Al recluso Frank Leone le quedan seis meses para salir de la cárcel, pero las rencillas con un guardián vengativo hacen que lo trasladen a una prisión de máxima seguridad.Al recluso Frank Leone le quedan seis meses para salir de la cárcel, pero las rencillas con un guardián vengativo hacen que lo trasladen a una prisión de máxima seguridad.Al recluso Frank Leone le quedan seis meses para salir de la cárcel, pero las rencillas con un guardián vengativo hacen que lo trasladen a una prisión de máxima seguridad.
- Dirección
- Guionistas
- Elenco
- Premios
- 3 nominaciones en total
- Ernie
- (as Dean Duval)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
So his minor prison sentence turns into a big one, although one that he spends at a comfortable minimum security joint with all kinds of perks, including weekends and conjugals and even friendships with the guards. His release is approaching when suddenly he is awakened in the middle of the night and taken to a brutal, maximum-security prison where he is to spend the rest of his sentence. It's called a "routine transfer," although he has done nothing to deserve such an upgrade in security status and even his wife is not informed of what happened to him.
Ultimately he learns that he is being transferred to the prison of Warden Drumgoole (Donald Sutherland at his creepy best), who was in charge of the prison that Leone escaped from, which in turn made it into the papers and ruined Drumgoole's career. Now he has his chance for revenge, and he plans to arrange for Leone to spend the rest of his life in this prison.
The movie carelessly glosses over the ease with which Drumgoole plucks Leone out of his own prison with no explanation to those in charge there, and the conflict immediately switches to Leone trying to survive in this violent prison and stay out of trouble so he doesn't screw up his chances of getting released on time so he can go back to his family.
Drumgoole pulls out all the stops in violating the law that his institution is designed to uphold so that he can keep this one guy down, and Leone faces all manner of challenges ranging from shank-laden inmates to one of his inmate buddies who steals the Mustang they've all restored together and tears all over the prison yard doing doughnuts.
The movie is definitely entertaining although there are times when the cheese factor is through the roof, such as the spray paint fight and the downright school-girlish friendship that Leone forms with a small group of other inmates. On the other hand, it also has a much wider target audience than your average prison movie, and it manages to generally avoid most of the gaping pitfalls that prison movies are in danger of falling into when they shoot for a wide audience. There's nothing realistic about it, but for good Stallone entertainment, this is not a bad way to follow up the massive success of the Rambo and Rocky films.
Also keep your eye out for a young Tom Sizemore, but be advised that the movie features violence, unnecessary cheesiness and may leave you with an overwhelming desire to go out and get some doughnuts
The best acting is not Stallone's (no surprise there) but that of Donald Sutherland's portrayal of the sadistic and bloodthirsty prison warden. And the scene with the Mustang nearly made me cry.
If you haven't yet seen this film... What are you waiting for? You're missing what is probably Stallone's best films! Run, don't walk, to your nearest video store! :-)
"You won't break me."
There are superb performances from the main man and his supporting characters like Donald Sutherland(the assignment), Tom Sizemore(enemy of the state), John Amos, Sonny Landham(predator) and Danny Trejo(desperado).
The story is gritty and involving, and the best scene is Sizemore's last bid for Stallone's friendship. Watch it and you'll know what I mean.
This a great film. Do not miss it. Rating=4/5
¿Sabías que…?
- TriviaDirector John Flynn has said of this movie, in a 2005 interview with Harvey F. Chartrand for Shock Cinema: "Condena brutal (1989) is a strange lesson in how Hollywood movies are made. Stallone had a 'window' which means the guy was available for a certain window of time. Larry Gordon [Lawrence Gordon] had a terrible script set in a prison. Stallone calls James Woods and asks if I'm any good as a director. Woods says yeah, he's a good director and you ought to work with him. So we have a director and a star, but no script. All we have is a theme - a guy escaping from prison. So we hire Jeb Stuart, who was then one of the hottest writers in Hollywood, to rewrite the script and we go off looking for prison locations. Now we have a star, a theme, a shooting date, a budget, a studio, but we still have no script. So we all go back to New York City, and move into a hotel where Larry 'tortures' Jeb and Henry Rosenbaum into writing a script in record time. Meanwhile, I'm going around scouting prisons. We finally found one in Rahway, New Jersey. Jeb and Henry were writing the script as we were making the movie. New pages would come in every day. There was one day when I was on the third tier of a cell-block in Rahway Penitentiary and I had nothing to shoot. I had my movie star, all these extras and a great location - and the pages were on their way. So we sat around and bullshitted with the prisoners. Stallone is a smart guy and a very underrated actor. If I ever needed a better line, he'd come up with one. Stallone is a really hard worker. I had no problem whatsoever with him".
- ErroresWhen Frank Leone is quickly forced out of his tiny jail cell his pants are not on, but as he appears out of the cell his pants are on.
- Citas
Eclipse, Dallas, others: [after the re-building of the Mustang] When we're in a sober mood, we worry, work and think. When we're in a drunken mood, we gamble, play and drink. But when our moods are over, when our time is come to pass, we hope they bury us upside down, so the warden can kiss our ass!
Dallas: Amen!
- ConexionesFeatured in Chuck Norris vs. Communism (2015)
- Bandas sonorasVEHICLE
Written by Jim Peterik
Performed by The Ides of March
Courtesy of Warner Bros. Records, Inc.
by arrangement with Warner Special Products
Selecciones populares
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Detalles
Taquilla
- Presupuesto
- USD 24,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 22,099,847
- Fin de semana de estreno en EE. UU. y Canadá
- USD 6,025,520
- 6 ago 1989
- Total a nivel mundial
- USD 22,099,847
- Tiempo de ejecución
- 1h 49min(109 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1