El fantasma del centro comercial

A new mall is opening in the San Fernando Valley, but it has dubious beginnings, which might explain the mysterious psycho lurking its nether regions (Derek Rydall). Morgan Fairchild plays the mayor while Jonathan Goldsmith is on hand as the greedy mall owner; Pauly Shore appears as an employee and Rob Estes a reporter.

"Phantom of the Mall: Eric's Revenge" (1989) takes the milieu of "Chopping Mall" (1986) and inserts the Phantom of the Opera story with bits of De Palma's "Phantom of the Paradise" (1974). It's comic booky 80's horror with almost a (cheesy) superhero approach, although things turn insane in the last act.

Kari Whitman is a highlight on the feminine front as protagonist Melody while Kimber Sissons is on hand as statuesque Suzie. Of course, Morgan is her usual striking self.

The film runs 1 hour, 31 minutes, and was shot at Promenade Mall in Woodland Hills (also used in "Fast Times at Ridgemont High") and Sherman Oaks Galleria with studio stuff done in Valencia, all in the Los Angeles area.

GRADE: B-/C+

Dont be put off this film by the star rating or the tacky movie title. I collect 80s B- movie classics and i quite enjoyed this movie. Its about a girl who starts a new job in a mall and is still traumatised over the death of her boyfriend(Eric)and evidence keeps on showing up that makes her believe he may still be alive. He protects her when she is in danger, and goes on a murderous rampage. The Fx arent fantastic but the story is quite interesting and the acting is reasonable, (ive seen worse). So if you can find a copy catch it if you can!

This movie was not made for 80s audiences but for future audiences to relive the vibes of the 80s. As a 1980s hyperreal fetish object it is superb. It's why a lot of b-movies from the time have become treasured, but even among a lot of them, the DTVs, the slashers, the Empire films, this is a step up. You start with that Gothic will work no matter what. Every time it cuts from mall settings to the phantom, you are getting cinema. Crawling through air ducts, piecing things through security cameras, these are all details in Gothic noir. Even better that Pauly Shore is there. In recreating a 1980s fetish object directors would certainly put him in their movie, not to say anything of his artistic significance, it is just like palm trees in California.

The camera cannot be cheated. It is a strange facet of cinema that you can go to the ends of the earth, to strain on screen, but then just, mall, gothic, Pauly Shore, the film exists in the simplest way, and works nicely. If I am underselling it to say lower your standards, it is more to have no standards at all and look at it more like an audio-visual National Geographic exhibit of the "mall". I read both essays in the package of the Arrow Video set, and both are focused more on the death of the mall, rather than the film itself, and this concept of the mall, yes it is extremely nostalgic and packed with emotion for an audience. I take more for why this works, the Phantom of the Opera, the Gothic shorthand. Of course it will end with gore, people on fire, the entire mall exploding in glorious fashion. But with the death of the mall, it takes on a double meaning. Gothic always knew the pain the suburbanite, of the 80s/90s kids, our nostalgia, loss and sorrow in great economic change. Gothic knew. This is just one of the films that made a very intellectual association in combining these subject, as we age to become haunted Gothic figures ourselves.

The sound quality and picture quality were a little ugly but this could have been down to a bad quality transfer. The effects and design were ample for the purpose. Nothing special though. I liked the attempt at a modern take of a classic story. Shame that it is really tacky and unimaginative! Still tacky cheesy fun is contained within which is something. It was enjoyable seeing Pauly Shore looking fresh-faced and young but he hadn't fully become the weasel yet. Apart from one cool moment and some fun stunts it is average tacky cheese from the eighties. This deserves a remake, it could have been better!

"Phantom of the Mall" follows a young teenage girl whose boyfriend died in a house fire. A year later, property developers erect a shopping mall on the land. Soon after, a series of murders begin, as a shadowy figure seems to stalk the mall-goers, hiding in its labyrinthine air ducts.

While this late-'80s quasi-slasher is a low-stakes viewing experience, that doesn't mean it isn't a lot of fun. For many, there will be a big nostalgia factor due to the period fashions, and the overall atmosphere of the shopping mall at its cultural peak.

The story here is (needless to say) adapted from "The Phantom of the Opera," and the screenplay is riddled with silly dialogue and a pace that is often rambling. However, if you can abandon all pretenses, "Phantom of the Mall" is a lot of fun, full of great gags, a handful of bonkers (and reasonably gory) slashings, and a dramatic mall-tastic finale. The performances here are not great, but they are functional given the material, and there are a number of familiar faces, including Morgan Fairchild as the town mayor, and Pauly Shore as an eccentric frozen yogurt shop clerk.

Overall, this is a fun, frivolous late-'80s slasher flick that is perhaps more amusing as a time capsule than as a horror movie; however, even despite its clunkier elements, it remains an amusing and over-the-top rehash of a classic story. 6/10.