[go: up one dir, main page]

    Calendario de lanzamientosTop 250 películasPelículas más popularesBuscar películas por géneroTaquilla superiorHorarios y entradasNoticias sobre películasPelículas de la India destacadas
    Programas de televisión y streamingLas 250 mejores seriesSeries más popularesBuscar series por géneroNoticias de TV
    Qué verÚltimos trailersTítulos originales de IMDbSelecciones de IMDbDestacado de IMDbGuía de entretenimiento familiarPodcasts de IMDb
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthPremios STARmeterInformación sobre premiosInformación sobre festivalesTodos los eventos
    Nacidos un día como hoyCelebridades más popularesNoticias sobre celebridades
    Centro de ayudaZona de colaboradoresEncuestas
Para profesionales de la industria
  • Idioma
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista de visualización
Iniciar sesión
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usar app
  • Elenco y equipo
  • Opiniones de usuarios
  • Trivia
  • Preguntas Frecuentes
IMDbPro

Sono otoko, kyôbô ni tsuki

  • 1989
  • Not Rated
  • 1h 43min
CALIFICACIÓN DE IMDb
7.1/10
14 k
TU CALIFICACIÓN
Takeshi Kitano in Sono otoko, kyôbô ni tsuki (1989)
Trailer for Violent Cop
Reproducir trailer1:21
2 videos
16 fotos
ActionCrimeDramaThriller

Un policía propenso a la violencia descubre que su compañero está traficando con drogas.Un policía propenso a la violencia descubre que su compañero está traficando con drogas.Un policía propenso a la violencia descubre que su compañero está traficando con drogas.

  • Dirección
    • Takeshi Kitano
  • Guionistas
    • Hisashi Nozawa
    • Takeshi Kitano
  • Elenco
    • Takeshi Kitano
    • Maiko Kawakami
    • Makoto Ashikawa
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.1/10
    14 k
    TU CALIFICACIÓN
    • Dirección
      • Takeshi Kitano
    • Guionistas
      • Hisashi Nozawa
      • Takeshi Kitano
    • Elenco
      • Takeshi Kitano
      • Maiko Kawakami
      • Makoto Ashikawa
    • 61Opiniones de los usuarios
    • 61Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Premios
      • 3 premios ganados y 1 nominación en total

    Videos2

    Violent Cop
    Trailer 1:21
    Violent Cop
    VIOLENT COP - OFFICIAL US HD Trailer
    Trailer 1:20
    VIOLENT COP - OFFICIAL US HD Trailer
    VIOLENT COP - OFFICIAL US HD Trailer
    Trailer 1:20
    VIOLENT COP - OFFICIAL US HD Trailer

    Fotos16

    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    + 9
    Ver el cartel

    Elenco principal38

    Editar
    Takeshi Kitano
    Takeshi Kitano
    • Azuma
    • (as Beat Takeshi)
    Maiko Kawakami
    • Akari
    Makoto Ashikawa
    • Kikuchi
    Shirô Sano
    Shirô Sano
    • Yoshinari
    Sei Hiraizumi
    Sei Hiraizumi
    • Iwaki
    • (as Shigeru Hiraizumi)
    Mikiko Otonashi
    • Iwaki's Wife
    Hakuryû
    Hakuryû
    • Kiyohiro
    Ittoku Kishibe
    • Nito
    Ken Yoshizawa
    • Shinkai
    Hiroyuki Katsube
    • Deputy Police Chief Higuchi
    Noboru Hamada
    • Chief Detective Araki
    Yuuki Kawai
    • Detective Honma
    Ritsuko Amano
    • Honma's Fiancee
    Tarô Ishida
    • Detective Tashiro
    Katsuki Muramatsu
    • Deputy Commissioner Anan
    Ken'ichi Endô
    Ken'ichi Endô
    • Emoto
    Ei Kawakami
    • Hashizume
    Kiminari Matsumoto
    • Sakai
    • Dirección
      • Takeshi Kitano
    • Guionistas
      • Hisashi Nozawa
      • Takeshi Kitano
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios61

    7.113.6K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Opiniones destacadas

    8TheFilmGuy1

    Dirtier Than Harry

    This is Takeshi Kitano's directorial debut, and damn, it's a good way to open a directing career. Violent Cop is a film about, well... look at the title. While it may not be 100% in the style that Kitano's later films are, you can see many aspects of his later films were started.

    Kitano plays a cop who goes above and beyond when it comes to the kind of wild things that Dirty Harry did. He's an even looser cannon than Harry, and that's saying something. Kitano plays the role well, doing his usual stoic face act. He comes across as quite scary and threatening. All the other side characters do a good job too.

    Visually it does a lot of the things that Kitano is known for. Long shots, close ups, interesting editing, etc. You can see the foundation of Kitano's later films within this one. Now since this was his first attempt at directing, it can occasionally feel a bit slow. When I was about half way through, it felt like I had been watching for longer. Also the plot can be a bit confusing at times. Scenes occur that sometimes feel like they didn't have a lot to do with the main plot, or characters appear that you aren't exactly sure if you have seen briefly before or not. Kitano's later films tighten up the plot for sure, so I understand that this one is a little bit more rough since it's his first directing gig.

