on drugs. Corrupt superiors manage to break up their team when one of them gets killed. The 3 quit LAPD and continue investigating.4 LA cops are fighting the war on drugs. Corrupt superiors manage to break up their team when one of them gets killed. The 3 quit LAPD and continue investigating.4 LA cops are fighting the war on drugs. Corrupt superiors manage to break up their team when one of them gets killed. The 3 quit LAPD and continue investigating.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 nominación en total
Opiniones destacadas
My review was written in March 1990 after a Greenwich Village screening.
The Iran-contra affair becomes the plot device for a farfetched and preachy co film offering Brian Dennehy an interesting star turn. Commercial prospects are bleak for this oddball Orion message picture.
Originally titled "Street Legal", "The Last of the Finest" belongs in a rarely attempted brand of pastiche film, last seen in the Watergate comedy "Nasty Habits" in which nuns led by Glenda Jackson and Geraldine Page portrayed thinly disguised members of the Nixon administration.
"Finest" is less interesting because it's one step removed. The central characters are Dennehy and his band of dedicated cops who tumble upon a bunch of corrupt characters (who parallel the Iran-contra protagonists) while working on a drug bust.
Like characters for a Don Siegel action pic (especially "Charley Varrick"), Dennehy and his loyal men Joe Pantoliano, Jeff Fahey and Bill Paxton bristle at L. A. P. D. rules and are suspended when their task force becomes overly zealous in its fight against drug trafficking. Audience immediately tumbles to the fact that higher-ups are blocking their noble cause: it's a combination of police brass and feds, working on an elaborate scheme to trade drugs for arms to supply Central American freedom fighters.
In pic's silliest plot twist, Dennehy and company too easily rip off minor drug dealers to finance their own purchase of heavy weapons to stage a three-man war against the baddies (one of Dennehy's merry men is murdered early on, as a corny motivational device). Their victory against tall odds is phony and the film's symbolism goes over the top in a climax of the drug money exploding in its cesspool hideaway, covering the baddies in excrement.
Despite the deficiencies of a script that unwisely mixes tongue-in-cheek elements with soapbox messages, Scottish director John Mackenzie keeps the pic moving and enjoyable on a strictly thriller level. Its unsubtle references to Iran-contra are more fun for film historians than action fans, leading to an ending on tv identical in purpose to the rabble-rousing conclusion of Alex Cox' similarly preachy "Walker".
Dennehy is excellent in delivering a liberal message in the form of a free-thinking independent who's tired of the expediency and greed of a system riddled with phony patriots. Guy Boyd ably leads the gang of Machiavellian villains and Aussie thesp Deborra-Lee Furness makes a good impression as Dennehy's wife.
Former Rolling Stone Mick Taylor adds punch with his guitar solos.
The Iran-contra affair becomes the plot device for a farfetched and preachy co film offering Brian Dennehy an interesting star turn. Commercial prospects are bleak for this oddball Orion message picture.
Originally titled "Street Legal", "The Last of the Finest" belongs in a rarely attempted brand of pastiche film, last seen in the Watergate comedy "Nasty Habits" in which nuns led by Glenda Jackson and Geraldine Page portrayed thinly disguised members of the Nixon administration.
"Finest" is less interesting because it's one step removed. The central characters are Dennehy and his band of dedicated cops who tumble upon a bunch of corrupt characters (who parallel the Iran-contra protagonists) while working on a drug bust.
Like characters for a Don Siegel action pic (especially "Charley Varrick"), Dennehy and his loyal men Joe Pantoliano, Jeff Fahey and Bill Paxton bristle at L. A. P. D. rules and are suspended when their task force becomes overly zealous in its fight against drug trafficking. Audience immediately tumbles to the fact that higher-ups are blocking their noble cause: it's a combination of police brass and feds, working on an elaborate scheme to trade drugs for arms to supply Central American freedom fighters.
In pic's silliest plot twist, Dennehy and company too easily rip off minor drug dealers to finance their own purchase of heavy weapons to stage a three-man war against the baddies (one of Dennehy's merry men is murdered early on, as a corny motivational device). Their victory against tall odds is phony and the film's symbolism goes over the top in a climax of the drug money exploding in its cesspool hideaway, covering the baddies in excrement.
Despite the deficiencies of a script that unwisely mixes tongue-in-cheek elements with soapbox messages, Scottish director John Mackenzie keeps the pic moving and enjoyable on a strictly thriller level. Its unsubtle references to Iran-contra are more fun for film historians than action fans, leading to an ending on tv identical in purpose to the rabble-rousing conclusion of Alex Cox' similarly preachy "Walker".
