CALIFICACIÓN DE IMDb
4.9/10
3.3 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaA young man finds out that his parents had been used in an atomic-weapons experiment shortly before he was born, and that the results have had some unexpected effects on him.A young man finds out that his parents had been used in an atomic-weapons experiment shortly before he was born, and that the results have had some unexpected effects on him.A young man finds out that his parents had been used in an atomic-weapons experiment shortly before he was born, and that the results have had some unexpected effects on him.
- Premios
- 1 nominación en total
Opiniones destacadas
Righty right. Here's a bit about SPONTANEOUS COMBUSTION: the government is trying to engineer the perfect weapon for war. It fails, and the project is supposedly buried. Years later, however, a young college student by the name of David (Sam), is finding out slowly that he is something more than human. So, he intends to find out just what he is, and a path of destruction and fire is left in his wake. Now, I can see why this has been called Tobe Hooper's only failure at a movie, but it is a gem. But, the only reason why this is a good flick is because of the presence of Brad Dourif. As always, he's excellent. Rent this flick, that is if you can find it. The beginning is slow, but it is very entertaining.
I really wanted to love Spontaneous Combustion: I like the basic idea, Brad Dourif is a cool actor, Tobe Hooper is the legendary director responsible for my favourite horror film, and some of the flame effects are pretty intense (I repeat: 'some'). Hell, there's even a fun cameo from John Landis. The problem is that the film just doesn't make a lot of sense.
Dourif plays Sam, a young man who discovers that the anti-radiation experiment which caused his parents to spontaneously combust in the 1950s is now responsible for some equally strange side effects in his own body. As Sam tries to prevent himself turning into a small pile of smouldering ash, he realises that his whole life has been a lie perpetrated by sinister industrialist Lew Orlander (William Prince).
With some incomprehensible cobblers about an evangelist who preaches to Sam over the radio, a puzzling sub-plot involving a nuclear power station, a killer who inexplicably uses glowing green goop in a syringe to bump people off, and the never-adequately explained presence of a continually growing birthmark on Sam's hand, I lost the plot about half-way through and had to content myself with the occasionally impressive body burn stunts and a modicum of manky make-up effects.
The first movie made by Hooper after his unsuccessful three film deal with Cannon, Spontaneous Combustion unsurprisingly didn't set the box-office on fire either, and the director's career has failed to reignite ever since.
Dourif plays Sam, a young man who discovers that the anti-radiation experiment which caused his parents to spontaneously combust in the 1950s is now responsible for some equally strange side effects in his own body. As Sam tries to prevent himself turning into a small pile of smouldering ash, he realises that his whole life has been a lie perpetrated by sinister industrialist Lew Orlander (William Prince).
With some incomprehensible cobblers about an evangelist who preaches to Sam over the radio, a puzzling sub-plot involving a nuclear power station, a killer who inexplicably uses glowing green goop in a syringe to bump people off, and the never-adequately explained presence of a continually growing birthmark on Sam's hand, I lost the plot about half-way through and had to content myself with the occasionally impressive body burn stunts and a modicum of manky make-up effects.
The first movie made by Hooper after his unsuccessful three film deal with Cannon, Spontaneous Combustion unsurprisingly didn't set the box-office on fire either, and the director's career has failed to reignite ever since.
Not as bad, as it's credited to being (Hooper's done far worse)
more so disappointing for me. Such an imaginative concept, which is never really tapped in to by Hooper with his economical direction and even less so in the smoky (excuse the pun) writing. It goes so sinister and over-the-top in a dead serious tone, becoming ridiculous and unfocused letting the whole pessimistic mystery / conspiracy-laced narrative being easily telegraphed to end on something completely abrupt. Because of that, the pacing goes on to be rather sluggish and Brad Dourif (cool to see him in a leading role) seems to struggle with an off-balanced performance, despite etching out a bemusedly quirky intensity to his off-colour character. Even though it's cheaply done, there's a competent technical attitude to it. However it doesn't seem to go anywhere out of the ordinary with its idea and wants to plaster in nasty jolts (which some do work) and strikingly steaming special effects (flames, flames everywhere) instead. Hooper does display some stylishly frenetic imagery (more so towards the latter end), and the camera-work is swiftly manoeuvred and the beaming score is titillating. The performances are bit all over the shop with the appearances of William Prince, Cynthia Bain, Dey Young, Jon Cypher and Melinda Dillon. Also Geroge Buck Flower and John Landis have small, but amusing cameos
especially Landis. Nothing surprises, but it's passably engaging.