    Over all, it's an interesting tale of a loose cannon cop. If you're a fan of Kitano and haven't seen it, check it out. Also watch it if you are in the mood for an unique Japanese film or a movie that shows that late 80's/early 90's vibe, because this movie certainly has that.
    Infofreak

    Impressive directorial debut from Beat Takeshi.

    It's nearly impossible not to watch 'Violent Cop' without thinking of Kitano's masterpiece 'Hana-bi' ('Fireworks'). As the latter is a brilliant achievement and one of the most outstanding movies of recent years, Japanese or otherwise, 'Violent Cop' must obviously be slightly disappointing in comparison. Many of Kitano's subsequent themes and style are evident in slightly embryonic form here, only not quite as successfully handled. A lot of that has to do I'd guess with Kitano having no involvement with the sometimes pedestrian script. Even so, that's not to say that 'Violent Cop' is a bad movie, far from it! It may not be Kitano's best work, but personally I enjoyed this one much more than his recent attempt at a Hollywood crossover 'Brother'. Kitano is one of the most charismatic actors currently working and every time he's on screen he is mesmerizing. He plays a tough cop with unconventional methods who finds himself caught between loyalty and duty when he discovers that one of his fellow cops is in cahoots with some local drug pushers. When his beloved sister is kidnapped, doped up and raped by members of this gang it's inevitable that he will seek his revenge. The title of the movie gives a very clear message of how he plays the game! This is probably a great place to start for newcomers to Kitano, especially those who are anticipating some kind of Woo/Lam Hong Kong action-fest. Kitano's yakuza movies are very different in approach, slower, more thoughtful and with much greater depth. I'm not a fan of Hong Kong cop movies as to me they are all style and very little substance. This is certainly not the case with 'Violent Cop' or Kitano's subsequent movies in a similar vein. It may take some a little time to grow accustomed to their style and approach, but once you have I'm sure you'll be hooked like I am. If you enjoyed this movie run immediately to your local video/DVD outlet and rent 'Hana-bi'. You will be amazed!
    seanmok

    A violent world with no rationality - the reality of Kitano

    The first 10 mins of the film already tell you what Takeshi Kitano is up to - we see a homeless man eating peacefully and enjoying the foods beside his make-shift home in a park. Suddenly his bowl is hit by a football, and then a gang of teenagers rough him up, giggling while beating up the man mercilessly until he loses conscious. Then all the kids return to their safe middle-class homes.

    Kitano, the "violent cop", sees the whole thing, but he doesn't stop the kids right away. Instead, he follows one to his home, shows the kid's mother his police ID, walks up to the kid's room and starts kicking and snapping him, demanding the boy to give himself up to the police tomorrow. To me, the movie more or less ends there. The plot then moves on to the usual good-cop corrupted-cop routine, involving a sub-plot on Kitano's retarded sister. To sum up, the storyline is actually very predictable and fails to create any suspended and dramatic tension.

    This is where "Violent Cop" departs from other movies of the same genre - Kitano's violence is raw and real, and he wants to show you in yer face. Unlike the highly stylized and cartoonish violence of John Woo (anything who knows a bit about guns can tell you that you cannot fire a few rounds of bullets from two guns with both hands at the same time when you're jumping off a car), for example, Kitano shows the essence of violence and how it actually affects people, both physically and psychologically.Violence, in the world of Kitano, can come suddenly, aimlessly and randomly, and no one is safe!

    "Violent Cop" is an excellent movie on all counts, and Kitano (in both directing and acting) can only go above it in, IMHO, Hana-Bi.It's kind of sad (as a big fan of Kitano) to see him going back to making new movies like "Brothers", a replica in spirit (if not in actual storylines) of his early stunning successes like this one and Hana-Bi. He's actually very good in "Gohatto", and fans like me want him to know that he should try more new things.
    robotman-1

    The Trapped Knife

    Kitano cripples the senses and jars the nerves in his films. This is a movie about a two-fisted cop whose blunt face and cliff's edge personality drive every scene, even the ones Kitano is not in. Kitano's character is not reacting to a violent world, but infecting it with his own brand of violence. The "violent cop" has lost his hope, therefore he fears nothing.

    Kitano as director gives us a real world of humor and interaction. Events happen, there's no plot. Every scene has this pulse that is raging, the characters even when still seem kinetic as sprinters. Punches, kicks, and bullets explode bodies. Kitano's character clashes with a psychotic hit man, but it is Kitano's cop who is out of control, unstoppable in his desire to inflict justice as he sees it.

    There's scenes which cannot be forgotten: Kitano's cop

    interrogates a punk drug dealer in a club rest room. These two actors go through a scene in which Kitano slaps this man over and over until he talks. The difference is that Kitano is really slapping this actor, and slapping living hell out of him. Cringe-worthy, and up there with one of the other scenes that illustrates what a hard man Kitano is: stabbed with a knife, Kitano grips the blade as it comes out of him, clinching his fist down on it so he cannot be stabbed again. Blood pours out from between his fingers, he cannot let it go because his fist and knife are one; Kitano understands the brutality of the fight, the reality of two men trying to kill each other, no quips, no words, no yells or curses, just blood and rage; cut to the bone, it's the way the whole film makes you feel.

