The Upper Hand

The entire series lacked not only depth but also quality jokes. Apart from the occasional plot variation, the script was vapid and often sentimental. The fact that this was meant to be a comedy is the only laughable element of this program.

Best avoided!

I first saw this as a grumpy teenager many years ago.

We used to tune in as a family to watch this comedy wondering whether Charlie and Caroline will ever get together and the roller-coaster ride of emotions that went through it.

It wasn't until watching re-runs of Who's the Boss did I realise what the show is based on, yet although they're based on the American scripts, they seem to have a uniquely British point of view.

I found that the show has recently been released on to DVD in the UK. I picked up a copy expecting cheesy and corny, fluffy and non-descript schmaltz, perhaps a bit of nostalgia thrown it harking back to a time when Central ITV were actually allowed to make programmes.

Watching The Upper Hand again after many years is like being reunited with a long lost family. Yes, its clean, simple and not smutty, it doesn't challenge you on many levels, it just is what it is - an amazingly catchy comedy that reels you in.

Twenty years on, and Im crying with sorry and howling with laughter.

A brilliant comedy that is much loved.

New man meets career woman in this romantic "comedy". Each week viewers were presented with a series of lukewarm jokes set around domestic mishaps and the "will they won't they" relationship between the two main characters. This premise often makes for good TV, however the lack of chemistry between the two leads and the simpering niceness of the entire production, meant that the audience really couldn't give a damn if they did or did not.

The show was helped neither by the stereotypical teenage daughter nor the wimpy kid that played the son calling his mother "mummy" all the time. I suppose Honor Blackman did her best with the part of Laura, but that's because she's Honor Blackman- enough said.

In all this is turgid bourgeois drivel,with an awful theme tune (particularly the rather dodgy piano bit in the closing credits).

I used to watch this in the early 90's and quite liked it, but I remember that the reason I stopped watching it was Charlie is such a twit! I guess he was typical of most men of that era really. Diana Weston deserved much better (imho), but hey ho that's just me! It's a mildly amusing rather than hilariously funny programme although it does have some great moments. I'm saying this after having watched the entire 6 series so clearly there's something about it I like!

Sometimes we Brits steal America's shows.

This is based on US show Who's The Boss? I say 'based'; translated is more like it, as the first episodes are identical in their script. The premise is interesting: career woman Caroline Wheatley (Diane Weston) is looking for a housekeeper. Unbeknown to her, her mother Laura (Honor Blackman) has promised the job to ex-footballer Charlie (Joe McGann, brother of Paul/Stephen/Mark McGann). Though Caroline is a bit unsettled at having a bloke in the house, he and his chip-off-the-block daughter Joanna (Kellie Bright) move in.

As a sitcom, it's a bit 'gentle' and laboured; sleepy Sunday type of TV, which is probably why it's being repeated on ITV 3. It works a lot better as a comic drama about alternative family structures and gender role reversals. Refreshingly (although I haven't watched every episode so don't know if this evolves) neither the characters of Caroline or Charlie are made to sacrifice their personalities. Caroline is a career woman who couldn't care less about domesticity and Charlie is house-proud without being portrayed as effeminate.

We know from the start that Caroline and Charlie will get together but it's like in Ugly Betty. It's the audience's pay-off. However there's no sizzling sexual chemistry. That may disappoint some viewers but I actually prefer it. The sitcom is about families and whilst I'm not disputing the right of parents to have a sex life (which Caroline and Charlie attempt to have else where), it would imply that the combined family was as a result, an afterthought, whereas it's actually the romance that's the afterthought.

There isn't really a 'will they, won't they?', it's a question of 'when will they?'. But even then, the appeal is that the families just accept their unconventional structure; indeed, they pretty soon become one family.

Whilst I wouldn't watch it for laughs, it's a nice undemanding bit of comfort TV. Second Chances was also on around about this time; it has a similar theme of families evolving/combining and a similar gentle tone. Interestingly the opposite of other nineties sitcoms such as Game On and Men Behaving Badly, which explored lad culture.