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IMDbPro

Wired

  • 1989
  • R
  • 1h 52min
CALIFICACIÓN DE IMDb
3.6/10
1 k
TU CALIFICACIÓN
Wired (1989)
The ghost of John Belushi looks back on his troubled life and career, while journalist Bob Woodward researches Belushi's life as he prepares to write a book about the late comic actor.
Reproducir trailer1:47
1 video
18 fotos
BiographyComedyDramaFantasy

El fantasma de John Belushi repasa su problemática vida y carrera, mientras el periodista Bob Woodward investiga la vida de Belushi mientras se prepara para escribir un libro sobre el fallec... Leer todoEl fantasma de John Belushi repasa su problemática vida y carrera, mientras el periodista Bob Woodward investiga la vida de Belushi mientras se prepara para escribir un libro sobre el fallecido actor cómico.El fantasma de John Belushi repasa su problemática vida y carrera, mientras el periodista Bob Woodward investiga la vida de Belushi mientras se prepara para escribir un libro sobre el fallecido actor cómico.

  • Dirección
    • Larry Peerce
  • Guionistas
    • Bob Woodward
    • Earl Mac Rauch
  • Elenco
    • Michael Chiklis
    • Ray Sharkey
    • J.T. Walsh
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    3.6/10
    1 k
    TU CALIFICACIÓN
    • Dirección
      • Larry Peerce
    • Guionistas
      • Bob Woodward
      • Earl Mac Rauch
    • Elenco
      • Michael Chiklis
      • Ray Sharkey
      • J.T. Walsh
    • 35Opiniones de los usuarios
    • 25Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Videos1

    Trailer
    Trailer 1:47
    Trailer

    Fotos18

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    Elenco principal39

    Editar
    Michael Chiklis
    Michael Chiklis
    • John Belushi
    Ray Sharkey
    Ray Sharkey
    • Angel Velasquez
    J.T. Walsh
    J.T. Walsh
    • Bob Woodward
    Patti D'Arbanville
    Patti D'Arbanville
    • Cathy Smith
    Lucinda Jenney
    Lucinda Jenney
    • Judy Belushi
    Alex Rocco
    Alex Rocco
    • Arnie Fromson
    Gary Groomes
    Gary Groomes
    • Dan Aykroyd
    Jere Burns
    Jere Burns
    • Lou Connors
    Clyde Kusatsu
    Clyde Kusatsu
    • Coroner Thomas Noguchi
    Tom Bower
    Tom Bower
    • Detective
    Earl Billings
    Earl Billings
    • Detective
    Dakin Matthews
    Dakin Matthews
    • Washington Post Editor
    J.C. Quinn
    J.C. Quinn
    • Comedy Coach
    Steve Vinovich
    Steve Vinovich
    • Studio Executive
    Matthew Faison
    Matthew Faison
    • Doctor Robbins
    Jon Snyder
    • John Landis - Film Director
    Finis Henderson III
    • Morgue Attendant
    Amy Michelson
    • Photographer
    • Dirección
      • Larry Peerce
    • Guionistas
      • Bob Woodward
      • Earl Mac Rauch
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios35

    3.61K
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    Opiniones destacadas

    7Howlin Wolf

    There's a short, somewhere...

    It's like a deeply unsettling version of Scrooged, based upon the life of a real person. I can understand why his friends and family were outraged, however, to an interested bystander it emerges as an oddly fascinating - albeit imperfect - movie.

    It's character assassination, which doesn't in itself mean this is a bad movie, just a distasteful one. I thought it was a really good film. Perhaps one that should never have been made, but maybe that's why it's so powerful.

    Every film has an agenda, so this one is no different... but just because it stays fixated on one angle doesn't mean that there's no insight at all to be gained from it.
    dtucker86

    a wild man

    Someone once said that John Belushi was a combination of Lou Costello and Vlad the Impaler! He wanted to grab the whole world and snort it. This was Michael Chiklis's first big part (he's now the rogue cop on The Shield). He does a convincing job bringing Belushi to life in all his madness. They do a good recreation of him and Dan Aykroyd doing their Blues Brothers routine. Did Belushi have a sub-conscious death wish? It would seem he did. Like the phantom cabbie tells him "Life is not for everyone". The whole "angel" thing is original but it does make the movie confusing and hard to follow. Belushi wanted it all but it was too much. Like Elvis, Belushi was a case of too much and too fast.
    1gypsybells

    Absolutely tasteless...

    After seeing the DVD release of the Blues Brothers, and their mention of "Wired" on Belushi's bio, my boyfriend and I were hungry for more information on John Belushi. I had heard of "Wired" but didn't know too much about it and found it way in the back of the local rental store. I understand that Dan Akroyd was really p***ed over this movie and I thought it was because it didn't portray them in a good light. But that had nothing to do with it.

