Se contrata a un portero fuerte para domesticar una barra sucia.Se contrata a un portero fuerte para domesticar una barra sucia.Se contrata a un portero fuerte para domesticar una barra sucia.
- Dirección
- Guionistas
- Elenco
- Premios
- 5 nominaciones en total
Marshall R. Teague
- Jimmy
- (as Marshall Teague)
Sunshine Parker
- Emmet
- (as 'Sunshine' Parker)
Opiniones destacadas
The dialog, story and acting in this are so cliched that I believe it is a parody of action movies. Others believe it is a straight action movie gone horribly wrong. Whatever the intentions, this movie is very entertaining and very, very stupid. I love it, superior in every way to Sophie's Choice.
I love this movie. Why? Because it's sooo bad it's good. It dosen't
take itself too seriously (for the most part) but the lines really put
this one over the edge. "It's gonna get worse before it get's better"
""Be nice until it's time to not be nice" and "Oh baby, your gonna
be my regular Saturday night thing!" are classics of bad cinema.
The characters? All one dimensional hillbillies. The acting? Awful.
The plot? Yeah right. This movie is great because you can't take
your eyes away. What cheesy line comes next? When's the next
fight? And Who's the hot blonde? A guilty pleasure through and
through but it is fun sitting around with a bunch of guys watching
this and laughing your ass off. A great guy movie. Recommended.
take itself too seriously (for the most part) but the lines really put
this one over the edge. "It's gonna get worse before it get's better"
""Be nice until it's time to not be nice" and "Oh baby, your gonna
be my regular Saturday night thing!" are classics of bad cinema.
The characters? All one dimensional hillbillies. The acting? Awful.
The plot? Yeah right. This movie is great because you can't take
your eyes away. What cheesy line comes next? When's the next
fight? And Who's the hot blonde? A guilty pleasure through and
through but it is fun sitting around with a bunch of guys watching
this and laughing your ass off. A great guy movie. Recommended.
Released last month as a Deluxe Edition DVD, ROAD HOUSE is a film that is almost impossible to ignore. Whether considered good or bad, it is one of the few pictures that is easy to watch all the way through by almost any one who comes across it. It is a rare gem. The phrase "it's so bad that it's good" doesn't apply to ROAD HOUSE. It isn't so bad it's good, it's so bad it's great. It is the very definition of a guy movie. It contains brutal and bloody fist fights, frequent nudity, a rock n' roll sound track, some of the best cheesy dialogue ever written, fancy cars, gun-play, knives being thrown, and explosions. As a movie for guys, it's a 10, as a movie to be taken seriously, it's a 5. Every attempt at drama flounders, though it never completely ruins what is going on.
Although considered a box office failure when released in 1989, ROAD HOUSE quickly became a cult hit once it reached video. Finally giving in to the cult mania, MGM's new DVD version of ROAD HOUSE contains two commentaries: one from director Rowdy Herrington and one by filmmakers Kevin Smith and Scott Mosier who were called in to do the track after talking ROAD HOUSE on the tenth-anniversary DVD of CLERKS. Both commentaries are fun to listen to. Herrington's commentary is for those who want to know more about the flick and the Smith/Mosier commentary is for those that want a nice laugh at the expense of this cinematic marvel. Also included on the DVD is a look-back documentary and a short featurette on the direct-to-video sequel.
As an actual film: 5/10 As a campy guy film: 10/10
Although considered a box office failure when released in 1989, ROAD HOUSE quickly became a cult hit once it reached video. Finally giving in to the cult mania, MGM's new DVD version of ROAD HOUSE contains two commentaries: one from director Rowdy Herrington and one by filmmakers Kevin Smith and Scott Mosier who were called in to do the track after talking ROAD HOUSE on the tenth-anniversary DVD of CLERKS. Both commentaries are fun to listen to. Herrington's commentary is for those who want to know more about the flick and the Smith/Mosier commentary is for those that want a nice laugh at the expense of this cinematic marvel. Also included on the DVD is a look-back documentary and a short featurette on the direct-to-video sequel.
As an actual film: 5/10 As a campy guy film: 10/10
Patrick Swayze kicks ass, takes names, & loves the ladies!
Great action flick for Swayze to strut his stuff.
How has it taken me this long to see this film?
Great action flick for Swayze to strut his stuff.
How has it taken me this long to see this film?
