Mathilukal
- 1990
- 2h
CALIFICACIÓN DE IMDb
8.2/10
1.7 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaIts a story of Basheer, an author who experiences his prison life. In it he finds friendship, loneliness, fear and finally love, but that remains questionable.Its a story of Basheer, an author who experiences his prison life. In it he finds friendship, loneliness, fear and finally love, but that remains questionable.Its a story of Basheer, an author who experiences his prison life. In it he finds friendship, loneliness, fear and finally love, but that remains questionable.
- Dirección
- Guionistas
- Elenco
- Premios
- 8 premios ganados y 1 nominación en total
Karamana Janardanan Nair
- Political leader
- (as Karamana)
Babu Namboothiri
- Trade union leader
- (as Babu Nampoothiri)
Vembayam Thampi
- Thorappan habitual criminal
- (as Vempayam)
Krishnan Kutty Nair
- Witness
- (as P. K. Krishnan Nair)
- …
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
10rupanisp
His Divine Grace Very Great and Honorable Mr. Adoor Gopalakrishnan has an art of its own.
I saw His Divine Grace for first time in Houston International Film Festival in year 2000.
We watched the movie at Houston Museum of Fine Arts with a audience of less than 50.
It is really a work of art...
I would request His Divine Grace to consider making something for rich people... like "Music Room" by His Divine Grace Late Satyajit Ray...
His Divine Grace is in press this week -- India Today.
I still believe His Divine Grace deserve more attention than he is getting in Bombay and New Delhi...
Good Luck.
Thanks and Regards.
I saw His Divine Grace for first time in Houston International Film Festival in year 2000.
We watched the movie at Houston Museum of Fine Arts with a audience of less than 50.
It is really a work of art...
I would request His Divine Grace to consider making something for rich people... like "Music Room" by His Divine Grace Late Satyajit Ray...
His Divine Grace is in press this week -- India Today.
I still believe His Divine Grace deserve more attention than he is getting in Bombay and New Delhi...
Good Luck.
Thanks and Regards.
Mathilukal (1990) :
Brief Review -
One of the Finest Prison-Drama ever made in WORLD CINEMA. An intellectual conversational lecture turned into a Sweet yet Metaphorical Love-Story. How many prison-dramas have you seen which does not include crime horrors, Escape tricks, brutal scenes and highly intelligent characters? Let me give an answer, its NONE. I am saying it again, Mathilukal is one of the finest prison-drama ever made In WORLD CINEMA, I repeat WORLD CINEMA. As i cleared, this does not include POW escape, World War and Crime genre flicks otherwise my list would be full of Hollywood, French and Russian films made before 60s. One more thing to notice is, Mathilukal was made before famous 'The Shawshank Redemption' which also had the same subject with different theories, different methods and different motive of course. Mathilukal focuses on the prison life of a writer Vaikom Muhammad Basheer and the love between him and Narayany, a female inmate of the prison, who remains unseen throughout the film. In two hours of its runtime, Mathilukal has 75% portion covered with jail life and the Intellectual conversations of the protagonist and then last 25% goes into forming an interesting Love Story. Though, i felt that it should have provided the more space to the love story. It rushes so fast that the stability seems lost. And for 40s period such a quick Love Story, i mean just one indirect conversation didn't look appropriate. Rest, it is an engrossing drama with lots of philosophical and human life circle stuff. Mammootty's portrayal as Basheer is cent percent natural. He does not seem like he's playing it on screen. It seemed like as if he was just wandering as Basheer in himself in front of camera. Adoor sir's direction is simply outstanding. Every single frame says so. Overall, a True Classic that deserved all the acclaim and awards.
RATING - 8/10*
By - #samthebestest.
One of the Finest Prison-Drama ever made in WORLD CINEMA. An intellectual conversational lecture turned into a Sweet yet Metaphorical Love-Story. How many prison-dramas have you seen which does not include crime horrors, Escape tricks, brutal scenes and highly intelligent characters? Let me give an answer, its NONE. I am saying it again, Mathilukal is one of the finest prison-drama ever made In WORLD CINEMA, I repeat WORLD CINEMA. As i cleared, this does not include POW escape, World War and Crime genre flicks otherwise my list would be full of Hollywood, French and Russian films made before 60s. One more thing to notice is, Mathilukal was made before famous 'The Shawshank Redemption' which also had the same subject with different theories, different methods and different motive of course. Mathilukal focuses on the prison life of a writer Vaikom Muhammad Basheer and the love between him and Narayany, a female inmate of the prison, who remains unseen throughout the film. In two hours of its runtime, Mathilukal has 75% portion covered with jail life and the Intellectual conversations of the protagonist and then last 25% goes into forming an interesting Love Story. Though, i felt that it should have provided the more space to the love story. It rushes so fast that the stability seems lost. And for 40s period such a quick Love Story, i mean just one indirect conversation didn't look appropriate. Rest, it is an engrossing drama with lots of philosophical and human life circle stuff. Mammootty's portrayal as Basheer is cent percent natural. He does not seem like he's playing it on screen. It seemed like as if he was just wandering as Basheer in himself in front of camera. Adoor sir's direction is simply outstanding. Every single frame says so. Overall, a True Classic that deserved all the acclaim and awards.