Dennehy is excellent in delivering a liberal message in the form of a free-thinking independent who's tired of the expediency and greed of a system riddled with phony patriots. Guy Boyd ably leads the gang of Machiavellian villains and Aussie thesp Deborra-Lee Furness makes a good impression as Dennehy's wife.
Former Rolling Stone Mick Taylor adds punch with his guitar solos.
Miss-Marketed and Ignored Movie about Four Honest Cops Knee-Deep in the Stench of Political and Law-Enforcement Corruption.
Reagan-Era Blow-Back about Highly Corrupt Politicians and Leaders in the LAPD Using Drug-Money to Get Rich and Fund the "Freedom-Fighters" in Central America.
Thinly Veiled Commentary about the Iran-Contra Scandal.
The Studio seemed Nervous about the Political Aspects of this Character Study.
It's about an Elite Squad of Brian Dennehy, Joey Pants, Jeff Fahey, and Bill Paxton Uncovering Not Only Drug-Trafficking but Corruption at the Highest Levels.
The Movie was Ignored by the Studio and Given the Bum's Rush.
Did Not Screen Well with Critics (What do they know?).
The Film is a Fine Action/Drama with the Four Actors Delivering Good Character Comradery and are a Convincing Squad.
Suspenseful Story Peppered with Good Action.
Underrated and Unacknowledged Film that Deserves a Second-Look.
Reagan-Era Blow-Back about Highly Corrupt Politicians and Leaders in the LAPD Using Drug-Money to Get Rich and Fund the "Freedom-Fighters" in Central America.
Thinly Veiled Commentary about the Iran-Contra Scandal.
The Studio seemed Nervous about the Political Aspects of this Character Study.
It's about an Elite Squad of Brian Dennehy, Joey Pants, Jeff Fahey, and Bill Paxton Uncovering Not Only Drug-Trafficking but Corruption at the Highest Levels.
The Movie was Ignored by the Studio and Given the Bum's Rush.
Did Not Screen Well with Critics (What do they know?).
The Film is a Fine Action/Drama with the Four Actors Delivering Good Character Comradery and are a Convincing Squad.
Suspenseful Story Peppered with Good Action.
Underrated and Unacknowledged Film that Deserves a Second-Look.
I was pleased with the cast of reputable players. The story is one of standing up for a cause, even if you are at personal risk in doing so. In a time where violence and pain are often in the movie forefront, this movie focuses on the old fashioned good cop. Although similar plots have been done repeatedly, these guys pull it off well. Kick back and enjoy. Dennehy is a master of taking over a movie.
This movie is about what you would expect just from the title and looking at the art on the DVD box. It's a bunch of expert, no nonsense drug cops who are in a war against drugs and there turns out to be corruption high up the ladder. So they have to fight against the odds to keep their war against crime going. Some surprisingly good acting by some decent actors like Dennehy and Pantoliano (spelling?), this one is worth watching if you get a chance.
Outstanding acting from Brian Dennehy, Joe Pantoliano, Jeff Fahey, and Bill Paxton vaults this vigilante cop film into way above average territory. While character development is good for the good guys, it is rather skimpy when it comes to the villains. This does not detract enough to spoil the fun however. There is nice chemistry between the rogue cops, and the script though derivative is totally acceptable. It's rare to get the kind of likable performances delivered in "The Last of the Finest" from all four leads. Special mention must be made of the stunt work, because it's good, and the movie has some very unusual and exciting parts. This is a real surprise, and fans of the actors will not be disappointed. - MERK
¿Sabías que…?
- TriviaThe 1974 Jeep Wagoneer that Frank Daly, played by Brian Dennehy, drives has the license plate number of BDR-529 which is the same license plate number of the Bluesmobile from the movie Los hermanos caradura (1980).
- ErroresOne officer said he used a 700 mm lens on his Nikon F3, Nikon never made a 700 mm lens then.
- Citas
Wayne Gross: [to Ricky] I bet if you met your father he'd probably be Irish
- Bandas sonorasIt's Not Unusual
Performed by Tom Jones
Courtesy of PolyGram Special Products, a division of PolyGram Records, Inc.
Words and Music by Gordon Mills and Les Reed
Published by MCA Music Publishing, a division of MCA Inc.
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Detalles
Taquilla
- Presupuesto
- USD 12,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 1,531,489
- Fin de semana de estreno en EE. UU. y Canadá
- USD 551,876
- 11 mar 1990
- Total a nivel mundial
- USD 1,531,489
- Tiempo de ejecución1 hora 46 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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By what name was The Last of the Finest (1990) officially released in Canada in English?
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