Se contrata a un portero fuerte para domesticar una barra sucia.Se contrata a un portero fuerte para domesticar una barra sucia.Se contrata a un portero fuerte para domesticar una barra sucia.
- Dirección
- Guionistas
- Elenco
- Premios
- 5 nominaciones en total
Marshall R. Teague
- Jimmy
- (as Marshall Teague)
Sunshine Parker
- Emmet
- (as 'Sunshine' Parker)
Opiniones destacadas
The dialog, story and acting in this are so cliched that I believe it is a parody of action movies. Others believe it is a straight action movie gone horribly wrong. Whatever the intentions, this movie is very entertaining and very, very stupid. I love it, superior in every way to Sophie's Choice.
Released last month as a Deluxe Edition DVD, ROAD HOUSE is a film that is almost impossible to ignore. Whether considered good or bad, it is one of the few pictures that is easy to watch all the way through by almost any one who comes across it. It is a rare gem. The phrase "it's so bad that it's good" doesn't apply to ROAD HOUSE. It isn't so bad it's good, it's so bad it's great. It is the very definition of a guy movie. It contains brutal and bloody fist fights, frequent nudity, a rock n' roll sound track, some of the best cheesy dialogue ever written, fancy cars, gun-play, knives being thrown, and explosions. As a movie for guys, it's a 10, as a movie to be taken seriously, it's a 5. Every attempt at drama flounders, though it never completely ruins what is going on.
Although considered a box office failure when released in 1989, ROAD HOUSE quickly became a cult hit once it reached video. Finally giving in to the cult mania, MGM's new DVD version of ROAD HOUSE contains two commentaries: one from director Rowdy Herrington and one by filmmakers Kevin Smith and Scott Mosier who were called in to do the track after talking ROAD HOUSE on the tenth-anniversary DVD of CLERKS. Both commentaries are fun to listen to. Herrington's commentary is for those who want to know more about the flick and the Smith/Mosier commentary is for those that want a nice laugh at the expense of this cinematic marvel. Also included on the DVD is a look-back documentary and a short featurette on the direct-to-video sequel.
As an actual film: 5/10 As a campy guy film: 10/10
Although considered a box office failure when released in 1989, ROAD HOUSE quickly became a cult hit once it reached video. Finally giving in to the cult mania, MGM's new DVD version of ROAD HOUSE contains two commentaries: one from director Rowdy Herrington and one by filmmakers Kevin Smith and Scott Mosier who were called in to do the track after talking ROAD HOUSE on the tenth-anniversary DVD of CLERKS. Both commentaries are fun to listen to. Herrington's commentary is for those who want to know more about the flick and the Smith/Mosier commentary is for those that want a nice laugh at the expense of this cinematic marvel. Also included on the DVD is a look-back documentary and a short featurette on the direct-to-video sequel.
As an actual film: 5/10 As a campy guy film: 10/10
Love it. No idea why but I keep coming back. Utter cheese but Swayze is awesome.
"Road House" tells the story of Dalton, a "cooler" who is hired by the owner of a small town dive bar in Jasper, MO. Dalton is hired to clean up the bar, as it has devolved into a very dangerous establishment. This place is so dangerous and rowdy that the house band plays behind a cage and the wait staff regularly engages in brawls with the patrons. This story used one of the common Western film tropes-- a new Sheriff is hired and brought in to clean up the town. That is essentially Dalton's role in this film. He's kind of the Gordon Ramsey of the bar scene. He's brought in to clean things up and kick out the riff raff. And boy is there a lot of riff raff to clean up.
The conflict in "Road House" is that there is a gang, led by Brad Wesley (Ben Gazzara) whose entire MO it seems is to intimidate the local business people into giving them money and favors in exchange for not being beat up or having their businesses destroyed - an old fashioned protection racket if you follow the 1930s B films. Most of the town (including law enforcement!) is scared of Wesley and his gang and the group pretty much has full run of everything--including the bar where Dalton is hired. Wesley and his gang begin to resent Dalton's presence, because he isn't a pushover and isn't letting them have control.
Much of the action of the film involves Dalton fighting Wesley and his gang of ruffians. Wade Garrett (Sam Elliott), Dalton's friend and mentor, who also works as a cooler at another club/bar, arrives in town to help out his friend. Together, Wade and Dalton try to take on Wesley. And of course, because this is Patrick Swayze, there is a love story intertwined, when he hooks up with his ER surgeon (Kelly Lynch).
The bar scenes are crazy. A lot of nudity, fighting, violence, everything. The opening scene melee resembles the wild saloon fight in "Dodge City" or "Blazing Saddles." Jeff Healy plays the lead singer/guitarist of the house band, and they're fantastic. I especially loved their cover of The Doors' "Roadhouse Blues."
