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Leatherface had the greatest trailer of all time (Leatherface meets the Lady of the Lake, remember that?). Maybe that's why nearly everyone was let down by the film itself. Most people view Leatherface as an unwelcome addition to the legacy that is the Texas Chainsaw Massacre. No, it's not as good as the original or the sequel, but what do you expect when Tobe Hooper's not on board? However, if you do not compare it to its predecessors, it stands alone as a fun flick. It's at least watchable (unlike the Matthew McConaughey "remake"). The only thing I really don't like about it is the lack of continuity. The David Schow script is great, it just leaves out some needed information. In essence, this is the first in a long line of remakes. The director, Jeff Burr, does succeed in creating tension. My heart still pounds every time when they stop to fix that flat tire. Those far-off squeaking sounds are unnerving. The cast does well also. No one has the energy of Bill Moseley (Chop Top from TCM 2), but he's a tough act to follow. What they do have is horror favorite Ken Foree. Foree is always great. I don't care whether he's in Dawn of the Dead or The Phantom of the Mall, he's great. And you must give credit to Viggo Mortensen. He's come a long way from b horror to star in the Lord of the Rings. When it comes down to it, TCM 3 is worthy of a bit more praise.

Traveling through the desert together, a brother-and-sister attempting to deliver a classic car to a relative encounters a murderous, cannibalistic family that preys on travelers hunting along the highway and must team up with a stranded survivalist to stave off the family's advances.

This here turned out to be decent and actually quite enjoyable actually. One of the main aspects that works really well to this one is an impressive atmosphere, with the film being rather creepy for the most part. There's a lot of fun to be had with this one in the desert despite being set at night but it makes the film just that much better because the majority of the action takes place at night and that is really tough to pull off, yet it's done nicely here. The initial appearance by the couple changing their car-tire which turns into an attack on the car and then leading into the chase down the highway where they bump into their friend gives this a strong launching pad to where the movie really works in the chasing through the patch of woods by the highway. The dark trees and nearly impenetrable layout makes for a perfect spot to unleash the series of ambushes, stumbling across the traps left out and getting plenty of strong, stellar stalking throughout where the killer comes out of the shadows in rather unexpected locations to catch them in the traps or stalk them with the chainsaw leading for a great time throughout here. With the family dinner scene being rather enjoyable with plenty of gruesome, bloody moments that are far more squirm-inducing than expected and a nasty streak that runs throughout, suddenly machine gun fire bursts into the room, gunning down most of the family leading into the final brawl out in the swamp which has a lot to like. The gore is great as well, especially in the unrated form where the gore is a little nastier and it should please the gorehounds looking for a ton of blood and guts. There are still some flaws here, as there is an 'R' rated version of the film that is so heavily cut that it makes no sense why it was rated 'R.' Almost no violence at all occurs in the main cut of the film which is virtually bloodless and with a low body count to chop up, it doesn't have a lot of deaths to dole out. There are way too few people to get involved in the family which keeps the body-count to a point where it's quite obvious there's not a lot of opportunities to knock people off which is really distracting. There's also the fact that the family again changes around members needlessly, offering up another change in the members and characteristics of the group which is never explained and offers up the kind of questions that shouldn't be made in this kind of situation. Ranging from who's who in relation to each other and what they're pasts were like since they're colorful enough to be memorable, however too much is kept off-screen around them which is rather disappointing. Still, it's far better than expected.

Rated R: Graphic Language and Graphic Violence.

If you watch this as a remake and not a sequel, and then you'll understand it, because that is what it really was meant to be according to all involved as well as Tobe Hooper, who was on board for a while as an adviser. Otherwise, the storyline from TCM part 2 to this one won't make sense.

I saw this when it was first released in the theater and didn't think too highly of it, but then I saw the uncut, unrated version recently and it improved more than 100%.

It's spooky, atmospheric, relentlessly frightening, with a very good job by R A Mihailoff as Leatherface, whose brutal and monstrous characterization of Leatherface seems to be the basis for the current Leatherface character by Andrew Briniarski. There's no cowering to others in the family, transvestite behavior, or silly screaming as in other versions. Also this one has a great chainsaw, plenty of great character actors doing what they do best, as great characters.

The film would have been better had the squeamish producers left in the X-rated violent scenes as they were originally. Would have been top notch if the (hideously deformed) Leatherface unmasking had remained, a bit that was eventually used to a degree in the 2003 version. Could have been a 10 had someone like Savini been involved. As it is, still superb.

This second sequel to the horror classic is something of a letdown, purely because of the storyline. While the first sequel, dominated by Dennis Hopper's crazed performance, explored the key figures in a novel way, LEATHERFACE is a film that's content to simply emulate the first movie's storyline. Once again we get unwary travellers falling foul of Leatherface and his family, and an extended climax involving a family dinner. It's all way too familiar, and of course lacks the sheer intensity of Tobe Hooper's original classic.

The film's tone is wildly uneven throughout, and even in the would-be horror scenes it's hard to take it seriously. The movie feels like a spoof; it has a light-hearted tone that sits at odds with the grimness of the plot. Still, on the plus side, it's very fast paced, and it features a great deal of crowd-pleasing horror elements that are sure to win the hearts of splatter fans, although as with the original, it's never quite as gory as you think it's going to be (and I'm talking about the uncut version).

One of those crowd-pleasers is Ken Foree, Mr. DAWN OF THE DEAD himself, playing one of the film's would-be victims. Foree is a delight, and they sure play up to his potential, portraying him as a real ass-kicker of a man. I couldn't care less about the two characters who are supposed to be the leads, but Foree hooks you right from the start. The rest of the actors are less than impressive, and in particular the guy who plays Leatherface is just a stock heavy; there's certainly none of the hulking, imposing brutality that Gunnar Hansen brought to the role.

Of course, one of the draws watching this film today is seeing a pre-stardom Viggo Mortensen playing in a decidedly odd type of role, completely different from what you might expect; I enjoyed his performance, even if much of it is played for laughs. And that's the trouble with the film as a whole: we're back to that spoofy tone, that whole non-serious feel that everyone's laughing at the premise rather than getting to grips with the horrifying implications of it. Take the ear scene, for example, or the string of increasingly ridiculous and unbelievable things that happen at the climax (including the fate of one of the characters, which makes no sense whatsoever; blame a substituted ending for that one, after the original didn't go down too well with test audiences). In fact, come the end, I enjoyed this more as a bizarre comedy than as a genuine horror outing.

No matter how many sequels, reboots, spinoffs, or rehashes The Texas Chainsaw gets, none will compare to the original. That's a given. But there are some installments in Leatherface's interesting journey throughout the decades that are solid enjoyable movies on their own, such as the 2003 remake and this one. Here I feel like the campiness of TCM2 met the thrills of the original TCM in a healthy middle ground. There are some ridiculous one-liners, but they're placed fittingly unlike the second movie where the comedy felt forced and sloppy. The acting in the movie is above average too, with your standard "now famous but previously in a crappy horror sequel" actor to boot.

The main reason this is better than its predecessor is because it actually has suspense; not a lot of it but it's there. The creepy moments somewhat resemble scenes from the original but none of it feels rehashed. There are characters you can root for, and Leatherface is actually (kind of) scary again. There's also a satisfying climax, fit with heavy metal and cheesy lines that belong in a Marlon Wayans movie. It's just a fun popcorn horror movie with some gore, a couple thrills, and a decent amount of laughs. All in all, a movie is meant to entertain, and for the most part, Texas Chainsaw Massacre III did exactly that. Worth a watch for hardcore slasher fans.