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Benadette Peters protagoniza esta irónica película basada en la exitosa colección de cuentos de Tama Janowitz que definió la escena artística del centro de Nueva York en los años ochenta.Benadette Peters protagoniza esta irónica película basada en la exitosa colección de cuentos de Tama Janowitz que definió la escena artística del centro de Nueva York en los años ochenta.Benadette Peters protagoniza esta irónica película basada en la exitosa colección de cuentos de Tama Janowitz que definió la escena artística del centro de Nueva York en los años ochenta.
Jsu Garcia
- Marley
- (as Nick Corri)
Denise Beaumont
- Ballerina
- (as Denise Marie Beaumont)
Mark Boone Junior
- Mitch
- (as Mark Boone Jr.)
Opiniones destacadas
When I saw this movie, I thought it was surreal. Then I moved to New York and realized that it was just being honest. The movie takes place against the colorful (sometimes to a ridiculous extent) new york artist scene. I never read the book, so I don't really know (or care) if the movie was true to it or not, but I thought that all the characters were well developed and gave some hilarious performances. The plot flowed seamlessly and by the end you know that, despite the fact that little of what you saw made much sense, there is some strange order to the world and that it's all good. I find myself recommending this movie to all my friends as I would recommend it to anyone interested in New York, art, or the simultaneous crappiness and lovableness of humanity.
this is a very cool little film.i rented it because i really dig the actors that are in it.this film apply represents the artsy community and how they all hang out and go to parties together.maybe its not for everyone, because since its independent its not effervescing with action scenes. the pace of the movie is cool because it is just like real life.you go places and meet people and try to pursue goals that may or may not work out. its important that artsy people should see this film, because everyone in it represents someone they know.great cameos from mercedes ruehl, stanley tucci, steve buscemi, and bernadette also does a great job as eleanor who lives with her crass and selfish boyfriend.
Struggling hat-maker Eleanor (Bernadette Peters) lives with her unstable struggling artist boyfriend Stash in a rundown New York City neighborhood. They are deep into the art scene.
James Ivory is the director. Ismail Merchant is the producer somewhere. Tama Janowitz is the writer based on her New York stories. This has a good sense of time and place although I want them to talk more about money. Maybe he gets enough from his art. It would be more compelling if there is some drug dealing, tricking, or minor scamming. I love "Dad I'm In Jail" which is a big moment in Pump Up the Volume a year later. The scene is not actually that memorable but it's about the song. The movie drifts from one situation or party to the next. At times, I wondered if there is any point to any of this. Maybe that is the point. New York may not be a good place for Merchant Ivory.
James Ivory is the director. Ismail Merchant is the producer somewhere. Tama Janowitz is the writer based on her New York stories. This has a good sense of time and place although I want them to talk more about money. Maybe he gets enough from his art. It would be more compelling if there is some drug dealing, tricking, or minor scamming. I love "Dad I'm In Jail" which is a big moment in Pump Up the Volume a year later. The scene is not actually that memorable but it's about the song. The movie drifts from one situation or party to the next. At times, I wondered if there is any point to any of this. Maybe that is the point. New York may not be a good place for Merchant Ivory.
I LOVED the book....and come on, piecing together the book into any sort of coherent film couldn't have been the easiest endeavour, and the result really isn't so bad! Looking back on this film 11 years later it truly DOES seem to capture the time and place effectively and has what amount to basically cameos of Stanley Tucci, Steve Buscemi, and Mercedes Ruehl.
Eleanor is the last person who should be living in the tough low echelons of the New York City art world in the 1980s. She describes herself: "I'm a normal person. I'm trying to achieve the middle class." And: "I find fun very traumatizing. To me, having fun is almost identical to feeling anxious." The very first scene shows her walking home with two big grocery bags and a big Dalmatian dog. She finally makes it, but barely. That's her situation. She is out of her depth, but bravely - or mindlessly - soldiers on.
Eleanor lives in the apartment of the rude small-time artist Stash. She says she loves him and he most of the time kind of tolerates her. In her daily life she is surrounded by crazy people, by wanna-be artists and their entourages. In a noisy crowded nightclub her body just gives up and she collapses. She is diagnosed with vasovagal syncope, something typically triggered by emotional stress.
Eleanor is enslaved by the idea that she has to live in an environment that for a normal and anxious person like herself must most of the time feel like hell. She is even dabbling in art herself, making grandiose, grotesque hats. If the devil is really out to get her, they will somehow become a success, the novelty of a day, binding her even harder to a place that - as her body knows - is very detrimental to her health.
"Slaves of New York" tells a sad story and it's not an entertaining one. The art scene is bleak and unappealing. All the relationships are tainted. Most of the people are terrible. The Dalmatian is kind of okay, though. Will the cute little puppy Eleanor find an exit? If not herself, will somebody else learn from her mistakes?
Eleanor lives in the apartment of the rude small-time artist Stash. She says she loves him and he most of the time kind of tolerates her. In her daily life she is surrounded by crazy people, by wanna-be artists and their entourages. In a noisy crowded nightclub her body just gives up and she collapses. She is diagnosed with vasovagal syncope, something typically triggered by emotional stress.
Eleanor is enslaved by the idea that she has to live in an environment that for a normal and anxious person like herself must most of the time feel like hell. She is even dabbling in art herself, making grandiose, grotesque hats. If the devil is really out to get her, they will somehow become a success, the novelty of a day, binding her even harder to a place that - as her body knows - is very detrimental to her health.
"Slaves of New York" tells a sad story and it's not an entertaining one. The art scene is bleak and unappealing. All the relationships are tainted. Most of the people are terrible. The Dalmatian is kind of okay, though. Will the cute little puppy Eleanor find an exit? If not herself, will somebody else learn from her mistakes?
¿Sabías que…?
- TriviaWilfredo's clothing line and the outfits and costumes in the fashion show were created by New York costume designer Stephen Sprouse.
- ErroresAt about 1:17:55 when Stash comes home after spending the night with Daria, the shadow of the boom mic can be seen on the red door.
- Bandas sonorasGirlfriend
(end title)
Written by Boy George (as G. O'Dowd), Vlad Naslas
Performed by Boy George
Produced by Vlad Naslas
Published by Virgin Music (ASCAP)
Copyright Control
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- How long is Slaves of New York?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Slaves of New York
- Locaciones de filmación
- The Saint nightclub, 105 2nd Avenue, East Village, Nueva York, Nueva York, Estados Unidos(formerly Fillmore East, originally The Commodore Yiddish theatre, , fashion show)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 5,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 463,972
- Fin de semana de estreno en EE. UU. y Canadá
- USD 26,118
- 19 mar 1989
- Total a nivel mundial
- USD 463,972
- Tiempo de ejecución
- 2h 4min(124 min)
- Mezcla de sonido
- Relación de aspecto
- 1.78 : 1
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