CALIFICACIÓN DE IMDb
6.2/10
12 k
TU CALIFICACIÓN
Un joven tierno e inseguro corre peligro al intentar romper las relaciones tóxicas con un misterioso desconocido que dice ser su amigo.Un joven tierno e inseguro corre peligro al intentar romper las relaciones tóxicas con un misterioso desconocido que dice ser su amigo.Un joven tierno e inseguro corre peligro al intentar romper las relaciones tóxicas con un misterioso desconocido que dice ser su amigo.
- Dirección
- Guionista
- Elenco
- Premios
- 1 premio ganado y 1 nominación en total
Jet Freedom
- Band in Club
- (as jet freedom)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
James Spader at his best. Michael (James Spader) is a v successful young man in LA in late 80s who has trouble saying no.
He has a controlling girlfriend. An older brother who is an underachiever and always borrows money. A coworker who is v manipulative and walks all over him.
His life is being "run" for him. Until he meets Alex (Rob Lowe) who is a rogue, bravado guy who does whatever he wants. Michael (James Spader) is drawn to him.
It starts out fun but Michael later finds out "grass is always greener on the other side", and his life was a actually pretty good when it was "boring".
Rob Lowe his 80s good looking best. Fun movie if you were an 80s yuppie and want to see the South Bay Area in LA. Nostalgic.
He has a controlling girlfriend. An older brother who is an underachiever and always borrows money. A coworker who is v manipulative and walks all over him.
His life is being "run" for him. Until he meets Alex (Rob Lowe) who is a rogue, bravado guy who does whatever he wants. Michael (James Spader) is drawn to him.
It starts out fun but Michael later finds out "grass is always greener on the other side", and his life was a actually pretty good when it was "boring".
Rob Lowe his 80s good looking best. Fun movie if you were an 80s yuppie and want to see the South Bay Area in LA. Nostalgic.
When you encounter a bad movie, the tendency is to just blow it off. After all, most folks are largely incompetent at what they do. But if you check the credentials of the people involved, you have to think again.
The writer has written successful movies as well as fine ones. "Snake Eyes" is great until the end, a fine examination or watching for us to watch. And "Panic Room" is an experiment in making a building a character.
The director has written and directed films that show he understands the mechanics of noir, the very thing being tinkered with here. Spader has been involved in several noir-bending adventures, always as a contributor.
What went wrong? The pitch certainly would have been "noir personified," specifically by mixing in the "visitor that changes lives" genre. Noir is when a man or couple get accidentally caught up in mischievous fate, fate that seems to actively play with their lives.
A well established derivative is the "omniscient serial killer" genre, which to some extent puts a face on fate. "Funny Games" is a similar experiment in building calmly human dervishes. But it is an entirely different matter to make fate a friend. That's what's attempted here. It may be possible, but not the simple way that's tried.
The minor fold here is that fate uses film (video) in the two events around which the story turns.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
The writer has written successful movies as well as fine ones. "Snake Eyes" is great until the end, a fine examination or watching for us to watch. And "Panic Room" is an experiment in making a building a character.
The director has written and directed films that show he understands the mechanics of noir, the very thing being tinkered with here. Spader has been involved in several noir-bending adventures, always as a contributor.
What went wrong? The pitch certainly would have been "noir personified," specifically by mixing in the "visitor that changes lives" genre. Noir is when a man or couple get accidentally caught up in mischievous fate, fate that seems to actively play with their lives.
A well established derivative is the "omniscient serial killer" genre, which to some extent puts a face on fate. "Funny Games" is a similar experiment in building calmly human dervishes. But it is an entirely different matter to make fate a friend. That's what's attempted here. It may be possible, but not the simple way that's tried.
The minor fold here is that fate uses film (video) in the two events around which the story turns.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
"Bad Influeince:" Yup, that's a good title for one of the main characters in this movie: "Alex," played by Rob Lowe. His grin alone is pure evil! In fact, Lowe's character is one of the lowest I've encountered in these modern-day thrillers. This also could be called a modern "noir," because it has a lot of that genre's qualities. This also is different from the normal cops-vs.- crooks film.
As bad as "Alex" was, I couldn't root for the other main character, either: "Michael Boll" (James Spader). Spader is one of these actors that seems to play very snotty, unlikeable people. Maybe he's just good at play annoying characters.
An odd character, and one that added to this film, was the guy (Christian Clemenson) who played Spader's older, stoned-out brother "Pismo." What a loser.....but an interesting person.
I really was intrigued by this film the first time I saw it but less so in the next two viewings, finally trading this in for something else. But for one viewing, it's recommended for crime fans, or people who just plain like evil characters.
As bad as "Alex" was, I couldn't root for the other main character, either: "Michael Boll" (James Spader). Spader is one of these actors that seems to play very snotty, unlikeable people. Maybe he's just good at play annoying characters.
An odd character, and one that added to this film, was the guy (Christian Clemenson) who played Spader's older, stoned-out brother "Pismo." What a loser.....but an interesting person.
I really was intrigued by this film the first time I saw it but less so in the next two viewings, finally trading this in for something else. But for one viewing, it's recommended for crime fans, or people who just plain like evil characters.
Rob Lowe stars as a drifter who takes yuppie James Spader under his wing and starts to turn Spader's life inside out. The acting is pretty good, but the writting and the direction will knock you out. Clever, and very stylish plus it is filled with exciting moments that will have you on the edge of your seat. One of my favorite films of all time. Rating: 9.5 / 10
This is the most textbook demonstration of Nietzsche I've ever seen. Rob Lowe is the gifted liar prepared to go all the way to get whatever he wants and keep himself entertained. Spader is the timid, uptight yuppie who doesn't understand just how much he's in for when Lowe's "will to power" rubs off on him. What ensues would bring anybody back to good old fashioned organized religion. A morality play taken to extremes that nonetheless works as a thriller, too. Worth seeing. 8.
¿Sabías que…?
- ErroresEarly in the movie when Michael is in the bar drinking a beer the glass is nearly empty. When it cuts to Michael getting his head slammed against the table the glass is suddenly almost full.
- Citas
Pismo Boll: It's only a matter of time... get in bed with the devil... sooner or later you have to fuck!
- Versiones alternativasUK version is cut by 28 sec. to remove "dangerous imitable technique" during the scene where Alex attempts to kill Michael by connecting the car lights to the petrol tank.
- Bandas sonorasSpiritual Healing
Written by Toots Hibbert (as F. Hibbert)
Performed by Toots Hibbert (as Toots)
Produced by Chris Blackwell and Lowell 'Sly' Dunbar (as Sly Dunbar)
Courtesy of Mango Records, an Island Records company
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Todfreunde - Bad Influence
- Locaciones de filmación
- La Brea Tar Pits - 5801 Wilshire Blvd, Los Ángeles, California, Estados Unidos(Multiple scenes: Alex and Michael meet at tar pits. Body is found in pits.)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 7,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 12,626,043
- Fin de semana de estreno en EE. UU. y Canadá
- USD 3,822,019
- 11 mar 1990
- Total a nivel mundial
- USD 12,626,043
- Tiempo de ejecución1 hora 39 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta
Principales brechas de datos
By what name was Bad Influence (1990) officially released in India in Hindi?
Responda