This really is one of those guilty pleasures - a silly, inane movie, but possessed of so many elements for guys to enjoy, mainly regular bouts of ass-kicking, that a guy has to watch it about once a year to get his fix of adrenaline and a picture of how the world should work. The movie has its own rules and an internal structure mostly explained by the character of Dalton (Swayze), a supervisor of bouncers termed a Cooler. When certain entertainment establishments become too lowbrow and rowdy on a nightly basis, someone like Dalton is hired on to show all the patrons how to behave in a civilized manner. He has a degree in philosophy to help facilitate his instruction, plus some martial arts disciplines. In this world of bouncers, club owners, and alcohol dispensers, Dalton has a mighty rep - they've all heard of him, tho many thought he'd be bigger.
Also with an older rep is Wade Garrett (Elliott), an aged cooler who shows up halfway in to help his protégé kick some teeth in. It's amusing to watch the bouncers when introduced to Wade - they react like actors introduced to the Marlon Brando of the bouncer industry. The main villain is a local rich bigshot (Gazzara), usually wearing a self-satisfied evil grin and nice clothes, hiding a repugnant nature which treasures power & more power above all else. Well, actually, he doesn't hide it much as the pic progresses. This is where such villains make a foolish error: if he'd been just a little more laid-back and content with all the power he already had, things would've probably stayed the same for him. But he just can't resist having total absolute control over everything & everyone - a pure-bred fascist if ever there was - offending the zen-like sensibilities of the usually serene Dalton. Of course, having a couple of Dalton's friends killed didn't help towards a peaceful resolution.
The most entertaining portions of the pic are Dalton's methods in dealing with yahoo troublemakers; these dangerous dudes are reduced to clownish oafs by Dalton's effective tactics & knowhow. There's also a dark version of Dalton, Gazzara's main henchman, a martial arts master who seems a match for Dalton's prowess. There are frequent splashes of female nudity, including by Lynch as Dalton's new girlfriend (and doctor; Dalton isn't invulnerable - he needs a doctor about twice a week). You also seem to learn a lot about the art of being a bouncer, though some of this may be baloney. In many ways, this could be the perfect guy picture.
Also with an older rep is Wade Garrett (Elliott), an aged cooler who shows up halfway in to help his protégé kick some teeth in. It's amusing to watch the bouncers when introduced to Wade - they react like actors introduced to the Marlon Brando of the bouncer industry. The main villain is a local rich bigshot (Gazzara), usually wearing a self-satisfied evil grin and nice clothes, hiding a repugnant nature which treasures power & more power above all else. Well, actually, he doesn't hide it much as the pic progresses. This is where such villains make a foolish error: if he'd been just a little more laid-back and content with all the power he already had, things would've probably stayed the same for him. But he just can't resist having total absolute control over everything & everyone - a pure-bred fascist if ever there was - offending the zen-like sensibilities of the usually serene Dalton. Of course, having a couple of Dalton's friends killed didn't help towards a peaceful resolution.
The most entertaining portions of the pic are Dalton's methods in dealing with yahoo troublemakers; these dangerous dudes are reduced to clownish oafs by Dalton's effective tactics & knowhow. There's also a dark version of Dalton, Gazzara's main henchman, a martial arts master who seems a match for Dalton's prowess. There are frequent splashes of female nudity, including by Lynch as Dalton's new girlfriend (and doctor; Dalton isn't invulnerable - he needs a doctor about twice a week). You also seem to learn a lot about the art of being a bouncer, though some of this may be baloney. In many ways, this could be the perfect guy picture.
¿Sabías que…?
- TriviaMarshall R. Teague initially didn't get along with Patrick Swayze. While filming their big fight, both men quickly realized they shared a dedication to realistic stunts. They developed so much mutual trust that they improvised a lot, and allowed each other to throw real punches and kicks. When Jimmy swings a log at Dalton, Teague mistakenly thought it was a breakable prop log. By the end, Swayze was covered in bruises, with two broken ribs and a busted knee.
- ErroresWhen Red is reaching for the replacement antenna for Dalton, you can see a prop man handing the antenna to him.
- Créditos curiososWhile the end credits are rolling, the house band does one more number.
- Versiones alternativasThe UK cinema version was intact, although the video release was cut by 10 seconds by the BBFC to remove a knee kick, a double ear-clap and a groin punch. Dialogue about felling enemies by kicking them in the knee was also removed. The cuts were waived in 2001 for the DVD release.
- ConexionesEdited into Jeff Healey (1991)
- Bandas sonorasDon't Throw Stones
Written by Tito Larriva
Produced by Waddy Wachtel
Performed by Cruzados
Courtesy of Arista Records
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Road House
- Locaciones de filmación
- 24650 Arch Street, Santa Clarita, California, Estados Unidos(Double Deuce and Red's Auto Parts - Demolished 2011)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 17,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 30,050,028
- Fin de semana de estreno en EE. UU. y Canadá
- USD 5,957,656
- 21 may 1989
- Total a nivel mundial
- USD 30,052,173
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