Anyway. If you're adverse to movies with violence (including a particularly spectacular Rambo-esque turn for Swayze near the end of the film), nudity, and language, then this film isn't for you. But, if you're interested in a ridiculous trashy movie, with great music, then this is worth a watch.
The conflict in "Road House" is that there is a gang, led by Brad Wesley (Ben Gazzara) whose entire MO it seems is to intimidate the local business people into giving them money and favors in exchange for not being beat up or having their businesses destroyed - an old fashioned protection racket if you follow the 1930s B films. Most of the town (including law enforcement!) is scared of Wesley and his gang and the group pretty much has full run of everything--including the bar where Dalton is hired. Wesley and his gang begin to resent Dalton's presence, because he isn't a pushover and isn't letting them have control.
Much of the action of the film involves Dalton fighting Wesley and his gang of ruffians. Wade Garrett (Sam Elliott), Dalton's friend and mentor, who also works as a cooler at another club/bar, arrives in town to help out his friend. Together, Wade and Dalton try to take on Wesley. And of course, because this is Patrick Swayze, there is a love story intertwined, when he hooks up with his ER surgeon (Kelly Lynch).
The bar scenes are crazy. A lot of nudity, fighting, violence, everything. The opening scene melee resembles the wild saloon fight in "Dodge City" or "Blazing Saddles." Jeff Healy plays the lead singer/guitarist of the house band, and they're fantastic. I especially loved their cover of The Doors' "Roadhouse Blues."
Anyway. If you're adverse to movies with violence (including a particularly spectacular Rambo-esque turn for Swayze near the end of the film), nudity, and language, then this film isn't for you. But, if you're interested in a ridiculous trashy movie, with great music, then this is worth a watch.
Maybe a guilty pleasure for me but during my childhood and to this day I really enjoy this movie.
A Patrick Swayze in a state of grace with role after role, which one is more iconic (remember that this movie is between Dirty Dancing and Ghost for example).
It has everything an 80's action movie had to have: violence, rock and roll, drama, romance and risque scenes.
It does not shine because of its script but rather the meme lies in the fact that everyone who approached the main character had a bad fate assured.
I really highlight the soundtrack with songs by Bob Seger, which is a personal weakness but with an incredible Jeff Healey and that every lover of a good electric guitar cannot ignore.
It hurts the remake and that damn Hollywood habit of wanting to bring old things to the present with the usual result: it's not the same.
Recommended for all lovers of this type of cinema.
A Patrick Swayze in a state of grace with role after role, which one is more iconic (remember that this movie is between Dirty Dancing and Ghost for example).
It has everything an 80's action movie had to have: violence, rock and roll, drama, romance and risque scenes.
It does not shine because of its script but rather the meme lies in the fact that everyone who approached the main character had a bad fate assured.
I really highlight the soundtrack with songs by Bob Seger, which is a personal weakness but with an incredible Jeff Healey and that every lover of a good electric guitar cannot ignore.
It hurts the remake and that damn Hollywood habit of wanting to bring old things to the present with the usual result: it's not the same.
Recommended for all lovers of this type of cinema.
¿Sabías que…?
- TriviaMarshall R. Teague initially didn't get along with Patrick Swayze. While filming their big fight, both men quickly realized they shared a dedication to realistic stunts. They developed so much mutual trust that they improvised a lot, and allowed each other to throw real punches and kicks. When Jimmy swings a log at Dalton, Teague mistakenly thought it was a breakable prop log. By the end, Swayze was covered in bruises, with two broken ribs and a busted knee.
- ErroresWhen Red is reaching for the replacement antenna for Dalton, you can see a prop man handing the antenna to him.
- Créditos curiososWhile the end credits are rolling, the house band does one more number.
- Versiones alternativasThe UK cinema version was intact, although the video release was cut by 10 seconds by the BBFC to remove a knee kick, a double ear-clap and a groin punch. Dialogue about felling enemies by kicking them in the knee was also removed. The cuts were waived in 2001 for the DVD release.
- ConexionesEdited into Jeff Healey (1991)
- Bandas sonorasDon't Throw Stones
Written by Tito Larriva
Produced by Waddy Wachtel
Performed by Cruzados
Courtesy of Arista Records
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Road House
- Locaciones de filmación
- 24650 Arch Street, Santa Clarita, California, Estados Unidos(Double Deuce and Red's Auto Parts - Demolished 2011)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 17,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 30,050,028
- Fin de semana de estreno en EE. UU. y Canadá
- USD 5,957,656
- 21 may 1989
- Total a nivel mundial
- USD 30,052,173
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