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El fantasma de la ópera

Título original: The Phantom of the Opera
  • 1989
  • R
  • 1h 33min
CALIFICACIÓN DE IMDb
5.5/10
4.7 k
TU CALIFICACIÓN
Robert Englund in El fantasma de la ópera (1989)
A young soprano becomes the obsession of a horribly disfigured composer, who has plans for those who oppose him or the young singer.
Reproducir trailer1:43
1 video
99+ fotos
Psychological DramaSupernatural HorrorDramaHorrorMusicRomance

Una joven soprano se convierte en la obsesión de un compositor terriblemente desfigurado, que tiene planes para quienes se oponen a él o al joven cantante.Una joven soprano se convierte en la obsesión de un compositor terriblemente desfigurado, que tiene planes para quienes se oponen a él o al joven cantante.Una joven soprano se convierte en la obsesión de un compositor terriblemente desfigurado, que tiene planes para quienes se oponen a él o al joven cantante.

  • Dirección
    • Dwight H. Little
  • Guionistas
    • Gaston Leroux
    • Gerry O'Hara
    • Duke Sandefur
  • Elenco
    • Robert Englund
    • Jill Schoelen
    • Alex Hyde-White
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    5.5/10
    4.7 k
    TU CALIFICACIÓN
    • Dirección
      • Dwight H. Little
    • Guionistas
      • Gaston Leroux
      • Gerry O'Hara
      • Duke Sandefur
    • Elenco
      • Robert Englund
      • Jill Schoelen
      • Alex Hyde-White
    • 96Opiniones de los usuarios
    • 80Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 premio ganado en total

    Videos1

    Official Trailer
    Trailer 1:43
    Official Trailer

    Fotos164

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    Elenco principal30

    Editar
    Robert Englund
    Robert Englund
    • Erik Destler…
    Jill Schoelen
    Jill Schoelen
    • Christine Day
    Alex Hyde-White
    Alex Hyde-White
    • Richard Dutton
    Bill Nighy
    Bill Nighy
    • Martin Barton
    Stephanie Lawrence
    • La Carlotta
    Terence Harvey
    Terence Harvey
    • Insp. Hawkins
    Nathan Lewis
    • Davies
    Peter Clapham
    • Harrison
    Molly Shannon
    Molly Shannon
    • Meg (New York)
    Emma Rawson
    • Meg (London)
    Mark Ryan
    Mark Ryan
    • Mott
    Yehuda Efroni
    Yehuda Efroni
    • The Rat Catcher
    Terence Beesley
    Terence Beesley
    • Joseph Buquet
    Ray Jewers
    Ray Jewers
    • Elise
    Robin Hunter
    • Roland
    Virginia Fiol
    • Sarah
    Cathy Murphy
    Cathy Murphy
    • Esther
    Andre Thornton Grimes
    • Bartender
    • Dirección
      • Dwight H. Little
    • Guionistas
      • Gaston Leroux
      • Gerry O'Hara
      • Duke Sandefur
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios96

    5.54.7K
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    Opiniones destacadas

    gypsycaine

    I adore this movie!

    Yes, folks, I am a PotO fan. I can listen to ALW's soundtracks all night and day. I also am a huge fan of Freddy's series. The Nightmares are my favorite of the slasher genre.

    That said, let's continue into the commentary, shall we? The thing that struck me most about this movie is the music, Don Juan Triumphant. It's a haunting melody that just sticks in your mind. For me, it stayed for years. I was lucky enough when with friends (who were working, leaving me alone in their off-campus housing bored for several hours) to find a copy at the corner video store. It was a delight.

    Christine is NOT what you expect--she has no accents, doesn't look much like Sarah B, and I haven't a clue if that was really her singing. They did play fast and furious with the book. This does not mean it's a bad movie! I can count if I thought for three minutes ten other movies that deviated from the books they were based on? *S*

    Basically, the movie, to me, deals with reincarnation. When Christine locates and brings the lyrics and melody for Erik's inspired masterpiece to an audition, she is struck on the head by a sand-bag in mid verse. This has her traveling back in time to the days of the setting of the book, but in England rather than France. I actually don't mind the changes; they make the story fresher in my mind. There, we learn that this 19th century Christine has been learning from a mysterious stranger who has taught her singing and plans to make her a star. Jill is a lovely woman, and in the role, she shines as she dones the jewels of Faust's love interest in the opera. Robert as Erik is as usual a wonderfully mysterious, sinister, yet humorous "bad guy", if you can call Erik that.

