To Die For

This is a very underrated vampire movie. I think it was one of the best vampire films ever made. It has a great cast (Brendan Hughes is just so sexy), good acting, a traditional, but different story, it has everything. The only thing I did not like about this movie was that SOME, not all, of the death scenes are cheesy. This movie was very romantic and when you watch it, you feel hypnotized. I strongly recommend this movie to everyone!

I watched movie few times since I was a teenager. I did like it , yes it could use some work and added some more in scenes that were lacking, but overall decent movie.

To Die For (1989) was just another d.t.v. feature that made an appearance on cable ad nasuem during the early nineties. The only thing notable about this feature was the last movie Duane Jones appeared in. Other than that there's no reason to watch this vampire flick unless you like pseudo chick flicks masquerading as a horror film. A tired vampire longs for love and searches the back streets of L.A. looking for it. Will he succeed or will Vlad just strike out again like he has for the last century?

This movie must have been big because a couple of sequels soon followed. They're so bad they make this one look like a classic. I know this is a movie about vampires but the film makers could have used to lighting.

Not recommended by me because I didn't like it.

'nuff said?

Real estate broker Kate Wooten (Sydney Walsh) is having trouble finding love while her roommate Ceila (Amanda Wyss) is now engaged to her fiancé Mike (Micah Grant). While attending a business party with her friend Martin (Scott Jacoby), Kate meets the enigmatic and charming Vlad Tepes (Brendan Hughes) who cultivates a romantic relationship with her unaware he is in fact the infamous Vlad the Impaler inspiration for the legend of Dracula.

To Die For is a 1989 low budget horror film produced by Greg H. Sims who was a fan of horror films including Dracula films and sought to approach the material more in the vein of a love story than a standard horror film. While only a modest performer in its initial release (though successful enough to spawn a direct-to-video/cable sequel) and mostly forgotten today, To Die For is actually a reasonably enjoyable film.

While To Die For doesn't stray too far from the established formula of vampire films trading in 19th century Wallachia for contemporary West Coast United States, the movie still tries to play itself as a straight gothic romance only within a modern day setting. With movies such as The Lost Boys and Fright Night became commercial successes by incorporating both horror and camp (as per the style of the time) while more serious such as The Hunger tended to be ignored by the public, you have to admire Sims for his commitment to making a vampire movie without a single twinge of irony to it despite the pethora of comparatively lighter teen skewing fare that had dominated the decade's depiction (for better or worse). Brendan Hughes and Sydney Walsh have solid chemistry as Vlad and Kate respectively and you do find yourself invested in the outcome of this story. I will say the writing is maybe a touch sloppy with a few too many characters and tangents for an 84 minute runtime with Scott Jacoby feeling somewhat edged out of the movie along with Micah Grant who probably could've been merged into the same character, and parts involving Celia or Steve Bond's Tom feel like they could've used some more breathing room. But minor gripes aside, Sims and his crew set out to create a serious minded vampire love story and they delivered on that front. I'd also be remised in my duty if I didn't mention they impressive effects work of John Carl Buechler (which also earned the film an X rating before an appeal) and we get some solid if sparingly used vampire slaying sequences and transformation effects even if parts like the Vampire's telekinesis are a little eyebrow raising.

I'll be the first to admit I have a soft spot for vampire films and you could argue maybe I'm being a little too generous here, but I like what I like. For a scant $1 million To Die For delivers on what it promises.

The above line, one of the last in the movie, is just so poignant it pretty much sums up the film. Colossally underrated vampire flick that is long on style and quite touching romantically. It should never have worked so well.

Well up there with FRIGHT NIGHT, THE LOST BOYS and NEAR DARK, how such a low-budget movie with a mega-young brit actor, towering barely 5'7" in built-up shoes, standing in as Vlad the Impaler, could work so well, is staggering. It is I suspect a combination of the avant-garde script, outstanding (at times) cinematography and charismatic performance from pretty Sydney Walsh that does it. The brilliance of this film is set right from the opening scenes, whose significance becomes crystal clear later on. Miss Walsh, so reminiscent of a very young Sigourney Weaver here, hits exactly the right note as feisty real estate rep Kate Wooten, who is swept off her feet by cashed-up young client Vlad Tsepsh who for his part, responds to her charms with a rare reluctance.

Just so much to pull out of this wonderful film. The antagonism between Vlad and his brother, the sparkling repartee between Kate and Vlad and the retro ending just so unusual in vampire films. Equally as good as a love story as a horror film. It works a treat on both scores! One cannot pass over the excellent soundtrack either, most notably Rod Stewart's great contribution during the on-board boat party at the very beginning of the film, when Kate is mesmerised by Vlad's intrusion into her life.

Interestingly, Brendan Hughes resurrected the exact same characterisation in HOWLING VI: THE FREAKS which left for dead the previous four sequels!