Viaje a las estrellas V: La última frontera

V has some of the best moments in the entire series. The camping scene is both funny, and insightful. I also love the scene in the brig. ("I oughtta knock you on your Goddam ass!"......."Want me to hold him, Jim?")

The only mistake was hiring an effects crew who had never done motion control blue screen model effects before. And that was NOT William Shatner's fault. That was Ralph Winter's and Harve Bennet's fault. Quit blaming William Shatner. The producers hold the purse strings, and hired idiots. Watch the new DVD and you will see model test shots that were not for action blocking, but were the effects team actually trying to figure out how to do the effects. Lame

Watch this movie, focus on the characters, and ignore the space shots, and it's pretty good. I think since they reworked ST:TMP with new effects based on the original story boards, they should have done the same for ST:V for the new DVD. That would have fixed the whole movie.

Besides all of the exterior ship shots, the scenes I would have fixed are as follows:

The turboshaft - Change the deck numbers to make sense and erase the shadow made by the boom holding them up.

All viewscreens - Insert remastered footage digitally to replace the poor rear-projection versions. The new Enterprise would have an even clearer screen, not a grainy, dim one. The only one that worked was the observation windows as they approached the great barrier.

The fall scene at the beginning. Inserting the closeup of Kirk and Spock ruined the entire scene.(Exactly like the parasailing scene in Die Another Day) Seeing a real stuntman is always better than seeing a fake shot of the actor.

Well, I loved STAR TREK IV: it was just so different, so fresh, that it's my favourite of the original cast movies. Unfortunately, THE FINAL FRONTIER is everything that film isn't. It tries to get to grips with an equally heavy (or heavier) subject matter, but the resultant film is ponderous, devoid of action, dated, cheesy and, even worse, boring.

The film sees Spock's long-lost brother (who he?) coming out of the woodwork and commandeering the Enterprise in search of God. Unfortunately, there's no action to speak of, and the special effects used to detail the almost magical scenario are pretty shoddy. Shatner directs as well as stars, but his direction leaves plenty to be desired.

Sure, there's still fun to be had from watching the original cast going through the paces, but they really are going through the paces here and that's all they're doing. Some of them seem a little bored. The best supporting actors the movie can manage are B-movie veterans David Warner and Michael Berryman. THE FINAL FRONTIER has a philosophical tone and some of the scenes are quite sentimental - the campfire bit in particular - but you'd have to be a huge Trekkie to get much joy out of this dull instalment.

Boldly going where no man (or woman) has gone before, climb aboard the Enterprise and let it fly and soar, as old friends gather, reunite, off to battle and to fight, strange new worlds, civilisations to explore.

Relieved of their conscience and pain, disciples no longer in vain, after Sybok inspires, ignites holy fires and shackles them with a new chain.

The newly blind follow the blindest into damnation, torment and torture when they fall for the misguided trickery of a Vulcan selling metaphorical snake oil and hair restorer.

I've never figured out why ST V gets so much criticism. It's really not that bad, if you're a true trekkie. First off, sure the effects are a little low-fi...but so were the TOS episodes. I don't know about you, but I care more about story than effects. The main reason that I like this film because it's very episodic in nature. If you are a fan of the original Star Trek series, sit down and watch this movie as if you were watching one of the original episodes and it will be much more enjoyable. For one, it starts out like an episode with a prologue before the opening credits start. Secondly, the theme music for the movie is similar to that of the original series. Third, there are some lines from the film that sound like they would be right out of one of the older episodes. Lastly, this movie is loosely based on the storyline of an original episode. Ironically, the episode that it's based on is one of the TOS worst episodes: The Way the Eden. If you've seen The Way to Eden, the actual plot of the episode is not bad, it's just the hippie stuff that makes it so awful. This film kildly leaves out the awful hippie music of the original episode and focuses solely on the plot instead. I often wonder if Shatner wrote this film to make up for how bad The Way to Eden was. So, to sum up, watch this movie as you would watch an old episode and you'll enjoy it much more.

Having been one of the shows that was part of my childhood and growing up, the original 'Star Trek' still holds up as great and ground-breaking, even if not perfect.

The fifth film of the franchise, 'The Final Frontier', is often considered the worst of the films, and one can understand why. To me, it is nowhere near as bad as its reputation, and feel in some way that the film was doomed even before it was released. Whether it is the worst overall 'Star Trek' film is up for debate, it's a worthy contender. Is it the worst of the films based of the original series? Yes.

It is not a bad film by all means. The cinematography is neat and very nicely done in the quieter scenes, and William Shatner's direction works well in these moments.

Jerry Goldsmith's score is awesome personified, there is no bias intended as Goldsmith has always been one of my favourite composers, but the score here really rouses the spirits while touching the heart also.

'Star Trek V: The Final Frontier' does have some good scenes, namely the camping fire scene, the inner/greater pain scene (very intense and moving) and Scotty knocking himself out (the one bit of humour that works).

The chemistry between Kirk, Spock and McCoy is the film's driving force, and the interaction and interplay between them is the asset that comes off strongest.

A few of the performances are good. Leonard Nimoy and DeForest Kelley are very good, and Laurence Luckinbill does very well with what he's given, a villain that's both menacing and sympathetic. The rest of the crew mostly are very competently played.

Unfortunately, they are underused and what they are given falls flat completely mostly, turning them into cartoonish parodies. The erotic dance was completely out of place and the getting lost stuff feels like filler to pad out a story that doesn't have an awful lot to it. Plus we have the most embarrassing rendition of "Row, Row, Row Your Boat" you'll find anywhere.

Generally the humour is as flat as a pancake, really overdone and juvenile. 'The Voyage Home' had humour too but it was actually entertaining and even when poking fun felt more like 'Star Trek'. Shatner's direction is incredibly chaotic in the action scenes, which sees production values that look unforgivably cheap even for the budget, with haphazard cinematography and editing and the worst of the uniformly shockingly shoddy special effects.

Just for the record, as much as people would say that Shatner's ego has a lot to do with the problematic nature of the film (and yes having him trying to take on more than he could chew was excessive and most likely was not going to work from the start), the failure is much more at the door of budget limitations and studio interference, Shatner's original vision would have made for a much better and actually a fascinating film.

On top of that, 'The Final Frontier' is filled with overripe dialogue with too much emphasis on the humour, which as said doesn't work, and less on heartfelt moments and thought-provoking conflicts. While there are a few good performances, the supporting cast are too underused to shine properly and Shatner's performance has more ham than the world's biggest pig farm.

A big failure here is the story, which is dull and takes too long to get going with a plot too thin to sustain the running time. The whole stuff about god just confused the story and that for Sybok was a thrown in and unnecessary plot device done to presumably give more development to a character who was actually interesting and well developed already. The ending is convoluted and anti-climactic.

Overall, hugely problematic but not without obvious merits. 5/10 Bethany Cox