John McClane intenta evitar un desastre cuando un grupo de mercenarios toma control del aeropuerto de Washington.John McClane intenta evitar un desastre cuando un grupo de mercenarios toma control del aeropuerto de Washington.John McClane intenta evitar un desastre cuando un grupo de mercenarios toma control del aeropuerto de Washington.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 1 nominación en total
Fred Thompson
- Trudeau
- (as Fred Dalton Thompson)
Mick Cunningham
- Sheldon
- (as Michael Cunningham)
Opiniones destacadas
For those who argue that Die Hard 2 is a desperate re-hash of the original... So what? I didn't expect a companion piece like The Godfather Part II. Die Hard was about a really cool guy in a really bad situation, and the result was probably the greatest action movie ever made. Die Hard 2 achieves status on its own just by being about the same thing. When so many movies want to be Die Hard but fail, why not just make another Die Hard? Director Renny Harlin (Cliffhanger)realized that because it's a sequel, there had to be more stunts and explosions. So there is. Die Hard 2 (appropriately called Die Harder) ups the ante a bit and has fun with a flurry of furious action scenarios. The fight on the wing of the plane is a classic in its own right, and Die Hard 2 stands alone as one of the best of the genre.
Like the Lethal Weapon films of the late 80's and early 90's i found the Die Hard films to be very satisfying action entertainment.Much seems to be made of this sequel being inferior to its predecessor but i thought that it matched Die Hard for scale and has some breathtaking moments of action.Bruce Willis is still on top form as our hero and the airport setting during the busy Christmas period gives the film a positive buzz and a certain sense of hyperactivity.Although the film is missing a villain as much fun as Alan Rickmans Hans Gruber,William Sadler is nonetheless bad enough to hate and actually turns out a lot more ruthless than Gruber.In summary director Renny Harlin has succeeded in making a quick paced film that retains the sense of scale felt in the first film whilst making the most of Bruce Willis comic timing and action man charisma. 8/10
I was expecting the worse when I saw this film, but this movie seemed to escape the curse of the cheesy sequel. Just as action packed and enthralling as the original, the wit displayed in this film saved it from being a mediocre follow-up. Bruce Willis was once again a great hero, showing how little being considered a hero means to him. A good film with a great plot twist, this is one of those action films which is just as good as the original.
...but other than that, there's very little going against the second in the series. It helps (but not enough) that the character realizes he's basically in a sequel. There are some minor variations in the formula, but basically the movie relies on the Bruce Willis' charisma and humor, and elaborate action sequences. William Sadler is okay, but no Alan Rickman (or Jeremy Irons in #3). It's still enjoyable, though.
John McClane is in Washington to meet his wife as she arrives at the airport. However as he waits for her plane to come in terrorists seize control of the control equipment and keep the planes circling. They plan to rescue captured dictator General Esperanza by landing his plane at the airport and making their escape. However as the terrorists wait the circling planes get shorter and shorter on fuel, leading John McClane to take what action he can to regain control of the planes.
This second of the exciting die hard series has a hard act to follow. The first film was amazing and broke the mould relating to action films, it showed that action could occur in everyday locations, caused English actors to get lots of work as bad guys and set many other copycat films in motion (die hard on a mountain, die hard on a bus etc). However this is nothing special. The plot tries to be similar to the original but it lacks as much originality as the first. The terrorist plot is not quite as likely and it doesn't have the same flow as the first. Story-wise the main flaw is in McClane's involvement - in the first film he was very much trapped and forced to take action, in fact his first instinct was to run away from the terrorists. Here the same is not true, Willis tries to make it seem that he doesn't want all this again ("how can the same **** happen to the same guy") but really he throws himself into the thick of the battle. This takes away from the image of him as an ordinary guy put into a difficult situation.
The action scenes don't help this problem. Yes all the action scenes are good and exciting, but many of them are too big. In the first the action occurred in short standoffs, usually with McClane running away or sneaking around. Here there's too many of one man v's the world style action with Willis running in against a large number of terrorists and winning. Again this takes away from the tension and claustrophobia of the other film and makes it feel like a Arnie blockbuster. That said the action is still good and won't disappoint action fans.
The main failing of the film is that it tries to be like the first film without success. It retains the same set-up (McClane trying to rescue his wife from terrorists), brings back the same Christmas time setting and music, it even wheels back in as many repeat characters as it can (Veljohnson as Sergeant Powell, Atherton as Thornburg) but it loses the most important item - the set parameters of the action. Die Hard was great because it had very tightly set locations for it's action in the office block. Here the action can spread out all over so a lot of the tension and claustrophobia is lost. The decision to make the second film so similar to the first can only lead us to comparing the two and seeing the inferiorities.
