Esclavos de Nueva York

Why did Eleanor put up with Stash? Why is Daria so annoying? Why didn't this movie get any play at all?

It has a great cast, with (literally) hundreds of "New York" types, and every single SoHo type is represented, eventually. I like Bernadette Peters so I appreciate this movie cause its one of her only starring roles.

For a touch of trivia, at the party Eleanor throws at the end, the woman who spends the party hiding in the bathroom is Tama Janowitz, who wrote the novel "Slaves of New York".

Following all the Merchant-Ivory productions in the past, where it took place mainly in Victorian England, those were all ensemble movies, with Helena Bonham Carter at the center of it all. Bernadette Peters could be considered a contemporary version of Bonham Carter's characters. Being that these hapless characters are caught in the middle leading their daily lives with eccentric characters around them. I enjoyed over the years watching this film for several reasons, first one the artwork that is featured in it, next is the music, another this could have been a good lead in for a television series(not the big reason, but part of it. The characters play well off each other, and also gives that feeling of six degrees of separation. I've read the book and it would be hard to film it since it was a collection of short stories, however Merchant-Ivory pulled it off.

this is a very cool little film.i rented it because i really dig the actors that are in it.this film apply represents the artsy community and how they all hang out and go to parties together.maybe its not for everyone, because since its independent its not effervescing with action scenes. the pace of the movie is cool because it is just like real life.you go places and meet people and try to pursue goals that may or may not work out. its important that artsy people should see this film, because everyone in it represents someone they know.great cameos from mercedes ruehl, stanley tucci, steve buscemi, and bernadette also does a great job as eleanor who lives with her crass and selfish boyfriend.

It can't be easy to bring a Tama Janowitz novel to the screen. Her characters are strange and chronically flawed. Her plots progress like real life -- loosely, with lots of extraneous details and false starts -- yet contain a lot of wacky situations which we have trouble relating to reality (until we really think about it, and realize it's weird because it REALLY HAPPENS, everyday). I love her sense of humour and her style of writing, especially since her novels don't follow a traditional form of plot development.

That said, this movie could have been better. I don't think that the split-screen presentation of different scenes works at all, and many of the actors don't seem to understand why they're uttering the lines -- I don't think they "get it." Adam Coleman Howard (Stash) struggles valiantly, but always seems one step behind his character. Madeleine Potter (Daria) isn't very convincing either. Bruce Peter Young (Mikell) looks by turns bored and baffled. And -- perhaps the biggest injustice of all -- the knight in shining armour at the end is a terrible actor; instead of being happy and hopeful at the emergence -- finally! -- of a single genuine person in Eleanor's life, I couldn't get beyond his wooden delivery.

Everyone else is great, however. Bernadette Peters seems tailor-made to star in a Janowitz adaptation, as do many of the other oddball characters (Wilfredo, Mooshka, Samantha, the Japanese film crew). Things pick up in the second half, and it certainly gets funnier as it goes along...Eleanor mentions a dream she had the other night about a baby with long arms and legs like a chimpanzee, "but it was cute." The party (and the blender) is a blast. After so long in more-or-less quiet neutral, the last half hour kicks into gear.

Some people mentioned, "how could Eleanor put up with Stash?" Well, look around, sadly...there are lots of Eleanors and lots of Stash's (people who are "abridged" like their "tentacles have been cut off at the wrist"). As for the odd artsy SoHo characters...compare this film to "Mondo New York" and see that, if anything, Janowitz has missed out on a few bizarre and self-indulgent art types.

Don't expect to be on the edge of your seat when you watch this one. Just sit back, enjoy, and take it for what it is: an expose on the New York art world in the 80's, and an examination of one woman attempting to deal with a city full of shallow, uncaring, jealous and stupid people.

Often disjointed adaptation of the volume of intertwined short stories by Tama Janowitz is most interesting for its examination of the avant garde art scene in Manhattan. The story is less compelling; the personal evolution of hat designer Eleanor (Peters) is fine, but other story threads hold less interest. Peters gives an unusual performance (owing much to her scattered, unassuming personality) which doesn't really fit with the other characters, though that is a large part of the point of that plot: Eleanor is much more honest and unironic than the pretentious, pseudo-intellectual types who populate the milieu. The parties, openings, shows, and gatherings keep the screen interesting, though the occasional split-screen scenes are an unsuccessful experiment. Performances are generally good, including a funny two-scene cameo by author Janowitz as Eleanor's friend Abby. My reaction to this makes me think it might have made a good sitcom.