CALIFICACIÓN DE IMDb
4.4/10
3.2 k
TU CALIFICACIÓN
Un grupo de desconocidos visita un antiguo castillo húngaro y trae consigo a un hombre lobo.Un grupo de desconocidos visita un antiguo castillo húngaro y trae consigo a un hombre lobo.Un grupo de desconocidos visita un antiguo castillo húngaro y trae consigo a un hombre lobo.
- Dirección
- Guionistas
- Elenco
Phil Davis
- The Count
- (as Philip Davis)
József Madaras
- Peter
- (as Joszef Madaras)
József Bozsó
- Londiner
- (sin créditos)
Zsuzsa Holl
- Hungarian mistress of the castle
- (sin créditos)
Zsolt Körtvélyessy
- Hungarian lord of the castle
- (sin créditos)
Antal Leisen
- Waiter
- (sin créditos)
Opiniones destacadas
Howling V: The Rebirth was better than I expected it to be, but still not a very good film. I don't know about you, but when I watch a werewolf movie I hope to actually SEE the werewolf from time to time. You DON'T SEE THE WEREWOLF in this movie. There are parts of it shown for a couple seconds here and there, but you never see the whole thing. This movie tries to be a mystery, wanting you to figure out who the wolf is. It isn't too hard to figure out, and the answer is confusing. If you want to watch a good werewolf movie, try the first Howling (stay away from parts 3 and 7 AT ALL COSTS) or Silver Bullet.
With this one, I've finally watched all the HOWLING sequels. I can see why people actually like this 5th installment, as it does try to do something else with the werewolf concept. It plays out like a whodunit-slasher, set on one imaginative location (a Hungarian castle setting). Yet still, when you have to judge it on its own terms and nature, it falls short at the end of the ride. There's too little of the mystery-plot to enjoy (not enough red herrings, no twists worth mentioning and the killer/werewolf could just be anybody really - it's no fun to think along with the plot as there is not much to think about and no real puzzles to be solved). All the actual kills sadly happen off-screen (only ripped throats are shown after the events). We don't get to see much of the werewolf (only some brief glimpses during the attacks) and the film does not feature a transformation-scene (which I was so hoping for to happen during the conclusion). It's even lacking a decent climax of sorts.
The acting is strictly so-so, provided by a cast compiled out of unfamiliar names (at least to me they were). The small bits of humor injected into some of the dialogues, didn't really pay off. Fortunately they weren't too distracting. As far as cinematography goes, I only found the special effect shots, of the exterior of the castle during a snow storm, to be enjoyable. The interior sets of the castle chambers, dungeons and corridors looked a little cheap. But that can be forgiven, due to the movie's low budget.
It's an amusing watch and certainly not the worst or most idiotic HOWLING sequel, yes, but nothing more. HOWLING V might have drawn a lot of influences from that other 'guess the werewolf'-film THE BEAST MUST DIE (1974, starring Peter Cushing). Slightly more ridiculous but also a lot more fun, that film's at least worth checking out. I'm not too sure about HOWLING V, though. I probably should be flunking this film, but I'll be forgiving in my final rating. If only for the fact that HOWLING V: THE REBIRTH is infinitely better than the series final installment, (Part 7) NEW MOON RISING. Part 7 tries to tie up loose ends between part 4 (THE ORIGINAL NIGHTMARE) and part 5 (THE REBIRTH), but writer/director/producer/actor Clive Turner turned it into an insufferable mess of a movie.
The acting is strictly so-so, provided by a cast compiled out of unfamiliar names (at least to me they were). The small bits of humor injected into some of the dialogues, didn't really pay off. Fortunately they weren't too distracting. As far as cinematography goes, I only found the special effect shots, of the exterior of the castle during a snow storm, to be enjoyable. The interior sets of the castle chambers, dungeons and corridors looked a little cheap. But that can be forgiven, due to the movie's low budget.
It's an amusing watch and certainly not the worst or most idiotic HOWLING sequel, yes, but nothing more. HOWLING V might have drawn a lot of influences from that other 'guess the werewolf'-film THE BEAST MUST DIE (1974, starring Peter Cushing). Slightly more ridiculous but also a lot more fun, that film's at least worth checking out. I'm not too sure about HOWLING V, though. I probably should be flunking this film, but I'll be forgiving in my final rating. If only for the fact that HOWLING V: THE REBIRTH is infinitely better than the series final installment, (Part 7) NEW MOON RISING. Part 7 tries to tie up loose ends between part 4 (THE ORIGINAL NIGHTMARE) and part 5 (THE REBIRTH), but writer/director/producer/actor Clive Turner turned it into an insufferable mess of a movie.
The Howling series doesn't have much of a great reputation, each one being different in style and tone with no real connection to each other. Although the second film does touch upon the original in some sort plot tie. I never been a huge fan of the original and the sequels that I've seen (2, 3 and 4) are simply inferior. So I went into the filth venture (another straight-to-video fare) expecting less, but actually came away mildly enjoying it. In some regards I enjoyed it more than the original
that's not to say it's better than that film. But I was pleasantly surprised by it.