    As far as the recent BROTHER is concerned, it makes perfect sense for Kitano to use similar themes seen in his earlier films. BROTHER is Kitano's first real attack on American audiences. They, en mass, haven't seen his stuff, and if Kitano's going over old ground, he's doing it in HIS style. Better a retread Kitano than most of Hollywood's slobbering star-cramped idiocy.
    10contronatura

    Masterful exploration of nihilistic violence

    A shallow description would refer to this as a Japanese version of Dirty Harry. And it does bear some resemblance to that film, but while Dirty Harry broke the rules in order to get a criminal at any cost, Kitano's character Azuma seems to seek vengeance due not only to his lust for revenge but because he's psychotic. There's a sense that Azuma won't rest until he gets his man not out of duty but out of madness. Kitano gives what might be his best performance in this film; he is absolutely riveting. And the film itself is beautifully shot, and the score is especially good. But the best part of this is perhaps the end - the film ends on a perfectly cynical note that couldn't be topped. Seek this out.

    Más como esto

    3-4 x jûgatsu
    6.8
    3-4 x jûgatsu
    Sonachine
    7.5
    Sonachine
    Hana-bi
    7.7
    Hana-bi
    Ano natsu, ichiban shizukana umi
    7.5
    Ano natsu, ichiban shizukana umi
    El capo
    7.1
    El capo
    Kikujirô no natsu
    7.7
    Kikujirô no natsu
    Kids Return
    7.4
    Kids Return
    Autoreiji
    6.8
    Autoreiji
    Dôruzu
    7.5
    Dôruzu
    Outrage Coda
    6.4
    Outrage Coda
    Autoreiji: Biyondo
    6.7
    Autoreiji: Biyondo
    Akiresu to kame
    7.3
    Akiresu to kame

    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Takeshi Kitano insisted on long takes. Close-ups easily lasted 10 seconds, medium shots went on for 20 seconds and the shot where Azuma (Kitano) walks onto the bridge and into the frame lasted 57 seconds.
    • Errores
      Boom mic visible from behind a car at 49:28 as Iwaki approaches Azuma.
    • Citas

      Azuma: Turn yourself in tomorrow.

      Delinquent Kid: I didn't do anything!

      Azuma: You didn't do anything?

      [Rams kid's head into the wall.]

      Azuma: Well, then I didn't do anything either!

    • Créditos curiosos
      There are no opening credits beyond the title.
    • Versiones alternativas
      When the film was released in Swedish cinemas in 1992, it was censored with a little more than one minute for violence, the cuts were made in the following scenes:
      • The policeman getting assaulted before he gets his head crushed by a baseball bat.
      • The scene where Azuma assaults Hazishume on the toilet, and the finger cutting sequence.
      • The following cuts are when Azuma assaults the killer in the locker room and a bloody execution scene at the end.
    • Conexiones
      Featured in Siete psicopatas y un perro (2012)
    • Bandas sonoras
      Gnossienne No.1
      (1890)

      Main theme is an electronic variation of the above title by Erik Satie

      Arranged by Daisaku Kume

      Performed by Daisaku Kume

      Produced by Kazuyoshi Okuyama

      Courtesy by Vap Inc.

    Selecciones populares

    Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
    Iniciar sesión

    Preguntas Frecuentes

    • How long is Violent Cop?
      Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 12 de agosto de 1989 (Japón)
    • País de origen
      • Japón
    • Idioma
      • Japonés
    • También se conoce como
      • Violent Cop
    • Locaciones de filmación
      • Kanagawa-Shinmachi, Yokohama, Kanagawa, Japón
    • Productoras
      • Bandai Media Department
      • Shochiku-Fuji Company
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 1,960
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 43 minutos
    • Color
      • Color
    • Relación de aspecto
      • 1.85 : 1

    Contribuir a esta página

    Sugiere una edición o agrega el contenido que falta
    Takeshi Kitano in Sono otoko, kyôbô ni tsuki (1989)
    Principales brechas de datos
    By what name was Sono otoko, kyôbô ni tsuki (1989) officially released in Canada in French?
    Responda
    • Ver más datos faltantes
    • Obtén más información acerca de cómo contribuir
    Editar página

    Más para explorar

    Visto recientemente

    Habilita las cookies del navegador para usar esta función. Más información.
    Obtener la aplicación de IMDb
    Inicia sesión para obtener más accesoInicia sesión para obtener más acceso
    Sigue a IMDb en las redes sociales
    Obtener la aplicación de IMDb
    Para Android e iOS
    Obtener la aplicación de IMDb
    • Ayuda
    • Índice del sitio
    • IMDbPro
    • Box Office Mojo
    • Licencia de datos de IMDb
    • Sala de prensa
    • Publicidad
    • Trabaja con nosotros
    • Condiciones de uso
    • Política de privacidad
    • Your Ads Privacy Choices
    IMDb, una compañía de Amazon

    © 1990-2025 by IMDb.com, Inc.