    After the climax of the 19th century, Christine awakens to find herself in modern times again (hence my belief that it was a tale of reincarnation rather than actual-time travel--the 19th century Christine was established well before the incident!) and assisted by the show's patron.

    I adore the synthesized versions of the music, and was extremely pleased when the library was able to locate a copy of the CD OST for me to check out. It's just as good as I remembered. Amazon had the VHS, and I am good to go now! :)

    If you're seeking consistancy, accuracy towards the novel, or something resembling Michael Crawford, you're in the wrong place. If you're looking for a good tale that sends shivers up your spine (it did me as she placed money in the hat!), then this is the place.

    Enjoy!

    Now to just collect the rest of the NoES series....
    horror7777

    What You Get When You Try And Entertain Phantom Fans And Slasher Fans At The Same Time

    There is no doubt in my mind that the writers of this film were trying to make an enjoyable slasher film to entertain teenagers and attract fans of "The Phantom of the Opera" at the same time. What gives this away is the casting of Robert Englund. It shows that they wanted to attract teenagers by casting Freddy Krueger. However, at the same time the writers include lots of technical stuff from the novel to try and get fans of "The Phantom of the Opera." The result can be one of two things. You can either have teens screaming saying they were fooled because they thought they were going to see Freddy Krueger kill a lot of people and you can have "Phantom" fans screaming saying they thought they were going to see a real "Phantom" film rather then some stupid teenage slasher film. Personally, I am a slasher film fan and not a "Phantom" fan. Not because I don't like the "Phantom" films, but just because I've never seen any of them. My initial reaction to this film was a positive one. It's stylish, has great acting and directing, and it's something different. It's not your typical slice and dice film but rather an interesting look at the "Phantom" and his life. Die-hard "Phantom" fans probably won't truly enjoy this as I think at the end the makers of the film quit trying to please everyone and the film degraded into the typical slasher genre. I really enjoyed this one and personally I think that it's wrong that die hard "Phantom" fans give this film negative comments. If you were expecting to see the 1925 version all over again with Robert Englund as the "Phantom" then you're way off. Die-hard slasher and horror fans as well as "Phantom" fans should find this at least marginally enjoyable. ***out of****This film is fun and really cool especially when you watch it for the first time and late at night
    LeilaDessler

    A dark, yet good take on the Phantom

    I like this movie. I'm a purist, which may be surprising, but I am and still like this movie. Why? Because it gives Erik his edge back. True, they give him a good bit extra, but in the novel, Erik could have cruel moments, he had an edge, a threat to him. Ever since the Lon Chaney (which is still the closest to the book version), Erik has lost his edge and become a sort of disfigured James Bond. While I don't have much of a problem, this is a nice beak from that. Robert Englund is one of my favorite actors, and this was the first or second movie I saw him in (the first, if it wasn't this one, would have been Urban Legend, decent movie on TV). He plays Erik with a sinister sensuality. His lanky frame and Kruegeresque swagger are fine qualities, he comes of confident. Erik was like that in the book many times, though he did become a lovesick puppy with Christine. Yes, it's a slasher, yes they make Erik quite cruel in it, but it does have many little tidbits from the book. Plus, it has the masked ball scene, which helps it score high with me!! Go in with an open mind and acceptance of a crueler Erik (or a sickness of a lovey-dovey Erik) and you should enjoy it. At least it's better than the Julian Sands version.
    luckyhouse

    A sleeper film with a charming and talented cast snubbed by the academy and golden globes in a deserving production

    I found the premise not only intriging, but the cinematography combined with passionate performances combined with the music make for an entertaining evening. I was so pleased with this film that I went out to buy a copy of the soundtrack to listen to while I went to buy the movie. The leading lady is not only captivating in her role, but resembles Shannon Dougherty facially and gives a Meryl Streep performance. I found the music to be very original and heartfelt although some lip sync was done during production. Robert Englund is wonderful as the Phantom. I found myself wanting to sleep with the lights on. In an alley scene where theives try to rob him, Eric Dessler (The Phantom)cleverly asks what they will trade for his purse. His delivery is strong and clever as a cat which goes well with his final remedy of the situation. We can all guess the theives steal no more.

