Ladri di saponette

A fun takeoff on the serious drama of "The Bicycle Thief." The film contrasts the intense, self-centered film director; his characters, who are just trying to make things turn out more pleasantly for themselves; the ideal and imaginary people we see in commercials; and the people in the television audience who see any film chopped up into bits that fit around commercials and other station business.

A film critic who uses the notes he prepared for another film tries to evaluate and analyze the film the television program is playing (titled "The Icicle Thief"), while the director in the studio sputters in disbelief. The characters in the melodramatic black-and-white film are stuck in drudgery and dispair until the fantasy characters in the commercials start to enter their lives. The audience, represented by a typical family, just looks at the screen whenever there is nothing better to do, while the television program chatters on in their mundane existence. Could this be us? Could this be you?

The Bicycle thief was a sad and moving story. Saying I enjoyed it would be contradictory to the feeling the viewer is left with at the end. I can, however, state that I enjoyed The Icicle Thief.

You have to pay attention to what is being said at the start of the film to understand the Directors intent to honor the original, not to "spoof" it.

The film uses color as well as Black and White brilliantly. I laughed quite a bit, which is more than usual for mainstream Hollywood comedies. Reason: This ain't hollywood...

Thanks.

This movie is not supposed to make you laugh. Nor is it merely a parody of "The Bicycle Thief". It is a meditation on the way Contemporary Italian Directors are treated, or mistreated, in current-day Italy. It is also a reflection of how these film directors are Intellectual shunned by "Intellectual" film critics in favor of more time honored classics such as "The Bicycle Thief" and also how films are treated by the Television Companies, which produce or co-produce most modern Italian films. Personally, I think it's a great and bizarre film which owes alot to Fellini's 8 1/2. the way the three worlds in the film begin to inter-weave is very clever. If you like weird movies that trancend meta-levels, See this now!

A somewhat self-important film director attends a TV studio where his latest film, The Icicle Thief, is to be shown as part of an arts programme. During transmission, loud colour commercials constantly interrupt the sombre black and white film, frustrating the director. A power failure results in a strange fusion where he enters the world of his film which itself has fused with the commercials that have been relentlessly interrupting it.

This Italian comedy is the brain child of Maurizio Nichetti who not only plays a dual role of the film director and star of the movie-within-a-movie, but also directs the film proper as well as co-wrote the thing. So quite a labour of love and an impressive achievement. The movie operates I guess in three distinct ways – as a parody of the film The Bicycle Thief (1948) and Italian neo-realism in general, a satirical assessment of commercialism vs art and lastly as an inventive bit of imaginative cinema where three worlds merge together. The worlds of course are the 'real' world of the TV studio and households watching television, the world of the movie itself and lastly the world of the commercials. It's an idea which is executed very nicely with some fun cross-references between the realities which allows for a few amusing observations. It's an idea which was used in Woody Allen's earlier The Purple Rose of Cairo (1985) but Nichetti definitely takes the concept further and makes more of it. Overall, this is an amusing, inventive and clever bit of comedy.

A movie is shown on Italian TV, edited for time and content and butchered so badly even the characters in the film don't know where they end and the commercials begin. Incensed, the director hops a train to Rome to complain to the Italian Film Board of the mockery being made of his film. Unfortunately, his train arrives at the terminal in the film, and he becomes part of the ever-increasingly discombobulated action.

This is a comedic masterwork of satire, spoof and slapstick. While the film's title and the "film-within-a-film" are both take-offs on DiSica's classic "The Bicycle Thief", this is, in fact inspired by the best of Chaplin, Keaton and, in some ways, "Your Show of Shows". Director/star Maurizio Nichetti keeps the comic action going at a furious pace, never missing an opportunity to assault the film industry marketing hype and TV industry advertising joke he so disdains.

You won't want to think about the satire, though, while you're watching this. No matter how much you may hate subtitled films, this is a genuine riot, and you will not stop laughing.