The Upper Hand

"The Upper Hand" was an extremely funny comedy but was also a drama series. The story goes that Charlie Burrows (Joe McGann) is a single parent, trying to bring up his daughter Joanna (Kellie Bright) in a rough area of London. When a job opportunity arises which allows Charlie to leave London and give Joanna a better life, he grabs it with both hands. This job is working as a live-in housekeeper for divorced business woman Caroline Wheatley (Diana Weston) and helping to look after her son Tom (William Puttock). As the series progresses a friendship begins to grow between Charlie and Caroline, which eventually leads to love. "The Upper Hand" is stuffed full of comedy much of which comes from the hilariously naughty character of Laura West (Honor Blackman) Caroline's mother. The two children are also another source of light relief especially when the relationship between Caroline and Charlie begins to develop. Looking back at "The Upper Hand" now, the set and the "niceness" and perhaps innocence of life do make the viewer very aware that it was a series of the 90s but this does not make it any less entertaining to watch. Indeed, it is about time the series was released on DVD for fans of the show and for those who didn't see it first time round. From the first notes of the theme tune right to the end, every episode is a joy to watch.

this show was about a single father moving away from London to be a housekeeper in the countryside. The show ran for 6 years and was always full of laughs, the cast were superb and it was a shame to the show end.

The Upper Hand was fantastic and I have fond memories of it.

It was about a man moving from the the big city with his daughter, to become the housekeeper of a wealthy woman's house, whom she lived with her son and mother.

Everything about it was just great. The story lines were hilarious, but also there were so many touching moments. They were both clearly made for each other, however never seemed to get together. Instead they were always arguing, and so was the son and daughter! But deep down they all really loved each other and were a big family.

The show was just a classic 90's show and ITV at its best. If only all the comedy's they made were as good as this one!

Just a shame that its not still on. However it is sometimes repeated and when it is, it is well worth watching.

The theme tune was also great!

I first saw this as a grumpy teenager many years ago.

We used to tune in as a family to watch this comedy wondering whether Charlie and Caroline will ever get together and the roller-coaster ride of emotions that went through it.

It wasn't until watching re-runs of Who's the Boss did I realise what the show is based on, yet although they're based on the American scripts, they seem to have a uniquely British point of view.

I found that the show has recently been released on to DVD in the UK. I picked up a copy expecting cheesy and corny, fluffy and non-descript schmaltz, perhaps a bit of nostalgia thrown it harking back to a time when Central ITV were actually allowed to make programmes.

Watching The Upper Hand again after many years is like being reunited with a long lost family. Yes, its clean, simple and not smutty, it doesn't challenge you on many levels, it just is what it is - an amazingly catchy comedy that reels you in.

Twenty years on, and Im crying with sorry and howling with laughter.

A brilliant comedy that is much loved.

New man meets career woman in this romantic "comedy". Each week viewers were presented with a series of lukewarm jokes set around domestic mishaps and the "will they won't they" relationship between the two main characters. This premise often makes for good TV, however the lack of chemistry between the two leads and the simpering niceness of the entire production, meant that the audience really couldn't give a damn if they did or did not.

The show was helped neither by the stereotypical teenage daughter nor the wimpy kid that played the son calling his mother "mummy" all the time. I suppose Honor Blackman did her best with the part of Laura, but that's because she's Honor Blackman- enough said.

In all this is turgid bourgeois drivel,with an awful theme tune (particularly the rather dodgy piano bit in the closing credits).