Gringo viejo

There is more soul in this film than in 50 'modern' films.

While there is a lot of bad acting, and many other flaws in this movie, there are some GREAT scenes, great dialog, great characters, and great performances. Gregory Peck has some very memorable, outstanding monologues, there are many interesting and complex relationships, and there are no simple resolutions to conflicts.

Again- there are many areas of the film that do not work: doesn't matter, ignore them. There is tremendous depth here, and a lot of value to draw from the good parts of this movie. Peck and Smits are great, and even Fonda has some excellent moments.

They don't make 'em like this any more, and they don't make actors like Peck.

Although the story had a great potential, although the production was supporting and although the trio in the leading roles performed honorably, this film was ultimately betrayed by the director and notably the editor. It frequently looks incoherent, the scenes do not tie with each other and the result is so superficial (and superfluous at times) it looks like tv and soap opera. I remember the other historical drama N&S from the '80s - although it was done for tv it was ambitious and had quality. Not this one though - the few good moments (especially between Gregory Peck and Fonda) are abandoned and almost suffocated by the mediocrity of the entire. Maybe the director should have worked with Mexicans.

Opulent mess that died at the box office and with critics alike in 1989. In early-20th Century Mexico an American school teacher (Jane Fonda) is kidnapped by a desperado (Jimmy Smits) and his rebellious gang. The titled character (Gregory Peck) is slowly dying of an illness and tries to get himself killed by Smits on numerous occasions as he also tries to get Fonda to safety. Strangely a bond develops between Smits and Peck just as Fonda becomes Smits' lover and then surprisingly Fonda learns who Peck really is and falls in love with him as well (and also tries to fulfill his dying wish). "Old Gringo" is a lot of smoke and sand that tries to become the "Dr. Zhivago" of its time, but falls completely. The big-name performers cannot make it through a story that drags along and never gets to a suitable pay-off. The direction is disastrous too and we are left with a huh? movie that really means nothing at all. 2.5 out of 5 stars.

The director, Luis Puenzo, crafted an extraordinary vision of the drama that confronts players when they decide to make revolution. Puenzo took us behind the scenes of a sweeping political struggle and made the viewer examine the personal details and the personal confrontations of the actors as they tred the stage of events that were much bigger than themselves.

I know, I know-all of this has been done before; it's formula scrip work but the brilliance of the cast and the direction make Old Gringo into a movie that you will return to over and over again like a favourite old wine or a dish that you never tire of eating.

The principal cast of Fonda, Smits and Peck enliven an already sumptuous tapestry woven by Puenzo. The film is visually rich and the eye is as entranced by the beauty of the scenes as much as the mind is satisfied with the meat of the story.

People owe it to themselves to see such a rich film.

Gregory Peck's over the top performance and Jimmy Smits in over his head do not however destroy a good story. Jane Fonda truly loved this story but even she looks lost in the pages told. But just imagine the last days of Bitter as recounted here. Just picture the upheaval and pain so universally shared by any people in the throes of hell and in the midst, yeah corny, but in the midst of that pain, the universal tale of hope and love. Sacrifice for something bigger than yourself. A story teller must always moralize. Worth the watch. All romantics welcomed. (PS Note to director: There are light skin Mexicans (not me but others) - no need for the garish make-up - ugh.)