    The end of the film finds an extremely original twist, as Eric is found to be the modern day leader of the group who is putting on the broadway play in New York. Love enduring is made so clear when certain death is avoided again, which in itself is expected but executed with dynamic acting.

    Yes, I loved this film and feel those who don't lack the training and intelligence to appreciate the story to begin with...Go buy the movie. You'll be glad you did.
    7handatthelevelofyoureyes

    Fairly good, in this Phanatic's humble opinion

    Yes, I am indeed one of those "Phanatics" as they're called (though I'm almost starting to think we have a bad reputation...), and I personally would like to say that I found this movie rather enjoyable. I think it could have done without the modern sequences altogether and stayed in the one time period, and yes, a few scenes are a bit cheesy or cheap. But believe it or not, I think that Robert Englund did a fairly good job. My favorite Phantom will always be Michael Crawford, but when one compares Englund to Gerard Butler's Phantom (even using Crawford as the standard), he practically blows that little pansy-ass out of the water. It's refreshing to see an old, decrepit Phantom again, with more subdued, majestic style than Butler's gaudy, emo character. Also, this time the Phantom isn't scared to spill some blood, restoring some respectable fear for Erik that the 2004 version kills. Englund's voice--at least when he isn't screaming--seems surprisingly perfect for the part, and all film critics alike will see that he can indeed act, but has merely been restrained by his previous Freddy typecasting. All in all, I'd say this film makes an excellent counter-balance to the 2004 film, and both those who like like Chaney's Phantom and Crawford Phanatics alike will definitely enjoy it.

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    Argumento

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    ¿Sabías que…?

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    • Trivia
      During a scene with fire, hot wax fell on Jill Schoelen, and burned her arm and shoulder. Despite this incident, director Dwight H. Little convinced Schoelen to do two more takes in the fire.
    • Errores
      When Christine first starts singing to the phantom in front of the fireplace near the beginning, her voice doesn't match her lip movement.
    • Citas

      Christine Day: [back in the present] You're him, aren't you?

      Erik Destler: [gives a sarcastic gasp] Had you expected someone else? Christine, you have always been my inspiration. You. And now, it's only a question of what you want: Love or music.

      Erik Destler: [after she rips his fake skin off while he screams]

      [seething in discomfort]

      Erik Destler: I have waited a very long time for you to come back to me my dear

      [coughing]

      Erik Destler: We had a bargain you and I

      [barks]

      Erik Destler: FOREVER!

      [now quietly]

      Erik Destler: Forever!

      Christine Day: [snatches up one of his surgical tools] NOT...

      [and stabs him with it]

      Christine Day: ... FOREVER!

    • Créditos curiosos
      This Motion Picture is not associated with any current or prior stage play or motion picture of the same title.
    • Versiones alternativas
      Several scenes of extreme graphic violence had to be trimmed/deleted in order to get an R-rating in America.
    • Conexiones
      Featured in Behind the Mask: The Making of The Phantom of the Opera (2015)
    • Bandas sonoras
      Don Juan Triumphant
      Composed and Conducted by Misha Segal

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    Preguntas Frecuentes19

    • How long is The Phantom of the Opera?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 3 de noviembre de 1989 (Estados Unidos)
    • Países de origen
      • Estados Unidos
      • Reino Unido
      • Hungría
    • Idioma
      • Inglés
    • También se conoce como
      • The Phantom of the Opera
    • Locaciones de filmación
      • Londres, Inglaterra, Reino Unido
    • Productoras
      • 21st Century Film Corporation
      • Breton Film Productions
      • Columbia Pictures
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 3,953,745
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 2,050,000
      • 5 nov 1989
    • Total a nivel mundial
      • USD 3,954,044
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 33 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Ultra Stereo
    • Relación de aspecto
      • 1.85 : 1

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