Winter People

While I won't go to the hyperbole of this being the best film ever, it is certainly one of the more satisfying. The fact that you can tell a compelling human story without overwhelming the audience with action (and I like action flicks as well as anyone) is noteworthy. It is not your typical story - it's got real conflict, real relationships (both good and bad), and a sense of authenticity that is lacking in many films. The setting is not one that is common, although it would be contemporary with 'To Kill A Mockingbird'. It sheds some light on a part of the country that is not familiar to most of us. It reflects some thought in fleshing out real characters, instead of relying on portraying stereotypical backwoods people. While many of the actors have gone on to other roles, the movie retains the allure of watching real people. It should be considered a high mark in the careers of both Kurt Russell and Kelly McGillis. It is one of those rare movies that I appreciate watching each time.

Wayland Jackson (Kurt Russell) and his young daughter leave Pennsylvania and movie to rural Appalachia in 1934. Now considering the poverty in this part of the world, particularly during the Depression, this is an odd decision to say the least. On their way, Wayland's truck breaks down and he and the daughter make their way to a local cabin where Collie (Kelly McGillis) and her baby live. She lets them stay a bit, as it's cold outside and soon the pair fall in love. However, the baby's ne'er-do-well and extremely violent father returns for one of his rare visits...and he nearly kills Wayland and attempts to force himself on Collie. What's next? Well, a LOT...including threats from the violent man's very violent and awful clan.

The film has some remarkably good and restrained acting. In addition to Russell and McGillis doing a fine job, the oddly named Jeffrey Meek is exceptional as the evil father of the baby and the rest of the supporting cast (including Lloyd Bridges and Mitchell Ryan) are superb.

As for the story, it's compelling and has many twists and turns. You might not like these...but they do make for a story that is hard to stop watching.

Overall, a very well done film....not always pleasant but exceptional nonetheless...and far better than its current 6.3 rating on IMDB.

I live here where they filmed the movie and I thought it was wonderful, the story was a wonderful setting for a romance and I thought the way they met and grew to love one another was outstanding. Even though the murder took place it showed what all they were willing to sacrifice for love. The way the family takes him in as a part of them at the beginning except for one brother and the way he begins to trust him is even as touching. The bear hut I thought was true to life as everyone here has mostly been and the producers and directors kept it true to life. We had a couple of our own hometown folks in the movie, the older men on the porch of the store, added more depth and made us proud. I guess in some ways we are portrayed as "bumpkins" still but I guess in a lot of ways we are and it shows how we live here... or families are all close and loving, never turn our back on our loved ones and I like how the movie shows us.

Kurt Russell and Kelly McGillis give believable performances in this rural drama. Tremendous North Carolina atmosphere and a fine score add immensely to the film. Some may find it a bit slow, but those willing to watch and listen, will be rewarded. "Winter People" does not follow any typical feuding families formula, but carves new ground, with sacrifice instead of shoot outs. Anyone expecting a "Deliverance" clone would be advised to seek out "Hunter's Blood" and leave "Winter People" to those who appreciate a quieter, more thought provoking movie. Definitely recommended for couples viewing as there is enough depth to maintain interest for everyone. - MERK

Widowed clockmaker Kurt Russell brings his daughter, Amelia Burnette, to the Carolina Piedmont. There he falls in love with single mother Kelly McGillis. However, when the baby's drunken father comes calling, the pair of them are forced into desperate action.

The movie is replete with carefully offered symbolism, almost certainly from the novel by John Ehle), mostly about the wintry stasis of people and society during the early stages of the Roosevelt New Deal, to characters' names (I'm reading Scott's KENILWORTH, so Russell's character's name of "Wayland" seems apt), to the way cinematographer Francois Protat lights the shots in a greyness that doesn't break until the end. Ordinarily I would find this sort of movie pompous with its easy-to-analyze details substituting for the things that interest me most: character and story.

This one never does, thanks to a fine cast under a solid director. Ted Kotcheff may be best know for his gross comedy hit WEEKEND WITH BERNIE, but his long resume shows a respectful handling of movies about subcultures: not only THE APPRENTICESHIP OF DUDDY KRAVITZ, but NORTH DALLAS FORTY.