A group of strangers selected from around the world are invited by an aristocratic count to the re-opening of a castle in Budapest that hasn't seen light for over 500 years due to its terrible past. Unknowingly to them everyone in the group bears an identical birthmark that links them to the castle's terrible past.
The low-budget, but sturdy "The Howling V: The Re-Birth" plays around with the ten little Indians murder mystery formula, but the killer is no ordinary being but actually a werewolf. The revelation might not come as a surprise, as there are certain clues scattered about pointing to the one in question, but it still remains cleverly penned (it elaborately plotted) and unpredictable in what order the guests become fresh meat. The performances are down-to-earth by the likes of Stephanie Faulkner, Mark Sivertsen and William Shockley, as there is an odd assortment of characters where a lot of time can be spent on trivial dialogue exchanges. However it stays gripping, crowned with mystery and danger where the remote Gothic castle setting (modern day Budapest) is dark and dank. The ominously gloomy and taut atmosphere works, as they keep to what its budget allows it and this means making sure the beast mostly stays in the shadows. Lurking or stalking its prey. Director Neal Sundstrom favours suggestively brooding handling. We don't get much of a real look, as there's plenty of rapid moving POV shots, minor flashes and off-screen attacks. What we did see of it didn't look the greatest, but it's acceptable. Moments do strike up some eerie spells and suspenseful build-ups before it deliver the shocks. It's helped by competently sweeping camera-work and a foreboding music score.
Entertaining superstitious whodunit b-grade hokum
A group of strangers selected from around the world are invited by an aristocratic count to the re-opening of a castle in Budapest that hasn't seen light for over 500 years due to its terrible past. Unknowingly to them everyone in the group bears an identical birthmark that links them to the castle's terrible past.
The low-budget, but sturdy "The Howling V: The Re-Birth" plays around with the ten little Indians murder mystery formula, but the killer is no ordinary being but actually a werewolf. The revelation might not come as a surprise, as there are certain clues scattered about pointing to the one in question, but it still remains cleverly penned (it elaborately plotted) and unpredictable in what order the guests become fresh meat. The performances are down-to-earth by the likes of Stephanie Faulkner, Mark Sivertsen and William Shockley, as there is an odd assortment of characters where a lot of time can be spent on trivial dialogue exchanges. However it stays gripping, crowned with mystery and danger where the remote Gothic castle setting (modern day Budapest) is dark and dank. The ominously gloomy and taut atmosphere works, as they keep to what its budget allows it and this means making sure the beast mostly stays in the shadows. Lurking or stalking its prey. Director Neal Sundstrom favours suggestively brooding handling. We don't get much of a real look, as there's plenty of rapid moving POV shots, minor flashes and off-screen attacks. What we did see of it didn't look the greatest, but it's acceptable. Moments do strike up some eerie spells and suspenseful build-ups before it deliver the shocks. It's helped by competently sweeping camera-work and a foreboding music score.
Entertaining superstitious whodunit b-grade hokum
Basically this is the werewolf version of Ten Little Indians. A group of people end up stranded at a castle during a snowstorm and while they wait for it to end someone or something begins to pick them off one by one. With the howling and teeth marks on the bodies it points to one of them not being what they seem. This is actually a fairly descent Howling movie but it does have a small budget. I will give credit in the fact that they did well with what they had. The ending is also somewhat clever if you are not paying close attention throughout the movie. Overall not bad for what it is and is better than some of the other sequels.
Like I said above this movie aint so bad. Now wit most big horror franchises you have your good and your bad and the howling is no different and this is by far the best howling sequel. The story isn't very original some may argue it was stolen from "the beast must die" others might say its Ten Little Indians with a werewolf twist and in fact it pretty much is. There is very little suspense and very little gore but there is a memorable decapitation. The only character I liked at all was the count the rest sucked. The only way for this movie to be suspenseful is if you put your self in their shoes if so it might get slightly scary. There are a few good jump scares and they never show the werewolf which was a good decision I think.
Anyways I say rent this movie if you can't find the original or An American Werewolf in London or Bad moon or Ginger snaps or Dog soldiers what I'm trying to say is there are allot of better werewolf movies but there are a few worse as well.
Anyways I say rent this movie if you can't find the original or An American Werewolf in London or Bad moon or Ginger snaps or Dog soldiers what I'm trying to say is there are allot of better werewolf movies but there are a few worse as well.
¿Sabías que…?
- TriviaDespite the fact that this film states "Based on the novels 'The Howling I, II, and III' written by Gary Brandner", this film is in no way based on any of those novels, and is a sequel to the earlier Howling films in name only.
- ErroresThere was no city called "Budapest" in 1489. The cities of Buda and Pest were not merged until 1873.
- Citas
Marylou Summers: The Devil was a werewolf... Wow, that's incredible!
- ConexionesFeatured in Aullido VII (1995)
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