Exorcista III

Most all have watched the 1973 film classic "The Exorcist" and if like me you decided to miss the lame sequel part 2 with Linda Blair. However this 1990 film "The Exorcist III" goes well in step with the classic original almost like a continuation story of evil and possession with past connections. Based on a 1983 novel from William Peter Blatty called "Legion" this story and film is a scary and creepy fright feast that proves evil does exist in the world that we live in perhaps in the form of bad spirits and the afterlife. The film paces the scenes well the build up of the scenes are often slow yet end with very tense endings and bloody murders.

Set in Washington D.C. in the town of Georgetown a series of strange and bizarre murders start to happen and the killings are gruesome and they involve decapitations and mock style executions which rivals that of "Jesus being nailed to the cross". Enter Lt. Kinderman(the great George C. Scott) who's weathered worn burned out tough as nails detail detective soon starts to find that the murders are related to and rival that of the Gemini killer(an executed killer). Also the story and cases tie into a university hospital psych ward. Plus their is a scene in the hallway of a Nurses station that is freakish it may just be one of the scariest in horror film history.

Interesting is seeing how Patient X and a past form of Father Karras ties into the murders, also the performance from Brad Dourif is scary and spooky as the Gemini Killer. The acting and cast chemistry is all pro plus the scenes filmed were paced well and the camera work helped make the movie a knockout as many scary and tense moments have a slow build up only to surprise with quick and unexpected terror and fear! Finally watch this good well done sequel from 1990 and yes it was indeed scary proving that evil exist and is present in many forms thru people and their spirits, and for more insight read Blatty's complex novel "Legion".

With a title like 'Excorcist 3', one doesn't hope for much. But in fact, this film is really only so titled to exploit the value attached with the name, and although it was written (and also directed) by the writer of the original film, it's actually a stand-alone movie in it's own right. And while William Blatty may be hard pushed to rival the efforts of the original's director, William Friedkin, he doesn't do too bad a job: he's a little over-reliant on abrupt cutting to achieve his shocks, and the budget for the special effects was obviously inadequate, but this is a suspenseful and chilling thriller. All supernatural movies suffer from a degree of innate silliness, and satanic movies perhaps especially so, but this film is constructed as if it was a conventional serial killer thriller, albeit an exceptionally dark and creepy one. As the signs of actual devilry begin to increase, the detective leading the case (played brilliantly by George Scott) starts to wonder if he's going mad. Only when the film is forced, near its conclusion, to represent the nightmare literally, does it inevitably become a little daft (but that charge could even be levied at 'The Excorcist' itself). I'm not generally a huge fan of horror movies, but this one is definitely above average, for its skill in modulating the tension and in restraining from excess until its final scenes. In conclusion, ignore the title, and watch.

William Peter Blatty can really write. Prose and dialogue. No argument. But can he direct a movie? On the strength of 'Exorcist III,' yes he can. This isn't to say that the film doesn't have its problems. On the contrary, its biggest problem, the out-of-character 'crowd-pleasing' SFX climax stops it from being one of the greats. So why do I have a soft spot for this film? If, like me, you appreciate horror films that are both scary and made for grown-ups, 'Exorcist III' is refreshing and memorable for its intelligent, non-ironic journey into darkness and for its refusal (bar that ending) to dumb down for the kids. If 'Scream' is your idea of a great horror movie, this isn't one for you! The cast is not nearly young and attractive enough, there are nowhere near enough gags (though Blatty's dry, sardonic wit is happily in evidence) and the film has no pretensions at being an autopsy of the genre, therefore somehow lifting it above the films it purports to comment on. 'Exorcist III' is literary beyond 'Scream's' self-referential trivia-chasing (I would love to hear Detective Kinderman critiquing that movie!) Read 'Legion' and you'll have an idea of how good the film should have been. Flaws acknowledged and accepted, don't miss out on Brad Dourif's best performance since 'Cuckoo's Nest,' scene-stealing turns by Ed Flanders and Nancy Fish, or the superlative production design, photography and sound. More than anything else, it's the atmosphere of the film that stays with me. I can recall very few films that have a better sense of the power of stillness and silence. So much of the violence is communicated only in dialogue; your mind reluctantly does the rest.

