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Cuando tres amigos íntimos escapan de Hong Kong a la Saigón de los tiempos de guerra para iniciar una vida criminal, todos pasan por una experiencia angustiosa que destroza totalmente sus vi... Leer todoCuando tres amigos íntimos escapan de Hong Kong a la Saigón de los tiempos de guerra para iniciar una vida criminal, todos pasan por una experiencia angustiosa que destroza totalmente sus vidas y su amistad para siempre.Cuando tres amigos íntimos escapan de Hong Kong a la Saigón de los tiempos de guerra para iniciar una vida criminal, todos pasan por una experiencia angustiosa que destroza totalmente sus vidas y su amistad para siempre.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 5 nominaciones en total
Tony Leung Chiu-wai
- Ben
- (as Tony Chiu Wai Leung)
- …
- Dirección
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- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I've been using my DVD subscription service to go back over old films that I have either not seen or have not seen for ages and am focusing on those from the Far East that everyone expects you to have seen mostly, at this point, the work of Kurosawa. I came to Bullet in the Head because I do enjoy John Woo's action films even some of those he did when he came to America. As an "earlier" Woo film, I knew what to expect from Bullet in the Head, or at least I thought I did. Going with it we appear to have the standards of his creations all in place. Criminals, tragedy, flamboyant gunplay and massive action sequences with relationship drama going on in the middle of it. All of this is here and it works pretty well. Essentially it is the tale of three friends who go through crime and war together, changing their dynamics in tragic ways. At this level it is fine and I was interested in the characters and the relationships OK, not a lot of complexity in there but enough to suit an action film such as this.
The action sequences involve the usual jumping around, use of slow-motion and multiple showers of bullets. So, in essence, I can see why the film is loaded down with 5* reviews from the majority of the site's prolific reviewers (that's the filter I use when viewing the comments section), because the film does deliver much of what one would expect from John Woo and John Woo is/was good at doing it. But here is the problem he sets it in Vietnam. Not only that but he acknowledges the horror of the war and the impact it had on those involved in it mental and physical. OK, so nothing wrong with that in itself but it doesn't work when you have one scene of extreme violence that is shocking and harrowing and then you following up immediately with one that is exciting and well-choreographed. The extreme violence doesn't take away from the central story (because it is part of it) but by mixing it up with a much darker version of it he sets out a real challenge for himself, which is can he manage to produce a film that explores themes covered in "serious" films such as Deer Hunter, while also delivering an action film based on the violent splintering of three friends? Sadly the answer is no, he cannot, and this is demonstrated within the film. It is a clumsy affair that does deliver harrowing scenes but is scared to linger on them or to do more with them that cheapen them by only having them as a device to move the plot the way it needs to go. It also doesn't help that Woo doesn't seem interested in being subtle or clever so a film that really should end in an emotional kick in the guts in the boardroom (where the explosions are character based) spills out into a car chase and shootout that isn't exciting and doesn't fit with the tone of the ending. Within this the cast do a reasonably good job and some do almost manage to carry the film across the jumps in content and style. I always like Tony Leung and he is a good piece of casting. He doesn't totally manage to convince with what the script asks him to do but he is a good heart of the film. Cheung is not quite as good but works well with Leung to build a believable friendship. Lee has less to work with as his character is a lot simpler and I thought his performance was weaker as a result. Yam was an invincible and cool presence that didn't add a lot to the story but made for a good character.
Overall, Bullet in the Head produces many of the things that I came to the film for and as such had enough to keep me interested. The problem was that it never hung together convincingly and the use of the war as a backdrop introduced things that could have been impacting but just didn't gel. The action scenes are good (even if not as well choreographed due to the scale of the battles) but the plot is the start of the problem in a film that is never what it should be and certainly shouldn't be listed among the "must-see" films from Woo.
The action sequences involve the usual jumping around, use of slow-motion and multiple showers of bullets. So, in essence, I can see why the film is loaded down with 5* reviews from the majority of the site's prolific reviewers (that's the filter I use when viewing the comments section), because the film does deliver much of what one would expect from John Woo and John Woo is/was good at doing it. But here is the problem he sets it in Vietnam. Not only that but he acknowledges the horror of the war and the impact it had on those involved in it mental and physical. OK, so nothing wrong with that in itself but it doesn't work when you have one scene of extreme violence that is shocking and harrowing and then you following up immediately with one that is exciting and well-choreographed. The extreme violence doesn't take away from the central story (because it is part of it) but by mixing it up with a much darker version of it he sets out a real challenge for himself, which is can he manage to produce a film that explores themes covered in "serious" films such as Deer Hunter, while also delivering an action film based on the violent splintering of three friends? Sadly the answer is no, he cannot, and this is demonstrated within the film. It is a clumsy affair that does deliver harrowing scenes but is scared to linger on them or to do more with them that cheapen them by only having them as a device to move the plot the way it needs to go. It also doesn't help that Woo doesn't seem interested in being subtle or clever so a film that really should end in an emotional kick in the guts in the boardroom (where the explosions are character based) spills out into a car chase and shootout that isn't exciting and doesn't fit with the tone of the ending. Within this the cast do a reasonably good job and some do almost manage to carry the film across the jumps in content and style. I always like Tony Leung and he is a good piece of casting. He doesn't totally manage to convince with what the script asks him to do but he is a good heart of the film. Cheung is not quite as good but works well with Leung to build a believable friendship. Lee has less to work with as his character is a lot simpler and I thought his performance was weaker as a result. Yam was an invincible and cool presence that didn't add a lot to the story but made for a good character.
