Tiny Toons

It's now 2005 and 15+ years since this cartoon first aired. I haven't actually watched it seriously or closely in about 10 years. Now that I'm an adult in my 30s I can look back with a serious eye as I watch the episodes again.

In concept, the cartoon is partly an homage to the classic Looney Tunes but also its own original show. There are a few episodes that are structured like the old cartoons. For example, there is a singer that attacks Buster and so he exacts revenge on this singer's concert -exactly like the old Bugs Bunny cartoon. The ensuing cartoon is similar to Looney Tunes, just in a different era. If you look at the old Looney Tunes, they did an awful lot of stuff exactly like Tiny Toons did. The old Looney Tunes made a lot of social commentary and parody. There were celebrity impersonations. There were a lot of corny period jokes, slang, and dialog. The comedy was surreal and wacky. You can say this exactly for Tiny Toons as well. The comedy styling is 'spiritually' the same. Most definitely a throwback to the classics which hadn't been done well (if at all) in cartoons in the decades prior to this show. We recognize the cultural references in Tiny Toons and we can roll our eyes when something we don't like comes up. But the reason we don't think Looney Tunes are corny is because we weren't alive back in the 40s. Also, Looney Tunes was original back in those days but today cartoons are rehashed over and over. So it's easy to perceive Tiny Toons in an unfair light due to our exposure to current events and our overexposure to cartoons in general.

There certainly are differences in many respects - the timing, the delivery, and obviously the duration of the shows. They are two different styles from two different periods, being done under two very different circumstances - Looney Tunes being made for adults in theaters and Tiny Toons being made for kids watching TV. Even so, they did a good job making an original show with original gags AND still paying homage to and patterning after the comedy stylings of the old Looney Tunes.

Since Tiny Toons had a lot more time to play with, they had some genuine moments of great animated inspiration. You only have to look at episodes like 1 minute to 3, the baby Plucky toilet episode.. there are so many more. For example, one of the best comedy dialog exchanges ever animated is in ThirteenSomething when Babs and Buster are on the phone in a split screen, hoping each misses the other. The miscommunication is spectacular. Notably, the character development in this episode and in several others (usually the ones penned by Deanna Oliver or Sherri Stoner) is rather good. The female characters were taken seriously as personalities and developed, unusual considering the opposite is usually true for cartoons of that period.

This was the first modern cartoon that had lots of both pop culture-referential and self-referential humor. This was way ahead of its time. Tiny Toons really opened up a door for writers to take comic liberties that are so common in the cartoons today, instead of doing the boring old crap we endured as 80s kids. Yes, I loved Transformers and Thundercats, but Tiny Toons totally jumped away from all that. It was a breath of fresh air. Bakshi's New Adventures of Mighty Mouse may have been a precursor, but Tiny Toons made this surreal style of comedy cartoon writing a real success.

As a kid I totally overlooked some jokes. For example, one episode is an homage to the Marx Brothers that I completely ignored as a teen. Now I have a newfound respect for it. There are so many inspired gags that I never noticed that are genuinely brilliant. It's that kind of comedy that makes me think of Looney Tunes and Family Guy. I NEVER noticed that kind of comedy as a kid. I've been thinking this for most episodes I watched recently.

You'd notice these kinds of things if you actually WATCHED the show. Unlike some other reviewers here who I know are unfairly judging it, I've seen all the episodes and have thought about them thoroughly, exposed both as a kid and as an adult.

You can tell there was an awful lot of care taken with the voice acting too. I'm not talking about just the main characters, but the side characters were done really well and creatively too. But back to the main characters, some of the main characters were brilliant. Tress MacNeille had, in my opinion, her best performances in this cartoon. She hasn't been the same since. Rob Paulsen also did some incredible stuff here, too.

This is all not to say the show didn't have some bad episodes. It had plenty. It had a lot of mediocre ones, too. But by far it certainly had a lot of genuinely funny episodes. Especially back when it first aired it was actually funny to watch.

Out of 10 I give the show an 8.5 - and kudos for pushing the envelope and breaking down the doors leading to a new era of cartoons.

Judging by the review Francisco Huerta from Mexico City gave this show, I can only assume that it does not translate well into spanish. All i know is this was the show for which i ran home every day afterschool to see.

I wouldnt puck any real stock in their theme song -- its one of those that gets stuck in your head it introduces the main characters, explains the premise of the show a little (for first time viewers)

The idea of the show is that cartoons come in generations and the old teach the new (somewhat like real life) at Acme Looniversity. To acquaint younger viewer with the older characters, spielberg has given each of the older characters a younger protege

Bugs Bunny -- Buster Bunny Honey (from the show) -- Babs Bunny Babs is a girl bunny so i guess she somewhat resembles lola from space jam but she was never referenced. there was a whole episode explaining how all the other kids have mentors except her so they created one for her Daffy Duck -- Plucky, Shirley the loon Elmer Fudd -- Elmira Tweety Bird -- Sweety Bird Tazmanian devil -- Dizzy Devil Yosemite Sam -- Montana Max Pepe - Fifi Porky Pig -- Hampton J Pig Sylvester -- Furball Wile E Coyote -- (i can't remember this protege's name) roadrunner -- (i cant remember this protege's name either)

Sneezer reminds me of that really annoying whining mouse (whose name escapes me) who wears a blue hat from tex avery or chuck jones cartoons.