Eccentric but interesting thriller. Brad Dourif puts a lot into his portrayal of the lead character, a school teacher who discovers he can start fires, and the performance is one of the main things thats lifts the film out of the rut.
With its evocation of a strange little town dominated a large nuclear plant the film recalled for me "Strange Behavior" (1981) (AKA "Dead Kids"). The films show an odd mix of architecture, clothing fashion and interior decoration from different eras that makes placing and dating the film difficult. Overall its look and generally offbeat characters gives the film an effective unreal sort of quality. Also similar to "Strange Behavior" is the murky, complex, slowly unfolding story and the sinister scientist who is controlling everything. Also Dey Young is a cast member of both films, sadly underused here.
With its evocation of a strange little town dominated a large nuclear plant the film recalled for me "Strange Behavior" (1981) (AKA "Dead Kids"). The films show an odd mix of architecture, clothing fashion and interior decoration from different eras that makes placing and dating the film difficult. Overall its look and generally offbeat characters gives the film an effective unreal sort of quality. Also similar to "Strange Behavior" is the murky, complex, slowly unfolding story and the sinister scientist who is controlling everything. Also Dey Young is a cast member of both films, sadly underused here.
Spontaneous Combustion is a very sad horror effort from legendary director Tobe Hooper. I was hoping this was before Hooper's downward spiral of Night Terrors, The Mangler, and Crocodile, but I think this is the film that started that spiral. I'm still finding it hard to believe it was as bad as it was. Tobe Hooper directing, Brad Dourif starring...that's horror royalty right there. I found Dourif to be disappointing in this one as well. That was hard to type because he's so good in everything else he does (if you want to challenge that statement check out One Flew Over the Cuckoo's Nest). I think he should have just said no to this role. I was expecting a very dark film with a brooding anti-hero. What I got was a comical bore, and you can bet that's not on purpose. You reach a point in the film where you ask yourself "What in the f*ck is going on?" And the ending is pathetic at best. Not even a fiery John Landis cameo nor a radio voice-over by Buck Flower could save this one. Go watch Firestarter instead.
¿Sabías que…?
- TriviaIn a promotional Fangoria interview for Exorcist 3 (1990), Brad Douriff mentioned how disappointed he was with final version of this film, and how a very interesting, promising movie was ruined by studio interference and producers during production. "You see me playing my heart out in scenes that are not working, and the reason they're not working is that movie doesn't make sense. It's almost funny. As a matter of fact, the better my acting was in some of the later scenes, the funnier film was. I found myself at the mercy of people who didn't know what they were doing. I probably shouldn't be saying this, but my feeling is, the producers destroyed it. Tobe could have made three different movies with material he had, and each one would have worked. But by the time he got it, it had changed from a love story to a suspense thriller about my character's paranoid fantasy, to a 'guy goes crazy' film about this insane killer who becomes a destructive force that's going to wipe out mankind. We went back and kind of restructured it as a love story, but it didn't really help. The beginning of the film was great, and a certain portion of my stuff was fine, but then it became stupid when all the flame stuff started happening."
- ErroresThe position of the syringe stuck in Lisa, changes.
- ConexionesFeatured in Cinemassacre's Monster Madness: Spontaneous Combustion (2009)
- Bandas sonorasI Don't Want to Set the World on Fire
Written by Eddie Durham (uncredited), Eddie Seiler (uncredited), Sol Marcus (uncredited) and Bennie Benjamin (uncredited)
Performed by The Ink Spots
Courtesy of MCA Records
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- How long is Spontaneous Combustion?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Spontaneous Combustion
- Locaciones de filmación
- Altadena, California, Estados Unidos(Location)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 5,500,000 (estimado)
- Total en EE. UU. y Canadá
- USD 50,367
- Fin de semana de estreno en EE. UU. y Canadá
- USD 50,367
- 25 feb 1990
- Total a nivel mundial
- USD 50,367
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