Overall, Bullet in the Head produces many of the things that I came to the film for and as such had enough to keep me interested. The problem was that it never hung together convincingly and the use of the war as a backdrop introduced things that could have been impacting but just didn't gel. The action scenes are good (even if not as well choreographed due to the scale of the battles) but the plot is the start of the problem in a film that is never what it should be and certainly shouldn't be listed among the "must-see" films from Woo.
"Bullet in the Head" (aka "Die xue jie tou") is a classic Hong Kong action movie from the grandfather of action movies director John Woo, of course. And anyone with a taste for Hong Kong movies would have to have lived under a rock if never having come across a John Woo action movie.
John Woo sort of deviates from his usual formula with "Bullet in the Head" in comparison to a movie such as "Hard Boiled", for example. While "Bullet in the Head" definitely has lots of action sequences, it is not really as action packed as most of his other movies. Instead, there is a healthy amount of drama and character building in "Bullet in the Head". Which was actually serving the movie quite well.
And even in 2019, this action movie from 1990 still stands tall and is definitely watchable and enjoyable still. Sure, you just don't concern yourself about the oddly colored blood used, but focus on the action and the acting.
"Bullet in the Head" features some very iconic Hong Kong actors, such as Tony Chiu-Wai Leung, Jacky Cheung and Simon Yam, whom all carried the movie quite nicely. And the supportive cast were also doing great jobs.
I have watched "Bullet in the Head" three times or so by now, since it was initially released and I had it on VHS back in the day. And I will say that the movie definitely has value to it, as it can viewed again and again with years in between.
If you like Hong Kong action movies from the golden age of over-the-top-action, then you will definitely have to watch "Bullet in the Head".
John Woo sort of deviates from his usual formula with "Bullet in the Head" in comparison to a movie such as "Hard Boiled", for example. While "Bullet in the Head" definitely has lots of action sequences, it is not really as action packed as most of his other movies. Instead, there is a healthy amount of drama and character building in "Bullet in the Head". Which was actually serving the movie quite well.
And even in 2019, this action movie from 1990 still stands tall and is definitely watchable and enjoyable still. Sure, you just don't concern yourself about the oddly colored blood used, but focus on the action and the acting.
"Bullet in the Head" features some very iconic Hong Kong actors, such as Tony Chiu-Wai Leung, Jacky Cheung and Simon Yam, whom all carried the movie quite nicely. And the supportive cast were also doing great jobs.
I have watched "Bullet in the Head" three times or so by now, since it was initially released and I had it on VHS back in the day. And I will say that the movie definitely has value to it, as it can viewed again and again with years in between.
If you like Hong Kong action movies from the golden age of over-the-top-action, then you will definitely have to watch "Bullet in the Head".
In 1989, John Woo made a film that would simultaneously redefine and reinvent the action genre forever. The film I speak of is, of course, The Killer. Blending a touching storyline with exuberant gunfights, The Killer worked through excess and it was an absolute delight to be behold. It's hard to follow up on something like that, and for his next A-class feature; Bullet in the Head, John Woo wasn't quite able to recreate that what he did so incredibly well a year earlier. However, what he has created is still an excellent thrill ride and one that fans of The Killer wont want to miss! Woo is keen to keep that gang element from The Killer, except this time he fuses it was action from the Vietnam war, and as the story spans across many different locations, it can aptly be considered an epic. We follow the stories of three young men who leave Hong Kong after two of them kill another gang member. They decide to become smugglers and take advantage of the Vietnam War, but little did they know that they would end up in the thick of it.
The film takes obvious influence from the classic Vietnam war dramas such as 'The Deer Hunter' and 'Platoon', but through Woo's stylising, it takes on a life of it's own and stands apart from those films that influenced it. Woo is known for going over the top, and seeing three men in suits in the middle of the Vietnam war is over the top alright! However, also going over the top is the sentiment and I don't know if it's just the way that Chinese translates into English or what, but this film is definitely cheesy! The sentiment boded well in The Killer, but here it definitely doesn't and the film would be a lot better if the amount of sentiment was more realistic. The sentiment messes up the characters as well as the film too, as seeing one or more of them break into great long speeches undermines the fact that they're supposed to be criminals. However, all this doesn't matter once you get into the gun battles; which are incredible to say the least. If it wasn't for the sentiment, it would have been a complete whole; but it's still a damn good movie regardless.
