CALIFICACIÓN DE IMDb
5.1/10
6.1 k
TU CALIFICACIÓN
Un agente corporativo poco convencional tiene la tarea de convertir a un grupo de criminales violentos y magos de la tecnología en una fuerza de defensa de helicópteros para proteger una est... Leer todoUn agente corporativo poco convencional tiene la tarea de convertir a un grupo de criminales violentos y magos de la tecnología en una fuerza de defensa de helicópteros para proteger una estación minera en una luna remota.Un agente corporativo poco convencional tiene la tarea de convertir a un grupo de criminales violentos y magos de la tecnología en una fuerza de defensa de helicópteros para proteger una estación minera en una luna remota.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados en total
Mehmet Yilmaz
- Marc
- (as Mechmed Yilmaz)
William Begatie
- Pilot Taxi-Crane
- (as William Begatte)
Opiniones destacadas
No, I'm not really a "fan" of Emmerich. That wouldn't be the right word. And yes, his films tend to strain credulity so much that it risks breaking. But let's admit it... he makes good popcorn flicks(with the exception of 10,000 B.C., that was awful). They tend to be enjoyable, exciting and just plain fun. And this really is no exception; while he gets larger budgets and more attention today, he could certainly deliver back then, as well. This does have a big name... I mean, Alexander Kruemmel, that's plenty of letters. Just kidding; I'm referring to McDowell, of course. The acting ranges, though this does manage to make Paré appear almost charming. I loved seeing Brian Thompson again(two appearances in Charmed, minor role in The Terminator, and he's played Klingons; what he may lack in range, he attempts to make up for in muscle, cool to see), even if they gave him unflattering facial hair. The FX are great. Dialog is pretty good, humorous and can be fairly sharp. The sets are reminiscent of Alien, and quite nice. This has guts. There is commentary on the world. The tension is reasonably effective. Arguably, there is not a ton of action(with that said, what there is usually is well-done)... then again, it's 92 minutes sans credits. There is plenty of strong language, disturbing content and a little moderate violence in this. I recommend this to anyone looking for a quick, easy to get into, cheap sci-fi B-movie. 5/10
This is a stylish looking movie, with moody lighting and atmospheric industrial sets. The space ships are cool - though why the good guys only have helicopters is a puzzle. The characters are likable enough but some are out-of-the-box Hollywood cutouts. The actors are either almost famous, or look hauntingly like people who are - I spent a lot of time wondering if I had seen them before (I hadn't it turns out). The story is OK, however there are a few plot glitches, and at times the story line is a bit thin. There are no real surprises - and no moral ambiguity. The dialogue is OK but once or twice stinks so bad you'll cringe (it may have been an attempt at humour?). At least there are no sudden swerves into the horror genre, and no completely unexplainable plot twists (as in Sunshine for instance).
If you like sci-fi anyway you probably be forgiving enough to enjoy this. I got the DVD for £1 at Tescos so I feel I got my money's worth.
If you like sci-fi anyway you probably be forgiving enough to enjoy this. I got the DVD for £1 at Tescos so I feel I got my money's worth.
The film was interesting sci-fi fare. I felt for the characters in their pridicaments. Granted, it could have been much better, but it could have been worse to. I guess the biggest complaint that I have is that the DVD was released in the inferior format of full frame. I would like to have the opportunity to see the film in it's intended format so that I can get all the necessary information to determine if this is a better film than I think. Thus far all I have seen is the blur of the full frame destruction of the film. Come on Artisan, get with the program!
Moon 44 is for sure not a masterpiece but solid and fun space action of the B-movie category: some mercenaries defending a mine somewhere lost in space. Easy to consume pulp science fiction well produced on a small budget. Moon 44 and The Noah's Ark Principle are in my opinion the more interesting and entertaining movies than Mr. Emmerich's last big productions Moonfall or Midway.
If "Moon 44" deserves to be remembered, it's for authentic atmosphere. It breathes 80's style SF realism, a cross between "Aliens" and "Blade Runner" -- did they pilfer Deckard's living room interior for their company headquarters scenes, by the way? Look closely...
It was Roland Emmerich's first genre movie before "Independence Day", and the two share the same flaws. Yes, it is full of stereotypes and the end is cheesy, by "B-movie" standards, but it also has some good drama and an interesting mix of characters. The real letdown is Michael Paré as the pretty face/mercenary hero -- a little more depth to his bleak and boring character might have improved the ratings. The main assets of the film are its visuals, they make for a totally believable outer space "mining" colony. This is a rather low budget production, but you don't see it. With some refinement to the story, and a few long shots and explosions more, it might have come out really good. This is one of those films that make you wonder, what if.
It was Roland Emmerich's first genre movie before "Independence Day", and the two share the same flaws. Yes, it is full of stereotypes and the end is cheesy, by "B-movie" standards, but it also has some good drama and an interesting mix of characters. The real letdown is Michael Paré as the pretty face/mercenary hero -- a little more depth to his bleak and boring character might have improved the ratings. The main assets of the film are its visuals, they make for a totally believable outer space "mining" colony. This is a rather low budget production, but you don't see it. With some refinement to the story, and a few long shots and explosions more, it might have come out really good. This is one of those films that make you wonder, what if.
¿Sabías que…?
- TriviaMoon 44: prisión espacial (1990) is the first orchestral symphonic score written by composer Joel Goldsmith. Prior to this he had only written electronic scores to such films as Doctor erótico (1983) among others.
- ErroresWhen the Pirite drones finally attack Moon 44, only Stone takes a helicopter to confront them. The base is filled with choppers and pilots able to use them, but everybody else just hang with Stone's navigator (Tyler) waiting for him to save the day. Funnily enough, the inmates crew was there precisely to defend the base from these drone attacks, that's the whole point of the movie.
- ConexionesFeatured in Master of Desaster: Roland Emmerich - eine Hollywoodkarriere (1998)
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Detalles
Taquilla
- Presupuesto
- DEM 7,000,000 (estimado)
- Tiempo de ejecución1 hora 38 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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By what name was Moon 44: prisión espacial (1990) officially released in India in English?
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