    The movie starts out okay, until they wheel in John's body to the morgue. When he wakes up on the autopsy table, and decides to run for it, then begins the utter tastelessness of this movie. John is subjected to viewing his life and all of the turmoil he created with "Angel," a Puerto Rican cab driver with a wicked sense of humor -- subjecting him to criticism and attempting to try to get him to cross over.

    The two actors who portray John and Dan look nothing even remotely close to the real actors, (let alone anyone else related for that matter, i.e., Lorne Michaels,) making it difficult to really try to concentrate on them and how they were in real life... but that is the tip of the iceberg.

    I believe this was supposed to be an "artsy" film -- John constantly being tormented by drugs (i.e., the powdered soap in the bathroom being cocaine,) in such a way that was also difficult to follow. The flashbacks are choppy, also making it difficult to understand.

    Probably the most tasteless scene was when John is (literally,) forced to undergo his autopsy and is in pain while they remove his heart to weigh it, saying that it was abnormally large due to drug use, obesity, yeah, we get the point without the grotesque portrayal.

    There are very few other actors we know of in the movie, (where's Carrie Fisher for instance? They were incredibly close. And Jim Belushi would have been a great person to show,) it looks VERY cheaply made, (we felt it looked as if the graphics were from the early 80s or late 70s,) it felt as if it was filmed in about a week and all in all, didn't show the side to John at all. I felt I knew a little bit more about him from watching episodes of Saturday Night Live.

    On one last note, Bob Woodward comes across narcissistic by placing himself in the movie, arguing with John about writing his life story. For someone who was supposed to be very highbrow, concerning the bust on Nixon, his calibur of person could match any writer in the National Enquirer, and therefore losing my interest in any of his work from this point forward.

    SKIP THIS MOVIE. If you want to see more on John, watch his movies, see clips of Dan Akroyd talking about him or hope someone has the taste to make another movie on John that goes along the lines of "Man on the Moon," which is ultimately what we were expecting. I guess this was a "moral" kind of movie -- you know, don't do drugs, but I guess the creators of this film didn't understand that his death made a number of people (like Carrie Fisher,) stop doing drugs altogether for that reason.
    budbe

    indescribably bad

    Here is a movie that is utterly without redeeming qualities.

    I was a Belushi fan, but I never shared the opinion that Woodward's book was a hatchet job...on the contrary, I though it was a pretty good piece of journalism.

    This movie, however, is not at all faithful to the book. There is a bunch of "ghost of Christmas past" kind of stuff with the ghost of Belushi riding through his past with a Latino cab driver who identifies himself as Belushi's 'guardian angel'...where did this come from?

    It's certainly not in the book.

    Everyone involved seems embarrassed to be part of this mess, and so they should!

    On a scale of 1 to 10 I give "Wired" a MINUS 20...utter and complete garbage...the final insult to a great performer.
    darthgeorge1973

    A real pile of trash

    This is one the worst pieces of garbage I have ever seen. Tasteless,vile and total piece of crap best describe this useless waste of time and effort.

    The plot revolves around the lifestory of the late John Belushi. Belushi's corpse rises out a bodybag,eats a cheeseburger and is met by his guardian angel,together they walk through key events in his life.

    The film goes downhill from there.

    Belushi is portrayed as bullying slob of a junkie,the film is poorly cast and directed and the storyline is horrible.

    Don't even waste your time renting it.

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      According to Michael Chiklis, during a chance meeting with Jim Belushi, he apologized for causing pain to the Belushi family. Belushi replied he was always under an impression Chiklis was decieved as well by the producers, hugged him and agreed to put it behind them.
    • Citas

      John Belushi: [surprised] Who are you anyway?

      Angel Velasquez: I'm your guardian angel.

      John Belushi: My guardian angel? Well you sure fucked up...

      Angel Velasquez: Yeah, well look, man. Nobody's perfect, you know? You gotta start somewhere.

    • Conexiones
      Featured in Siskel & Ebert & the Movies: The Package/Wired/Cookie/Little Monsters/The Little Thief (1989)
    • Bandas sonoras
      Still Looking for a Way to Say Goodbye
      Written by Jack Tempchin and Lisa Angelle

      Performed by Richie Havens

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    Preguntas Frecuentes

    • How long is Wired?
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    Detalles

    Editar
    • Fecha de lanzamiento
      • 25 de agosto de 1989 (Estados Unidos)
    • Países de origen
      • Estados Unidos
      • Nueva Zelanda
    • Idioma
      • Inglés
    • También se conoce como
      • Belushi - Wired
    • Locaciones de filmación
      • Nueva York, Nueva York, Estados Unidos
    • Productoras
      • FM Entertainment
      • Lion Screen Entertainment
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 1,089,000
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 681,054
      • 27 ago 1989
    • Total a nivel mundial
      • USD 1,089,000
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 52 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby
    • Relación de aspecto
      • 1.85 : 1

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