The film takes obvious influence from the classic Vietnam war dramas such as 'The Deer Hunter' and 'Platoon', but through Woo's stylising, it takes on a life of it's own and stands apart from those films that influenced it. Woo is known for going over the top, and seeing three men in suits in the middle of the Vietnam war is over the top alright! However, also going over the top is the sentiment and I don't know if it's just the way that Chinese translates into English or what, but this film is definitely cheesy! The sentiment boded well in The Killer, but here it definitely doesn't and the film would be a lot better if the amount of sentiment was more realistic. The sentiment messes up the characters as well as the film too, as seeing one or more of them break into great long speeches undermines the fact that they're supposed to be criminals. However, all this doesn't matter once you get into the gun battles; which are incredible to say the least. If it wasn't for the sentiment, it would have been a complete whole; but it's still a damn good movie regardless.
This is the opposite of a kid's movie. Many R rated violent movies are fine for kids, but the story, the tragedy, the horror, and just the characters are too much for children. This is not a movie to watch if you are having a party. This is a fine, fine work by John Woo. The four main characters are excellent, and one is a killing machine. In the end you get more from this than even The Killer (which I feel is a better movie). While The Killer may tug at your heart, this will screw with your mind. This movie must be seen much more than the Matrix when it comes to being unable to explain what's going on. John Woo's opening seems very in character for him, but it might not be perfect for this film. Still, it serves its purpose and the end is truly incredible.
This masterpiece is a crime story and a war drama as well as a wonderful film about friendship and the power of money. "Bullet in the Head" is a truly amazing epic that takes place in the era of Vietnam war and it becomes better and better with every minute: the performances of the four main actors are excellent and John Woo´s great action choreography is out of this world! This film is loaded with so much dramatic, emotions and explosiveness what will make you forget anything other you´ve seen before easily!!
I was truly speechless because of this great movie!!!
10/10
I was truly speechless because of this great movie!!!
10/10
¿Sabías que…?
- TriviaJohn Woo's original cut of Bullet In The Head was over three hours long. Much like he was forced to do with A Better Tomorrow 2 (1987), Woo reluctantly re-cut the film down to little over two hours long running time. But, as Woo himself confirmed, the version of the movie that was premiered in Hong Kong the day before it was actually released was 2 hours and 35 minutes long. It was decided this version was still too long, so all the prints of the film had to be re-edited and delivered back to the cinemas all over Hong Kong by the next day. Even after all the re-edits that movie already had, many other different cuts of it were made due to local market/censorship, which is why even today there are many different versions of the film with different running times.
Since it had been radically cut down, there are some still photos of the film, which indicate that entire subplots have been removed from the film, which aren't even referenced in the final cut. On one such photo, you can see Tony Chiu Wai Leung's face in bandages, his girlfriend standing near him. This is from a subplot in which Ben gets his face burnt with acid by a rival gang. Some of the other cut scenes also include cuts made on some of the more violent scenes in the film.
Hong Kong trailer for the film shows some alternate takes and edits of some scenes and three deleted scenes; During the Vietnam protestation sequence one protestor is being clubbed to death on the head by members of the Vietnamese troops while blood is gushing out of his head, infamous deleted scene where Ben, Frank and Paul are forced to drink urine after Mr Leong suspects them of wanting to take Sally away from him (this scene was actually mentioned by Chow Yun Fat's character Mark in A Better Tomorrow), and extra part of the Bolero action sequence where Frank who is armed with two pistols is shooting at a long array of Vietnamese baddies who are standing in the corridor.
Some versions of the film also include alternate shorter ending which doesn't ends with Ben chasing Paul in the car and two of them having a shootout, but instead in this alternate ending Ben kills Paul in the boardroom after he shows him Frank's skull and tells him what happened to him.
John Woo secretly hoped that as soon as he got to Hollywood, he would acquire the rights to his old films (including Bullet) and put back in all the things that he was once forced to cut. But when he tried to do so, he was told that all the material he had cut, hadn't been preserved, but instead wandered straight into the garbage bin.
However, some time later Woo created what would become known as "the festival print" which was the longest version of the movie seen since the original Hong Kong premiere and was 136 minutes long and it included the infamous urine drinking scene. It has been illegally released on a bootleg VHS.
Another 135 minute version released on DVD has been sold to the public legally. It is distributed by Joy Sales; this ultimate 2 disc-set edition has seamless branching which can be shown in its Theatrical Version, Alternate Ending version and the Festival Print version but the deleted scenes maintain a blue tint (possibly from the chemicals of the film reacting badly) and also frame jumping (film preservation done too late by the director himself).
- Versiones alternativasThe subtitles accompanying the Cantonese soundtrack on the 'Hong Kong Legends' DVD were translated more accurately and also restored the proper Chinese names. The English export international versions made the following name changes: Bee = Ben, Fai = Frank, Sai Wing = Paul, Sau Ching = Sally, Lok = Luke, Siu Jan = Jane.
- ConexionesFeatured in Kain's Quest: A Better Tomorrow (2015)
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- USD 3,500,000 (estimado)
- Tiempo de ejecución2 horas 16 minutos
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- Relación de aspecto
- 1.85 : 1
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