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Ver Robert Redford: The Con With Conviction & the End of a Legendary Screen Persona
En la Cuba de los cincuenta, un jugador profesional se enamora de una mujer que está muy involucrada en el movimiento revolucionario.En la Cuba de los cincuenta, un jugador profesional se enamora de una mujer que está muy involucrada en el movimiento revolucionario.En la Cuba de los cincuenta, un jugador profesional se enamora de una mujer que está muy involucrada en el movimiento revolucionario.
- Nominado a 1 premio Óscar
- 3 nominaciones en total
Opiniones destacadas
How does a cool professional gambler show passion? He gives up the Big Game to rescue his beloved. How can a passionate woman reconcile the two loves of her life--the noble hero and his cause and the man who makes her feel most like a woman? Yes, it's Casablanca revisited. And Lena Olin portrays her ambivalence as ably as her Swedish compatriot, Ingrid Bergman. Fault the script for not delivering the depth of Casablanca, the humor--Alan Arkin could have been the equal of Claude Rains but didn't get the lines. But the cinematography makes pre-revolutionary Havana palpable, in its glamour and seaminess, its whiff of a bygone era. Who wouldn't want to drive a Cadillac convertible onto the ferry at Key West and debark in Havana?
The island of Cuba is a long way from Morocco, but in Sydney Pollack's film of the same name the city of Havana isn't too far removed from 'Casablanca'. The two films share a similar exotic locale, the same shady intrigue, and an all too familiar bittersweet romance. All that's missing are Peter Lorre and Sydney Greenstreet, but what's surprising about Pollack's film is how well it stands up under the comparison. Robert Redford portrays a tough and charismatic (if slightly disreputable) gambler who drifts into the decadent Cuban capital during the last, desperate days of the Battista regime, and it's a pleasure to watch him playing, for once, a character without a built-in halo. The foreign intrigue, played against a background of political unrest, is perfectly suited to the swinging tropical setting, but the romance between Redford and beautiful revolutionary Lena Olin isn't as convincing. Don't blame the talented cast; the script lets them down too often during the last half of the film, undermining an otherwise attractive and entertaining bit of high-grade, escapist fluff.
I love it for its ...flavor. For Lena Olin and Robert Redford. For the clash between romance and politic. For the old image of people in the womb of bad times. And for a Cuba who was so easy lost. And that is all.
Havana is a favorite of mine. Sure it's a slick Hollywood movie but I thought Redford and Olin were marvelous together and fit their roles perfectly. Doesn't it seem natural to find Redford in exotic Havana playing cards on the eve of the revolution? And doesn't Olin's intelligence , charm, and beauty fit her role ? The supporting cast were flawless and the intriguing plot stood on it's own merit. The sentimental ending was superb and the musical score which received an academy award nomination was brilliant. Better than mediocre.
Many will claim that Sydney Pollack and Robert Redford were on auto-pilot while making this film. Based on their previous collaborative efforts, the well-received Three Days of the Condor, The Way We Were, The Electric Horseman, and Out of Africa, which swept the Academy Awards, people wanted to see their movies. They could make any movie they wanted. They made Havana, and NOBODY wanted to see it.
Maybe Pollack, brilliant in his own right, set his watch according to Redford's schedule at this time, and history shows that, subsequent to Havana, and its box office failure Sydney Pollack basically quit directing. His influence in film is still served, and may be better served as a producer, witness Sliding Doors, Sense and Sensibility, Fabulous Baker Boys, and Searching For Bobby Fischer, all of which he helped bring to the screen.
But, back to the matter at hand-Redford as a gambler, Lena Olin, his distraction (and what a distraction)--the film feels good, looks good, and gives us some perspective on Cuba in the waning hours of Batista.
Olin (pre-Romeo is Bleeding, post Unbearable Lightness of Being) is properly introduced to American audiences, and is not inappropriate as leading lady to one of Hollywood's leading stars, Redford, who, even on auto-pilot, delivers a strong, engaging performance.
I understand this film was heavily maligned at release, and failed dismally at the box office, but I enjoyed it. It is a beautiful film to watch with attractive leads - and that alone stands it well ahead of many of the alternatives out there today.
Maybe Pollack, brilliant in his own right, set his watch according to Redford's schedule at this time, and history shows that, subsequent to Havana, and its box office failure Sydney Pollack basically quit directing. His influence in film is still served, and may be better served as a producer, witness Sliding Doors, Sense and Sensibility, Fabulous Baker Boys, and Searching For Bobby Fischer, all of which he helped bring to the screen.
But, back to the matter at hand-Redford as a gambler, Lena Olin, his distraction (and what a distraction)--the film feels good, looks good, and gives us some perspective on Cuba in the waning hours of Batista.
Olin (pre-Romeo is Bleeding, post Unbearable Lightness of Being) is properly introduced to American audiences, and is not inappropriate as leading lady to one of Hollywood's leading stars, Redford, who, even on auto-pilot, delivers a strong, engaging performance.
I understand this film was heavily maligned at release, and failed dismally at the box office, but I enjoyed it. It is a beautiful film to watch with attractive leads - and that alone stands it well ahead of many of the alternatives out there today.
¿Sabías que…?
- TriviaActor Raul Julia appeared in a significant supporting role in the film without any credit or billing at all in the film. Julia chose to be uncredited because producers for contractual reasons could not accommodate Julia's request for him to be billed second alongside Robert Redford, as the top two above-the-title star-teaming credits had already been signed over to top first-billed Redford and second-billed actress Lena Olin, with the third billed credit already having been contracted to actor Alan Arkin. According to the "LA Times," Raul Julia's agent Jeff Hunter said: "Our usual above-the-title credit wasn't available. So, we decided not to take any credit at all." Director Sydney Pollack said told the same paper: "The only billing left for Julia was to be stacked with the rest of the names . . . his agent felt that would be a step backward" and there is a dilemma when there is "an actor on the ascendancy, like [Raul] Julia, and you ask the actor to do a role that's somewhat smaller [than their emerging star status]." Julia had found rising-star status since his performance in the Academy Award winning film El beso de la mujer araña (1985).
- ErroresAlthough the film is set in 1958, the garage scene uses a 1961 re-recorded version of Rum And Coca Cola by The Andrews Sisters. This version was recorded for Dot Records, two years after the movie's setting.
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- How long is Havana?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 40,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 9,243,140
- Fin de semana de estreno en EE. UU. y Canadá
- USD 2,175,360
- 16 dic 1990
- Total a nivel mundial
- USD 9,645,440
- Tiempo de ejecución
- 2h 24min(144 min)
- Color
- Relación de aspecto
- 1.85 : 1
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