Dick Tracy

An all-star cast, vivid colors that could give you a headache and Madonna's sizzling performance made many think that "Dick Tracy" is much better than it actually is. It is one of those typical quantity over quality projects that uses smoke and mirrors to make the audience think that it is something unique and intriguing. However, the film is little more than a comic strip that jumps up at you ala the "Superman" or "Batman" group of films. Warren Beatty's performance and in-your-face direction are not totally successful. The seemingly endless name of cast members also becomes dizzying. Al Pacino (Oscar-nominated) steals every scene and pulls a Jack Nicholson from "Batman" out of his hat. "Dick Tracy" is a good film, but it is far from being a masterpiece. 4 stars out of 5.

If you were a fan of previous incarnations of Dick Tracy, then this is the film for you. If not, find another film to watch...

Warren Beatty does a decent enough job as Dick Tracy who battles the underworld. Warren also directed this film and did a good job.

Dick Tracy was always a great character complete with an unrivalled rogues gallery of villains (except for Batman). The villains are all here and kudos to the make-up department who made the bad guys totally hateful. The plot is also quite good as well and the colour is good too. I believe the film was shot in only six (or maybe seven) colours and the sets of the city are totally faithful to the original Dick Tracy comic strips.

Obviously, this film tried to emulate Batman but immitation is the sincerest form of flattery. This film is almost as good as Batman and certainly not deserving of the criticism it had when it first came out.

One more thing-Madonna as Breathless Mahoney. I don't know if a film like this suited Madonna but it was great to see her in it because she is beautiful and improves with age.

All in all, a cracker of a film which I urge youngsters to see because they will enjoy it.

This is amazing-looking movie with the whole thing done in just six or seven colors. When it came out over 15 years ago, it stunned audiences with its color scheme, being so different from anything else that had ever been put on film. Those colors, for me at least, make this an absolutely fascinating film to watch. There are literally thousands of scenes I wish could freeze and somehow convert them to a painting to study for their artwork.

The characters and the story don't match up to the greatness of the photography, but they are all over-the-top, especially the villains. The famous actors who played them here must have a had a lot of fun on the set playing "Flatop," "Pruneface," "Lips," "Mumbles," etc.

Meanwhile, Warren Beatty and Gleanne Hedley are good as Dick Tracey and girlfriend Tess Truehart, and she's as sweet and soft as her name. Another good addition is Charlie Korsmo as the delinquent young boy Dick and Tess take under their wing. The colorful other characters are played by Al Pacino, Dustin Hoffman, William Forysthe, Paul Sorvino, Mandy Patinkin, Madona and other names you know but are too numerous to list here. Check the full credits on the main page and you'll amazed.

The only negatives I found were Pacino's voice which grates on you after awhile, Madonna's off-key singing voice and the fact that the film would have been better trimmed about 10 minutes. Those "faults" are all minor because overall, this is a fun movie....a cartoon strip coming to life in an incredibly-colorful fashion.....like nothing you have ever seen.

Labor of love for star and director Warren Beatty, Dick Tracy was a film I hated when it first came out. I was a kid and stupid, only caring about what's cool. What was cool then (and sadly still is) was "dark and gritty" heroes like Batman. Dick Tracy was considered corny and lame. When I first watched it I thought it was a kids' movie and I was at that age where anything like that I hated. Happily, I feel much differently about the film now that I'm older.

Dick Tracy is a live-action cartoon, with eye-popping visuals decked out in bright primary colors. It's a beautiful film to behold. Everyone involved in the stylized look of this movie should be proud. The sets, the lighting, the matte paintings, the makeup and effects are all superior to any CGI crap we get today. Real work and passion went into this and it shows.

The cast is great. Beatty is criticized by many for not being the right fit for Tracy or for being too old. While he's not a perfect representation of the character, I feel he does quite well and his age never occurred to me while watching it. Madonna gives easily her best performance in this movie. That's meant slightly as a slam I guess, as most of her other work is very weak. But it's also meant as a compliment. Here she plays to her strengths: sex appeal and "oomph." Her double entendres and skin-tight dresses make Breathless Mahoney a very memorable character. There's also some fine support from Glenne Headley and Charlie Korsmo. And who can forget the villains! Chester Gould's distinctive-looking villains come to life thanks to superb makeup, played in many cases by uncredited stars. The leader of the bunch is Big Boy Caprice, played by the wonderfully over-the-top Al Pacino. Pacino was having a lot of fun with the role and it shows.

My only real complaint lies in the music. Not the Stephen Sondheim songs -- they're great. But the Danny Elfman musical score is way too similar to the one he did for Batman the year before. It's very lazy and doesn't seem to fit the action of the film. Forget what you've read from naysayers about this movie and judge it for yourself. It's a fun movie with exceptional visuals and colorful ambiance.

This is a marvelous film. Warren Beatty managed to film it just like a comic book MIGHT be brought to film with humourously grotesque and bizarre characters, beautiful colours, and a plot that really only could have come from a comic book. The buildings, set design, make-up, and props are like nothing I have ever seen in film before. Now, never having read the original strip leaves me out as far as making probably very insightful comparisons with this film and the original source. That being said, I think that Beatty, although drastically changing some of the villains in the film to fit smaller roles, tried to keep the spirit of the film inside the comic strip. Does that make sense? Probably not. Anyway, Dick Tracy offers a lot. It is a visual feast with a decent story and some prime time stars doing some things you may not expect from them. Beatty is very good as the lawmen, but much of the supporting cast steals many scenes from him. Al Pacino as Big Boy Caprice is sensational as an over-the-top thug out to get every criminal under his control, while he intermittenly quotes folks like Nietchze, Jefferson, and other historical figures. Dustin Hoffman as Mumbles is wonderful - if you can finally figure out that it is him(notice in the scene where a stenographer is taking down what he says((That is Oscar winner Kathy Bates!))). James Caan has a brief yet good scene with Pacino Godfather style and Beatty gives Michael J. Pollard and Estelle Parsons cameos as well(both co-starring with him in Bonnie and Clyde). Then there is Madonna. She tries her best to live up to her name of Breathless and does a VERY credible job at it. And then of course there is the music of Stephen Sondheim, an Oscar winner for this film. It is very good and in some ways more memorable than much of what goes on in the film. Perhaps a song here or there might have been cut, but for the most part the music greatly added to the overall effects created in the film. Is Dick Tracy great? No, but it is a whole lot better than it is generally given credit for. In some ways its innovation must be reviewed again. I think that for its type of film it is one of the best.