RATING - 8/10*
By - #samthebestest.
Sri. Mammootty got national award for beat actor in this movie , this is a love story but there is no actress in this movie
Cinema is an absolutely fantastic medium to reveal a new literature,a new author or a new vision.It is from this point of view one must consider Malayalam language film 'Mathilukal'-A feature film directed by Kerala's most famous director Adoor Gopalakrishnan which had some success in the west especially in some big as well as small film festivals.There is also a book of the same name written by one of Kerala's acclaimed writers V.M.Basheer.It is nice to learn that the film is not a direct copy of the book.This has helped in retaining its original charm as director Adoor Gopalakrishnan chose to integrate his own personal vision to the project.In many ways,he has succeeded in deserving the success but there are many instances where this film lacks seriousness and fails to convey anything substantial.By casting Mammootty to play the role of Basheer,Adoor achieved an artistic coup of sorts as the actor has massive fan following.However,the presentation of the film leaves a lot to be desired especially in the manner comedy has been infused through the film.This is a big disappointment as it robs the film of conveying its message in a poetic manner.
In 1942, Basheer, a noted writer in Kerala, South India, was imprisoned by the British Government for "treason", i.e. advocating the exit of the British. Sentenced to 2-1/2 years, he was released early by an amnesty. This movie depicts his months within the prison walls.
And how lacking in incident or interest those months were! Mostly he passes the time smoking, walking about the yard, growing roses, scribbling, and talking with the other prisoners. (The politicals wear white hats, the murderers red, and all others black.) Everyone has heard of him, and he is cheerful to everyone, occasionally offering spiritual advice (like admonishing a guard for stealing his petty property). He is given small presents by the guards and other prisoners--cigarettes, tea, dried fish, writing paper. He meets an old classmate, who was whipped and shackled for petty disobedience, but this is the worst brutality he encounters. His political conversations are equally shallow, consisting mostly of gossip about "Gandhiji", and singing anthems. It is never revealed what he is writing in prison, though his guards request autographed copies of it when it is published. (Other prison writings have included Marco Polo's Travels, Don Quixote, and Mein Kampf, but nothing of that caliber appears here.) When all political prisoners except Basheer are amnestied, he goes into a bit of a funk, but perks up by having bland conversations with an unseen female prisoner beyond the wall in the women's cells. Just before he can meet her by faking illness, he is suddenly released.
Now, drama is built on conflict; but all the conflict in this film is offstage. Basheer is played by Mammootty, an immensely popular Indian actor (almost 300 films!), who has the easy charm of George Clooney, as well as his physical presence. (The latter jars when he speaks of having frequently known hunger.) Other than his old schoolmate, no other character even has a backstory beyond the name of the crime they were sent in for. Perhaps the roses were symbolic, perhaps the wall that blocked his view of the women. But I found very little mental or emotional nourishment to feed on in this movie.
And how lacking in incident or interest those months were! Mostly he passes the time smoking, walking about the yard, growing roses, scribbling, and talking with the other prisoners. (The politicals wear white hats, the murderers red, and all others black.) Everyone has heard of him, and he is cheerful to everyone, occasionally offering spiritual advice (like admonishing a guard for stealing his petty property). He is given small presents by the guards and other prisoners--cigarettes, tea, dried fish, writing paper. He meets an old classmate, who was whipped and shackled for petty disobedience, but this is the worst brutality he encounters. His political conversations are equally shallow, consisting mostly of gossip about "Gandhiji", and singing anthems. It is never revealed what he is writing in prison, though his guards request autographed copies of it when it is published. (Other prison writings have included Marco Polo's Travels, Don Quixote, and Mein Kampf, but nothing of that caliber appears here.) When all political prisoners except Basheer are amnestied, he goes into a bit of a funk, but perks up by having bland conversations with an unseen female prisoner beyond the wall in the women's cells. Just before he can meet her by faking illness, he is suddenly released.
Now, drama is built on conflict; but all the conflict in this film is offstage. Basheer is played by Mammootty, an immensely popular Indian actor (almost 300 films!), who has the easy charm of George Clooney, as well as his physical presence. (The latter jars when he speaks of having frequently known hunger.) Other than his old schoolmate, no other character even has a backstory beyond the name of the crime they were sent in for. Perhaps the roses were symbolic, perhaps the wall that blocked his view of the women. But I found very little mental or emotional nourishment to feed on in this movie.
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- Tiempo de ejecución2 horas
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By what name was Mathilukal (1990) officially released in Canada in English?
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