Gogo is a new one for me -- i dont know of any looney toons who are extinct birds who wear umbrella hats

Though the proteges resemble their mentors, they each have their own personality and history for example both Yosemite and Montana are obsessed with money, have similar personalities and are the villians but Montana isnt western and hes already rich

The show has episodes starring each protege learning a lesson taught by their mentor

It wasnt as violent as the originals, but they did air it at 3 o clock in the afternoon among VERY violent shows (power rangers, vr troopers) In a lineup with that much fighting it was a welcome change to have a show that you could just hang out with

This was by far one of my favorite cartoons. I cannot say enough about the talented people who lent their voices to these characters. Add thats to the great animation (great for 1990) and youve got yourself a hit!

i apologize for any info ive left out or forgotten -- i did watch this show roughly 12 years ago.

I remember when I was a kid, I always fancied an endless series of cartons, ranging since the dawning of television. The Flintstones, The Jetsons, the Smurfs, The Chipmunks (old and new), Teenage Mutant Hero Turtles (as it was called in the UK and in Europe), Batman, Tom and Jerry (both versions) and, of course, Tiny Toons.

Every time I arrived home from school (my father could afford American channels),I would watch the various cartoons aired (remember that London is 5 hours ahead of NY), re-airing of previous episodes appeared on WGN at 1030 PM UK time (but I usually watched them on Saturday afternoons) and was impressed by all their antics and jokes. The Tune theme, like those of the classics and TMHT, really influenced me and I would always sing and play it at music class. Tiny Toons was one of the shows that brought me to the world of the film industry and changed My whole life. Unlike most of today's cartoon's and even its succesor series Animaniacs and Tazmania, this one has a sense of charm and originality that stands the test of time, just all classic cartoon shows. One of the best shows of the early '90s and of all time!

Even know, living on my own flat at and in my final year at Cambridge, I would embrace many of those childhood moments and would still feel like as if time didn't truly pass. I enjoy the show now at the age of 20 every Inch as much as when I was between 7 and 9 years old!

C'mon, people, this show wasn't THAT bad. I know it got a little preachy, had a lightweight premise and Kennedy cartoons (established by shuffling feet, cigar chewing mouths, and excessive stretching/bouncing), but past all that, "Tiny Toon Adventures" is a good cartoon. I watched it from it's premiere in 1990 until they stopped it in 1992. "Tiny Toons" was an attempt to return to making more respectable cartoons for young 'uns, and I congratulate Steven Spielberg and Warner Brothers on that.

About the characters: The guys in this cartoon fare nicely. Buster Bunny is neutral; not great, but not aggravating, either. There's nothing wrong with him. Plucky Duck is the funny man, and his straight man Hamton is always his friend/target (as in Batduck, where Hammy became Decoy, the Pig Hostage). Montana Max was definitely one of the better characters/stronger villains. Plus, Dizzy Devil probably got Taz some more recognition, too.

As for the females, well...most of them need a little work. Babs Bunny kinda sorta got annoying. She doesn't seem to have much personality (more than Lola Bunny of Space Jam, I'll give her that), just a whirlwind of impressions and voices. Sweetie Bird is no Tweety, actually, she's quite loud and tough! Shirley the Loon is a character with a valley girl voice and attitude, but she doesn't really seem to have a Looney Tune counterpart. Is she Foghorn Leghorn's, or maybe Miss Prissy's? Political correctness, I tell 'ya. Elmyra? *shudder* ...Let's just say that SOME Elmyra is okay, too much Elmyra is bad. That leaves me to believe Fifi La Fume is probably the best leading female character (still, she's no Pepe Le Pew, my ultimate fave Looney Tune). Take her away from the 'Pepe chase' scenario (trust me, they show Pepe just can't be duplicated) and put her in a 'Babs, Shirley 'n me' episode and she's getting my vote as 'Best Female Tiny Toon'. (good example: The Amazing Three)

Overall, I say give it a shot. You might just like it. After all these years, "Tiny Toons" still has a large fanbase. And hey, this cartoon more than likely needed to get the success it's had, otherwise we'd probably never have gotten other shows like "Animaniacs" and the like.

In-joke: (also listed as a gag credit) On the "Tiny Toons Music Television" tape they picture on this page, they have Elmyra lead in the 'Name Game' and all the Tiny Toons' names get rhymed except Plucky. (Don't ask why!)

I'm a great fan of many American cartoon classics which include Looney Toons, The Flintstones, The Jetsons, Tom and Jerry, and such. The Tiny Toon characters are as adorable as their "parents" in Looney Toons. Tiny Toon was released when I was 8 years old and I was already too familiar with Looney Toons (it was on Nickelodeon back then). It became more attractive not only because the episodes were hilarious and funny but because I was a kid and those Tiny Toon characters were kids as well. To be honest, I really felt I get along with Buster Bunny and Dizzy Devil more than Bugs Bunny and Tazmanian Devil because they were "adults" and we're "kids." Anyway, this is one of the many best shows to show all of our next generation about the uniqueness and originality of American television.