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5.7/10
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Agrega una trama en tu idiomaThe "bad boys of magic" go over the edge in this mind-blowing, role-switching comedy murder mystery set in the dizzying world of Atlantic City casinos.The "bad boys of magic" go over the edge in this mind-blowing, role-switching comedy murder mystery set in the dizzying world of Atlantic City casinos.The "bad boys of magic" go over the edge in this mind-blowing, role-switching comedy murder mystery set in the dizzying world of Atlantic City casinos.
- Dirección
- Guionistas
- Elenco
Penn Jillette
- Penn
- (as Penn)
Caitlin Clarke
- Carlotta
- (as Celia McGuire)
- …
Gwendolyn Shepherd
- Mother
- (as Gwen Shepherd)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Penn and Teller is a fictional film about how inviting killers to your head on national TV can lead to potential problems, even if you are Penn and Teller.
This film embodies almost everything that is Penn and Teller, because that is what a Penn and Teller film should represent: Penn and Teller. Let's get the bad out of the way first: The acting in the film is decent and comical, but not superb - especially the actors that play the side roles. Of course considering Penn and Teller are magicians whose job is to act in a way that conceals their tricks, their acting is not bad, although it feels like something is missing, especially in the more "emotional" parts of the film.
Also, there's a slight issue with the writing. The film is sort of a mix between comedy and thriller, but the twists are generally somewhat predictable, and a lot of the humor does not cause explosive laughter. Again, the writing is just a wee bit weak, but in my opinion not the main point of the film.
What the point of the film is though is lots of Penn and Teller: The viewer gets to see plenty of magic tricks and how they are done, Penn and Teller make commentary on various forms of superstition, and deliver what is in my opinion the silliest, somewhat apologetic yet quite possibly best ending a film could ever have.
Overall, I would recommend Penn and Teller Get Killed, even if I were on national TV.
This film embodies almost everything that is Penn and Teller, because that is what a Penn and Teller film should represent: Penn and Teller. Let's get the bad out of the way first: The acting in the film is decent and comical, but not superb - especially the actors that play the side roles. Of course considering Penn and Teller are magicians whose job is to act in a way that conceals their tricks, their acting is not bad, although it feels like something is missing, especially in the more "emotional" parts of the film.
Also, there's a slight issue with the writing. The film is sort of a mix between comedy and thriller, but the twists are generally somewhat predictable, and a lot of the humor does not cause explosive laughter. Again, the writing is just a wee bit weak, but in my opinion not the main point of the film.
What the point of the film is though is lots of Penn and Teller: The viewer gets to see plenty of magic tricks and how they are done, Penn and Teller make commentary on various forms of superstition, and deliver what is in my opinion the silliest, somewhat apologetic yet quite possibly best ending a film could ever have.
Overall, I would recommend Penn and Teller Get Killed, even if I were on national TV.
This movie is a must see for Penn and Teller fans. The story line reflects a lot about how the Bad Boys of Magic really act while on the road.
The constant pranks are imminently entertaining. The movie drags a bit near the end, but leads up to a great surprise for fans of the magic twosome.
The film may not sustain itself well for viewers who aren't very familiar with Penn and Teller. Still, you can't help but enjoy the frenzied nuttiness of the airport scene.
The constant pranks are imminently entertaining. The movie drags a bit near the end, but leads up to a great surprise for fans of the magic twosome.
The film may not sustain itself well for viewers who aren't very familiar with Penn and Teller. Still, you can't help but enjoy the frenzied nuttiness of the airport scene.
this movie has some interesting stunts that are pulled, but I kept asking myself during the duration of the film, Is Penn the guy who does the "next on Comedy Central" voice. Otherwise I could dig this movie, jay and silent bob seemed to rip it off a little bit.
The idea is promising: is someone actually trying to kill Penn (following his peculiar request), or is it all a big hoax? But the result is a mess. The script that Penn and Teller wrote is unstructured and complex, and it doesn't seem to have a discernible beginning, middle or end. There is a funny and creative scene in an airport, early on, and then the film goes downhill. The VERY last monologue we hear, however, is kind of clever... (**)
Penn and Teller Get Killed isn't what you'd call a triumph of skilled film-making. The primary function of the movie is to allow Penn and Teller to perform their routines and display their trademark style -- a style that has as much to do with their attitudes as it does their 'magic.' If you like them, you'll like the movie; if not, you probably won't.
That said, the plot is interesting enough, and the film is not JUST a vehicle. The film itself really does reflect their twisted sensibility, and that may be its strongest point -- it's not just "Penn and Teller do some magic with a plot pasted on." It's really what you'd expect if someone allowed these two to make a movie. (The ending, in particular, is one of the strangest I've ever seen.) The film is perfectly Penn and Teller: it gets inside your head, twists things around, breaks some stuff, and leaves with a smile as you try and figure out what to do with the mess.
That said, the plot is interesting enough, and the film is not JUST a vehicle. The film itself really does reflect their twisted sensibility, and that may be its strongest point -- it's not just "Penn and Teller do some magic with a plot pasted on." It's really what you'd expect if someone allowed these two to make a movie. (The ending, in particular, is one of the strangest I've ever seen.) The film is perfectly Penn and Teller: it gets inside your head, twists things around, breaks some stuff, and leaves with a smile as you try and figure out what to do with the mess.
¿Sabías que…?
- TriviaWhen Teller is being held down with ropes by audience members, the one closest to Penn Jillette is James Randi, aka "The Amazing Randi". A close friend and mentor, Randi wrote the book "The Faith Healers" and exposed psychic doctors to the public, a driving plot point in the film.
- ErroresWhen Penn is being removed from the casino by the cop, his chants of "Attica! Attica!" don't match his mouth. That's because he originally sang "We shall overcome! We shall overcome!" as can be seen in the trailer.
- Créditos curiososTo hide the fact that Caitlin Clarke played a dual role, she also was credited under the pseudonym 'Celia McGuire'. The closing credits reveal the pseudonym with the consecutive credits: Officer McNamara...Celia McGuire Celia McGuire...Caitlin Clarke
- ConexionesFeatures Penn & Teller Go Public (1985)
- Bandas sonorasSubterranean Homesick Blues
Performed by Penn Jillette
Written by Bob Dylan
©1965 Warner Bros. Inc.
Performed by Penn Jillette
[Penn quotes the lyrics to test his mic in the first scene and later while almost being operated on]
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Detalles
Taquilla
- Presupuesto
- USD 8,000,000 (estimado)
- Tiempo de ejecución
- 1h 29min(89 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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