Exorcist III (1990) was the follow up to the classic Exorcist. Despite the number three next to the title, this was the true sequel to the first film. Writer/ Director William Peter Blatty wanted to simply call the movie "Legion" like the name of his novel. But the producers wanted to cash in on the Exorcist name so he caved into pressure. In Europe it's called Legion: Exorcist III. This wasn't going to be the first or the last conflict Blatty would have with the producers. The novel was a straight forward mystery/ thriller. The producer wanted some gore and "exorcism" thrown into the mix. Blatty wanted to make an atmospheric horror film, the producers wanted a prototypical 80's horror film. The producers wanted Jason Miller and an exorcism! Who won out?

The film follows the friendship between Father Dyer and Detective Kinderman. Meanwhile a serial killer is running around Georgetown gruesomely murdering the city's residents. Kinderman is called into duty and is puzzled by the brutal slayings. That is until he follows the clues and they lead him to a very unlikely place. Kinderman's faith in man is tested as he continues on through out this bizarre and seemingly never ending case.

George C. Scott is excellent as Kinderman. he plays the role of the detective as if he was tailored made for the part. Ed Flanders co-stars as Father Dyer. Nicol Williamson has a guest star spot as a Father Merrin type priest (his scenes seemed to have been added during post production because they don't fit in with the rest of the movie). The ending felt rushed and it has "post production" stamped on it. Word has it that the film was indeed tampered with during the post production. I think so to because the book's ending was far different than what was put out on the silver screen.

Is the movie worth watching? Yes it is because it's a worthy follow up to the Exorcist. Even though it was fiddled around with during the final phase of production, scenes seem to have been added and the ever presence of the producers looking over the director's shoulder, it's still a great film. I'm probably one of the few people who are actually satisfied with the movie. I wished Blatty could have the original version of this film restored. I enjoyed the book and the movie as well.

Highly recommended!

A majority of people hate intellectual horror films. What's wrong with having to think once in a while?

The first 'true' and so far best sequel to the amazing 1974 original sees George C. Scott stepping into the role of Detective Kinderman (played by the late Lee J. Cobb in the original) who is investigating a series of homicides in Georgetown. The homicides, grisly in nature, follow the M.O. of the Gemini killer, a man convicted and sent to death in the electric chair 15 years ago. Several characters return this time around from the original film including Kinderman, Father Dyer (Ed Flanders) and Damian Karras again played by Jason Miller.

First up I'll talk about the acting. The cast did a bloody good job in their roles. Scott gives a tour de force performance where he mixes grandfatherly likability with someone who is clearly struggling with demons of his own. It is clear why this man is one of the best character actors of the silver screen. The few scenes that he shared with Father Dyer were played so well you really thought they had been lifelong friends. The other acting coup was getting Brad Dourif to play the Gemini killer. He proves here that he will always be more than the voice of our favorite pint-sized plastic doll from hell. His character spends the film being shackled in a cell but yet is able to convey a sense of menace few can provide with the help of other actors, props and settings. Jason Miller returns also as the 'body' of Father Karras and swaps back and forth the role with Dourif. The Kinderman / Karras / Gemini scenes are the highlight of the film. The actors go full bore at each other and turn what could have become boring exposition scenes into film highlights.

William Peter Blatty stepped up to the plate and directs this time around. He took a book he wrote, Legion and tweaked it into the screenplay for part 3. I believe, but am not positive, that the exorcism at the end of the film in not in the book. Unfortunately I haven't read it since just before the movie came out and can't remember. The direction here is done very well for his second film. He sets up a chilly atmosphere when needed the most and steps aside to let the actors do their thing. Fairly straight-forward he lets the story role without flashy visuals getting in the way, signs of a true writer. The story is character driven with a few creepy moments but I had wished the atmosphere had been a little denser with scares at the end though. This effort comes closest to the original.

The music score is a bit light with many of the better scenes given over strictly to audio effects. A little bit disappointing but doesn't affect things too badly.

In the end you have a good sequel with a character driven script and a bunch of top notch actors ripping it up. Unfortunately I thought the ending was a bit rushed with the inclusion of the exorcism is just a little out of place. What for most of the film seems like a classic example of the walk-in of an 'old soul' suddenly becomes a possession story. But you got to give the distributors what they want I guess.