The performances are quite good generally. Willis can almost do this type of thing in his sleep while the other repeat characters simply redo their roles. Unfortunately many of the repeat characters don't have much to do and seem out of place. The 'new' characters fill the stereotyped shoes of previous actors. Dennis Franz takes on the mantle of incompetent cop standing in McClane's way by going by the book, Sheila McCarthy takes on the story hungry journalist role etc. The bad guys do have a lot to live up to by replacing Alan Rickman and they don't quite reach that standard. William Sadler is good as Colonel Stuart but doesn't have any style of his own, anyway it's good to see Franco Nero (cult star of western Django) in an American film.
The film has some nice twists towards the end but it just doesn't come close to the atmosphere of the first film. By trying to be similar to the first film, Renny Harlin shows that he's not as capable as McTiernan in creating a mood of tension mixed with the action. The result is a great action movie but one that cowers in the shadow of it's better bigger brother.
This second of the exciting die hard series has a hard act to follow. The first film was amazing and broke the mould relating to action films, it showed that action could occur in everyday locations, caused English actors to get lots of work as bad guys and set many other copycat films in motion (die hard on a mountain, die hard on a bus etc). However this is nothing special. The plot tries to be similar to the original but it lacks as much originality as the first. The terrorist plot is not quite as likely and it doesn't have the same flow as the first. Story-wise the main flaw is in McClane's involvement - in the first film he was very much trapped and forced to take action, in fact his first instinct was to run away from the terrorists. Here the same is not true, Willis tries to make it seem that he doesn't want all this again ("how can the same **** happen to the same guy") but really he throws himself into the thick of the battle. This takes away from the image of him as an ordinary guy put into a difficult situation.
The action scenes don't help this problem. Yes all the action scenes are good and exciting, but many of them are too big. In the first the action occurred in short standoffs, usually with McClane running away or sneaking around. Here there's too many of one man v's the world style action with Willis running in against a large number of terrorists and winning. Again this takes away from the tension and claustrophobia of the other film and makes it feel like a Arnie blockbuster. That said the action is still good and won't disappoint action fans.
The main failing of the film is that it tries to be like the first film without success. It retains the same set-up (McClane trying to rescue his wife from terrorists), brings back the same Christmas time setting and music, it even wheels back in as many repeat characters as it can (Veljohnson as Sergeant Powell, Atherton as Thornburg) but it loses the most important item - the set parameters of the action. Die Hard was great because it had very tightly set locations for it's action in the office block. Here the action can spread out all over so a lot of the tension and claustrophobia is lost. The decision to make the second film so similar to the first can only lead us to comparing the two and seeing the inferiorities.
The performances are quite good generally. Willis can almost do this type of thing in his sleep while the other repeat characters simply redo their roles. Unfortunately many of the repeat characters don't have much to do and seem out of place. The 'new' characters fill the stereotyped shoes of previous actors. Dennis Franz takes on the mantle of incompetent cop standing in McClane's way by going by the book, Sheila McCarthy takes on the story hungry journalist role etc. The bad guys do have a lot to live up to by replacing Alan Rickman and they don't quite reach that standard. William Sadler is good as Colonel Stuart but doesn't have any style of his own, anyway it's good to see Franco Nero (cult star of western Django) in an American film.
The film has some nice twists towards the end but it just doesn't come close to the atmosphere of the first film. By trying to be similar to the first film, Renny Harlin shows that he's not as capable as McTiernan in creating a mood of tension mixed with the action. The result is a great action movie but one that cowers in the shadow of it's better bigger brother.
¿Sabías que…?
- TriviaIn the first Duro de matar (1988), John McClane only had a few scripted one-liners. However, Bruce Willis ad-libbed many one-liners, and audiences liked them. So much so that in this sequel (and the next one), more gags were added, and Willis was told he could ad-lib as much as he saw fit.
- ErroresAirport runways do not have manholes. Additionally, any manhole cover which could be lifted by one person would easily be crushed by a plane.
- Citas
Grant: You're the wrong guy in the wrong place at the wrong time.
John McClane: Story of my life.
- Versiones alternativasTV Versions, including that shown on the WB Network, edit out much of the violence and much of the profane dialogue is redubbed. Willis's redubbing is quite obvious because the new voice sounds nothing like Willis. Despite the overt dubbing of Willis's dialogue by a sound-alike actor (who really doesn't sound like Willis, for that matter), this version also utilizes dialogue from other characters to replace John McClane's. As John is leaving the elevator through the roof, he tells Samantha to "Fuck off." In this TV version, the word "fuck" is dubbed over with William Sadler saying "joke" from earlier in the film.
- ConexionesFeatured in Late Night with David Letterman: Episode dated 8 June 1990 (1990)
- Bandas sonorasOld Cape Cod
Written by Claire Rothrock, Milt Yakus and Allan Jeffrey
Performed by Patti Page
Courtesy of Polygram Special Projects
a division of Polygram Records, Inc.
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- How long is Die Hard 2?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Die Hard 2
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 70,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 117,540,947
- Fin de semana de estreno en EE. UU. y Canadá
- USD 21,744,661
- 8 jul 1990
- Total a nivel mundial
- USD 240,031,274
- Tiempo de ejecución2 horas 4 minutos
- Color
- Relación de aspecto
- 2.39 : 1
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